The assumptions made by public officials, and the choices made by media, too often backfired.
Even works of escapism are reckoning with waning national myths.
Lee Isaac Chung’s Minari is filled with symbols of abundance that are also residues of prosaic commercialism.
He brought King T’Challa to life in a way that transfixed the world and spoke uniquely to Black Americans.
In its fourth season, the Netflix drama is sharper than ever as it paints a portrait of an out-of-touch ruler caught off guard by change.
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