The proliferation of retail boutiques in California did not really bother him, Evan told me, but the billboards did. Advertisements for delivery, advertisements promoting the substance for relaxation, for fun, for health. “Shop. It’s legal.” “Hello marijuana, goodbye hangover.” “It’s not a trigger,” he told me. “But it is in your face.”

When we spoke, he had been sober for a hard-fought seven weeks: seven weeks of sleepless nights, intermittent nausea, irritability, trouble focusing, and psychological turmoil. There were upsides, he said, in terms of reduced mental fog, a fatter wallet, and a growing sense of confidence that he could quit. “I don’t think it’s a ‘can’ as much as a ‘must,’” he said.

One of the most compelling characters in the recent Showtime documentary miniseries The Fourth Estate is the New York Times reporter Maggie Haberman. Haberman joined the newspaper in 2015 to help cover Donald Trump’s presidential campaign, and since then, she explains, her workload has been all-encompassing. Haberman is rarely seen on camera without a phone in her hand or attached to her ear. “The biggest mistake I made was promising my children that they would get their mother back at the end of the campaign,” she says. In one memorable scene, she takes a break in the middle of recording a podcast to reassure her son that he can’t die in a nightmare.

The Fourth Estate makes for fascinating television despite the fact that the majority of the series simply captures people in meetings or people making calls or people commuting back and forth to work. As Stephen Marche wrote in 2014 for Esquire, the reality of journalists is that they’re “one of the less glamorous species of humanity,” and the most reliable trait of the truly gifted ones is that they’re perpetually on the phone—which is presumably why the entertainment industry has long preferred an alternate depiction of journalists, particularly when it comes to women. On television and in film, the fictional lady reporter tends to look less like Haberman and more like Camille Preaker, portrayed in the HBO miniseries Sharp Objects by Amy Adams.

DURHAM, N.C. — On June 2, 1913, Julian Shakespeare Carr spoke at the dedication of a statue at the University of North Carolina at Chapel Hill, his alma mater. Carr had served in the Confederate Army as a lowly private, but upon returning from the war he had made several fortunes in tobacco, textiles, and banking, and affected the title “General” for his leadership in the United Confederate Veterans.

In addition to being an accomplished businessman, General Carr was a virulent racist. In his speech that day he recalled, “One hundred yards from where we stand, less than 90 days perhaps after my return from Appomattox, I horse-whipped a negro wench until her skirts hung in shreds, because upon the streets of this quiet village she had publicly insulted and maligned a Southern lady, and then rushed for protection to these University buildings where was stationed a garrison of 100 Federal soldiers.”

Settling into a sense of safety is hard when your life’s catalog of memories teaches you the opposite lesson. Imagine: You fled from a government militia intent on murdering you; swam across a river with the uncertain hope of sanctuary on the far bank; had the dawning realization that you could never return to your village, because it had been torched; and heard pervasive rumors of former neighbors being raped and enslaved. Imagine that, following all this, you then found yourself in New York City, with travel documents that were unreliable at best.

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This is the shared narrative of thousands of emigrants from the West African nation of Mauritania. The country is ruled by Arabs, but these refugees were members of a black subpopulation that speaks its own languages. In 1989, in a fit of nationalism, the Mauritanian government came to consider these differences capital offenses. It arrested, tortured, and violently expelled many black citizens. The country forcibly displaced more than 70,000 of them and rescinded their citizenship. Those who remained behind fared no better. Approximately 43,000 black Mauritanians are now enslaved—by percentage, one of the largest enslaved populations in the world.

In 1968, during a period called the “Prague Spring,” Alexander Dubček, the newly elected leader of Czechoslovakia, enacted pro-democracy reforms that loosened state control and expanded individual rights, giving hope to Czech citizens and angering the Soviet Union. Soviet leaders in Moscow believed that Czechoslovakia, a member of the Warsaw Pact, had gone too far, and summoned Czech leaders for discussions. By late summer, the talks were not going the way the Kremlin had wanted, so more than 2,000 tanks and thousands more Warsaw Pact troops were sent to invade and occupy the country on August 21. In the first weeks, occupying soldiers were met with protests and limited resistance, and more than 70 civilians were killed in the conflicts. Within the following year, resistance faded, Dubček was removed from office, his reforms were undone, and a more Soviet-controlled government was installed.

In 2007, 13 years after the brutal murders of Nicole Brown Simpson and Ron Goldman, 12 years after a jury found O.J. Simpson innocent of those murders, 10 years after a civil jury found him liable for them, he published a book called If I Did It. Outrage ensued. To the many who needed no further evidence of Simpson’s guilt, the book was the horrific culmination of his long slide into desperation and depravity. Can a person not only get away with murder, they wondered, but profit from it in open daylight? Aren’t there any rules?

Last week’s Omarosa-driven frenzy of speculation over whether a tape exists of President Donald Trump using the “N word” brought the book back to mind. (Tellingly, this frenzy is also tinged with the question of what people with little credibility will do in the name of book profits, but that’s another story.) The conversation seemed to focus less on whether such a tape exists, than whether it would “matter” if it did.

It’s easier than ever to buy things online. It’s so easy that Ryan Cassata sometimes does it in his sleep. Cassata, a 24-year-old singer/songwriter and actor from Los Angeles, recently got a notification from Amazon that a package had been shipped to his apartment, but he didn’t remember buying anything. When he logged onto his account and saw that a fanny pack and some socks were on the way, he remembered: A few nights back, he had woken up in the middle of the night to browse—and apparently shop on—Amazon.

He shops when he’s awake, too, buying little gadgets like an onion chopper, discounted staples like a 240-pack of gum, and decorations like a Himalayan salt lamp. The other day, he almost bought a pizza pool float, until he remembered that he doesn’t have a pool. “I don’t really need most of the stuff,” he told me.

2010 to 2018 will go down in Greek history as an epic period of colonization; of asset stripping and privatization; of unfunded health and education; of bankruptcies, foreclosures, homelessness, and impoverishment; of unemployment, emigration, and suicide. These were the years of the three memoranda, or “financial-assistance programs” accompanied by “structural reforms,” enacted supposedly to promote Greek “recovery” from the slump and credit crunch of 2010. They were, in fact, a fraud perpetrated on Greece and Europe, a jumble of bad policies based on crude morality tales that catered to right-wing politics to cover up unpayable debts.

This was a bailout? The word reeks of indulgence and implied disapproval. As it was often said, “The Greeks had their party and now they must pay.” Yes, there was a party—for oligarchs with ships and London homes and Swiss bank accounts, for the military, for engineering and construction and armaments companies from Germany and France and the United States. And yes, there was a bailout. It came from Europe’s taxpayers, and went to the troubled banks of France and Germany. Greece was merely the pass-through, and the Greeks who paid dearly with their livelihoods were just the patsies in the deal.

On Thursday night, The New York Times published an interview with Elon Musk that offers a view into the billionaire entrepreneur’s life in the last year. Musk choked up “multiple times,” the Times reported in the story, and “alternated between laughter and tears.” He explained that he was overworked at Tesla, his electric-car company—which has spent the past several months scrambling to meet ambitious production goals—and that the situation has taken a toll on his physical health, family time, and social life.

“I thought the worst of it was over—I thought it was,” Musk said. “The worst is over from a Tesla operational standpoint. But from a personal pain standpoint, the worst is yet to come.”

After a while, the true-life horror stories women tell about their struggles to get reproductive health care start to bleed together. They almost always feature some variation on the same character: the doctor who waves a hand and says, “You’ll be fine,” or “That’s just in your head,” or “Take a Tylenol.” They follow an ominous three-act structure, in which a woman expresses concern about a sexual or reproductive issue to a doctor; the doctor demurs; later, after either an obstacle course of doctor visits or a nightmare scenario coming to life, a physician at last acknowledges her pain was real and present the whole time. Sometimes there’s a quietly gloomy boyfriend or husband in a secondary-character role, frustrated by the strain his partner’s health issue is putting on their intimacy.