Marion Nestle

Before this year, life at New College of Florida could feel like a retreat into a pleasantly forgotten corner of the country. Students walked on paths that wound past wisps of Spanish moss and a stately banyan tree to a park on Sarasota Bay, where the outside world often felt as distant as the sun setting into the Gulf of Mexico. Then on January 6, Ron DeSantis, Florida’s popular Republican governor, seized control of the college by appointing six new members to its board of trustees.

Suddenly, the Sarasota campus found itself at the center of the culture wars. A DeSantis spokesman declared that the college had been “completely captured by a political ideology that puts trendy, truth-relative concepts above learning.” Christopher Rufo, the most outspoken new trustee, vowed to take it back. “We are now over the walls and ready to transform higher education from within,” he tweeted. In New College, Rufo saw every excess of “wokeness” in academia. He believes that critical theorists spent decades pursuing the “ideological capture” of universities, installing “coercive ‘diversity, equity, and inclusion’ programs.” At New College, he charges, the students and faculty faced something like “a hostage situation.”

This is Work in Progress, a newsletter by Derek Thompson about work, technology, and how to solve some of America’s biggest problems. Sign up here to get it every week.

Here is a history of work in six words: from jobs to careers to callings.

Until quite recently, we had little concept of “progress” in our labor. Around the world, people hunted or harvested, just as their parents and grandparents had. They hammered nails. They assembled gears and sewed thread and patched homes. Their work was a matter of subsistence and necessity; it was not a race for status or an existential search for meaning. These were jobs. And for hundreds of millions of people everywhere, work is still work—grueling or boring or exploited or poorly paid, or all of the above.

The pandemic initiated a slew of transformations, and though many have not stuck, one indisputably has: Telehealth is booming in America. This golden age of electronic engagement has one massive benefit—doctors are more accessible than ever. Unfortunately, this virtue is also proving to be telehealth’s biggest problem. For patients, being able to reach their doctors by video visit, phone call, or email is incredibly convenient, but physicians have been overwhelmed by the constant communication. This cost is now being shifted back to the patients, and almost every interaction with a doctor, no matter how casual, counts as some form of “visit” now.

At the start of the pandemic, telehealth was lauded as the beginning of a revolution in medicine. Patients quickly became adept at using online portals to reach their doctors, frequently writing to them with quick questions or concerns in between visits. But when in-person visits largely resumed, this higher volume of online messaging did not go away. In fact, it did not even seem to decrease. And though a video appointment and office visit might be interchangeable in a doctor’s daily schedule, busy physicians found themselves with little time to respond to those smaller communications.

Close to 5 million people follow Influencers in the Wild. The popular Instagram account makes fun of the work that goes into having a certain other kind of popular Instagram account: A typical post catches a woman (and usually, her butt) posing for photos in public, often surrounded by people but usually operating in total ignorance or disregard of them. In the comments, viewers—aghast at the goofiness and self-obsession on display—like to say that it’s time for a proverbial asteroid to come and deliver the Earth to its proverbial fiery end.

Influencers in the Wild has been turned into a board game with the tagline “Go places. Gain followers. Get famous. (no talent required)” And you get it because social-media influencers have always been, to some degree, a cultural joke. They get paid to post photos of themselves and to share their lives, which is something most of us do for free. It’s not real work.

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Just south of Hadrian’s Wall, the ancient stone barrier that cuts across England from coast to coast, is a Roman fort called Vindolanda. Built around 85 A.D. and occupied for more than 300 years, Vindolanda was the tense interstice between empire and unoccupied frontier—a largely self-contained city at the edge of the Roman world. Today, surrounded by green, picturesque countryside, it is a wellspring of insight into the human past.

Thousands of wooden objects have been found at Vindolanda, most of them mundane—bits of wheels, remnants of furniture, a toilet seat. Rob Sands, an assistant professor in archaeology at University College Dublin, was recently examining these objects for an upcoming exhibit when he came across one particular artifact and did a double take. The artifact’s official description labeled it as a darning tool, a crafting device that helps secure fibers and can be shaped like a mushroom or maraca. But to Sands, the “darning tool” looked much more like a wooden penis.

Motherhood has always been a subject ripe for mythmaking, whether vilification or idealization. Although fictional accounts, from antiquity until today, have offered us terrible, even treacherous mothers, including Euripides’s Medea and Livia Soprano, depictions of unrealistically all-good mothers, such as Marmee from Little Women, are more common and provide a sense of comfort. Maternal characters on the dark end of the spectrum provoke our unease because their monstrous behavior so clearly threatens society’s standards for mothers. They show that mother love isn’t inevitable, and that veering off from the expected response to a cuddly new infant isn’t inconceivable.

If motherhood brings with it the burden of our projected hopes, new mothers are especially hemmed in by wishful imagery, presumed to be ecstatically bonding with their just-emerged infants as they suckle at milk-filled breasts, everything smelling sweetly of baby powder. The phenomenon of postpartum depression, for instance, a condition that affects 10 to 15 percent of women, has been given short shrift in literature and other genres when not ignored entirely. This is true as well when it comes to the evocation of maternal ambivalence, the less-than-wholehearted response to the birth of a child, which is mostly viewed as a momentary glitch in the smooth transition from pregnancy to childbirth to motherhood instead of being seen as a sign of internal conflict.

When Tess Camp was pregnant with her second child, she knew she would need to get to the hospital fast when the baby came. Her first labor had been short for a first-time mother (seven hours), and second babies tend to be in more of a hurry. Even so, she was not prepared for what happened: One day, at 40 weeks, she started feeling what she thought was just pregnancy back pain. Then her water broke, and 12 minutes later, she was holding a baby in her arms.

Needless to say, she didn’t make it into the hospital in time. But the first contraction after Camp’s water broke at home had been so intense—“immediate horrific pain; I could barely talk”—that she and her husband rushed into the car. He drove through town like a madman, running red lights. They were turning into the ER when she saw the baby’s head between her legs. Her husband tore out of the car, yelling for help. A security guard ran over to a terrified Camp in the passenger’s seat, and in that moment, her son slipped out and into the security guard’s hands. His umbilical cord was wrapped around his neck. An ER nurse finally appeared to take the baby—still blue and limp—and resuscitated him right on the curb.

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Nearly half a decade has elapsed since I last worked in the fashion industry, but one thing from my previous career remains a compulsion to this day: I look at people’s purses. In the brain space that might otherwise be occupied by dear childhood memories or the dates and times of future doctor appointments, I tend to an apparently undeletable mental spreadsheet of who is carrying what. Bottega Veneta Cassette, green padded leather, Soho, 20-something woman. Louis Vuitton Pochette Métis, logo canvas, Hoyt-Schermerhorn subway stop, 40-ish woman. For 10 years, these data points informed my obsessive, detailed coverage of the luxury-handbag market. Now they just accumulate. Rarely do I see something I can’t place.

1. The Disappearance

At 12:42 a.m. on the quiet, moonlit night of March 8, 2014, a Boeing 777-200ER operated by Malaysia Airlines took off from Kuala Lumpur and turned toward Beijing, climbing to its assigned cruising altitude of 35,000 feet. The designator for Malaysia Airlines is MH. The flight number was 370. Fariq Hamid, the first officer, was flying the airplane. He was 27 years old. This was a training flight for him, the last one; he would soon be fully certified. His trainer was the pilot in command, a man named Zaharie Ahmad Shah, who at 53 was one of the most senior captains at Malaysia Airlines. In Malaysian style, he was known by his first name, Zaharie. He was married and had three adult children. He lived in a gated development. He owned two houses. In his first house he had installed an elaborate Microsoft flight simulator.

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A grand jury has reportedly indicted Donald Trump on criminal charges stemming from his role in a hush-money payoff to the porn star Stormy Daniels. This historic event is a tragedy for the American republic not because of what it has revealed about Trump, but because of what it is revealing about us as voters and citizens.

First, here are three new stories from The Atlantic:

• Ron DeSantis chose the wrong college to take over.
• David Frum: Where do you stand?
• There’s exactly one good reason to buy a house.