Amazon said on Thursday that it will cancel its plans to add a second corporate headquarters in New York City. The company had pledged to build a campus in Queens’ Long Island City in exchange for $3 billion in subsidies.

In a statement, Amazon blamed local politicians for the reversal. “For Amazon, the commitment to build a new headquarters requires positive, collaborative relationships with state and local elected officials who will be supportive over the long-term,” the  statement read. “A number of state and local politicians have made it clear that they oppose our presence and will not work with us to build the type of relationships that are required to go forward with the project.”

In a period of growing antipathy toward billionaires, Amazon’s corporate-welfare haul struck many—including me—as a gratuitous gift to a trillion-dollar company that was probably going to keep adding thousands of jobs to the New York region anyway. The company has more than 5,000 employees in the five boroughs, including 2,500 at a Staten Island fulfillment center and at least one thousand more in the Manhattan West office building.

Amid the human crush of Old Delhi, on the edge of a medieval bazaar, a red structure with cages on its roof rises three stories above the labyrinth of neon-lit stalls and narrow alleyways, its top floor emblazoned with two words: birds hospital.

On a hot day last spring, I removed my shoes at the hospital’s entrance and walked up to the second-floor lobby, where a clerk in his late 20s was processing patients. An older woman placed a shoebox before him and lifted off its lid, revealing a bloody white parakeet, the victim of a cat attack. The man in front of me in line held, in a small cage, a dove that had collided with a glass tower in the financial district. A girl no older than 7 came in behind me clutching, in her bare hands, a white hen with a slumped neck.

We decided not to tell the kids. Marla knew that once our three daughters understood that their mother had been given 1,000 days to live, they’d start counting.

They would not be able to enjoy school, friends, their teams, or birthday parties. They’d be watching too closely—how she looked, moved, acted, ate, or didn’t. Marla wanted her daughters to stay children: unburdened, confident that tomorrow would look like yesterday.

Marla was my first and only girlfriend. We were introduced in October 1987, when we joined a coed intramural flag-football team in Ann Arbor, Michigan. I wasn’t very good with women, monosyllabic in their presence. We all went to a bar after one game, and I came home with a napkin on which I’d jotted down words to describe Marla: “Hot. Fast. Fun. Sweet. Flint.” Yes, flint as in Flint, Michigan—her hometown—but also flint as in flinty—steely, speedy, mighty, glinting.

A month later, I mustered the nerve to call her house phone (we only had landlines in 1987). We would spend the next 31 years together.

Marla could water-ski barefoot. I was a rabbi’s kid; I rarely even went on boats. She made a habit of taking me places.

If you had asked me on our wedding day, I would have told you with confidence what our love would look like: We’d be a couple who jogged together in Scarsdale, danced in Nantucket together, carved through snow or lakes on skis together, spun the Hanukkah dreidel together with our children, and sang along together to Bruce Springsteen (her prescient favorite was “Tougher Than the Rest”). I would not have said we’d be a couple who fought a fatal illness together. Nor that this private act would be the thing that united us the most.

In 2009, Marla’s radiologist called to tell her that she had early-stage breast cancer. She was also BRCA-positive, meaning that she carried the inherited gene for the disease—a troublesome marker. After a double mastectomy and ovary removal, she needed eight rounds of chemotherapy to clear the cancer found in her lymph nodes.

Our kids were 8, 9, and 11 at the time, and though they understood then that she was undergoing treatment (wigs were hard to hide), we never told them the news we soon learned from Memorial Sloan Kettering’s head of breast-cancer oncology: Marla had a triple-negative cancer cell, the fiercest of them all. When linked with the BRCA mutation, it is commonly referred to as “the breast-cancer death sentence.” This specialist bluntly told her: “Go live your next 1,000 days in the best way you know how.”

Sometime during the past few years, the country started talking differently about white Americans of modest means. Early in the Obama era, the ennobling language of campaign pundits prevailed. There was much discussion of “white working-class voters,” with whom the Democrats, and especially Barack Obama, were having such trouble connecting. Never mind that this overbroad category of Americans—the exit pollsters’ definition was anyone without a four-year college degree, or more than a third of the electorate—obliterated major differences in geography, ethnicity, and culture. The label served to conjure a vast swath of salt-of-the-earth citizens living and working in the wide-open spaces between the coasts—Sarah Palin’s “real America”—who were dubious of the effete, hifalutin types increasingly dominating the party that had once purported to represent the common man. The “white working class” connoted virtue and integrity. A party losing touch with it was a party unmoored.

Dear Therapist,

My oldest daughter (from my first marriage) hasn’t wanted a relationship with me for more than 25 years. I remarried about 28 years ago and have two children, both daughters, with my current wife. My oldest daughter was a bridesmaid at the second wedding and seemed accepting of the new family dynamic. Her mother had also remarried, a few years earlier.

My daughter is now 48 years old, and her sisters are 27 and 28. Although we have encountered one another at extended-family events (christenings, graduations, her brothers’ weddings, etc.), she does not acknowledge me, my wife, or her sisters. I want to reestablish a connection, and my younger daughters are disappointed that she doesn’t want to get to know them.

Andrew Gotzis, a Manhattan psychiatrist with an extensive psychotherapy practice, has been treating a straight couple, whom we’ll call Jane and John, for several years. They have sex about three times a week, which might strike many as enviable, considering that John and Jane—who are in their 40s—have been together for nearly two decades. Based on numbers alone, one might wonder why they need couples counseling at all.

But only one of them is happy with the state of play. And it isn’t Jane.

“The problem is not that they are functionally unable to have sex, or to have orgasms. Or frequency. It’s that the sex they’re having isn’t what she wants,” Gotzis told me in a recent phone conversation. And like other straight women he sees, “she’s confused and demoralized by it. She thinks there’s something wrong with her.” John, meanwhile, feels criticized and inadequate. Mostly he can’t understand why, if his wife is having sex with him and having orgasms, she wants more. Or different.

On Wednesday, May 10, 2017, my first full day on the job as acting director of the FBI, I sat down with senior staff involved in the Russia case—the investigation into alleged ties between the Trump campaign and the Russian government. As the meeting began, my secretary relayed a message that the White House was calling. The president himself was on the line. I had spoken with him the night before, in the Oval Office, when he told me he had fired James Comey.

A call like this was highly unusual. Presidents do not, typically, call FBI directors. There should be no direct contact between the president and the director, except for national-security purposes. The reason is simple. Investigations and prosecutions need to be pursued without a hint of suspicion that someone who wields power has put a thumb on the scale.

President Donald Trump announced Friday morning that he’s declaring a national emergency at the U.S.-Mexico border and will be reprogramming billions in federal funds to build a wall.

Below, the full text of his remarks from the White House Rose Garden before he took questions from reporters.

Thank you very much, everybody.

Before we begin, I would like to say that we have a large team of very talented people in China. We have had a negotiation going on for about two days. It’s going extremely well—who knows what that means because it only matters if we get it done, but we are very much working very closely with China and President Xi who I respect a lot, very good relationship that we have. And we are a lot closer than we ever were in this country with having a real trade deal.

A few years after Seán O’Malley took over the Archdiocese of Boston in 2003, at the peak of the clergy sexual-abuse crisis in America, he led novenas of penance at nine of the city’s most affected parishes. At each church he visited, he lay facedown on the floor before the altar, begging for forgiveness. This is how O’Malley has spent his life in ministry: cleaning up after pedophile priests and their apologists, and serving as the Catholic Church’s public face of repentance and reform.

Possibly more than any other cleric on Earth, O’Malley understands how deeply the Church’s errors on sexual abuse have damaged its mission and reputation. Today, he is one of Pope Francis’s closest advisers, the only American on a small committee of cardinals who meet regularly at the Vatican. He runs the pope’s special commission on the protection of minors. And he is a member of the influential Vatican office responsible for preserving and defending Catholic doctrine. He believes that the Church has changed, can change, and will change. But as the world’s top bishops prepare to meet later this month for an unprecedented summit on sexual abuse at the Vatican, O’Malley has found himself frustrated, unable to push reforms through at the top.

Long before the future leaders of America were moonwalking with shoe polish smeared on their cheeks, the first blackface minstrels took to the stage in the early 19th century. Beginning in the decades leading up to the Civil War, troupes of white men, women, and children darkened their faces with burnt cork and traveled the country performing caricatures of blackness through songs, dances, and skits. These performances, arising out of Pittsburgh, Louisville, Cincinnati, and other cities along the Ohio River, became one of America’s first distinct art forms and its most popular genre of public entertainment.

From the beginning, minstrelsy attracted criticism for its racist portrayals of African Americans. Frederick Douglass decried blackface performers as “the filthy scum of white society, who have stolen from us a complexion denied to them by nature, in which to make money, and pander to the corrupt taste of their white fellow citizens.” In venues where black artists were often banned from performing and black audiences, if they were admitted at all, were forced to occupy segregated sections, white entertainers in blackface furthered the same paternalistic and degrading stereotypes that plantation owners and politicians advanced to justify slavery, and helped create a racist symbology that came to represent generations of prejudice. Shows featured a cast of recurring characters: the clownish slave Jim Crow; the obsequious, maternal Mammy; the hypersexualized wench Lucy Long; the arrogant dandy Zip Coon; the lazy, childish Sambo. Some of these archetypes continue to surface in the present day.