Mindy Kaling’s Never Have I Ever joins a handful of new coming-of-age films that break with history to put young women of color at the center of the story.
As players return to empty arenas, they are discovering a basic truth: Live sports is an act of social imagination.
If your attention span is frazzled, explore the compact joys of the 30-minute format.
Here’s the speech that graduates need to hear.
These films, each unforgettable in its own way, are essential viewing.
Twenty titles for all your warm-weather moods: Your weekly guide to the best in books
Hulu’s new satire may be set in 18th-century Russia, but it understands the theatrical and nearsighted politics of the current moment.
The pop star’s daring album How I’m Feeling Now tries to make online hedonism match the real thing.
Dave Grohl and Jeffrey Goldberg discuss the unique magic of live music, live at 4 p.m. ET today.
Hightown deepens the procedural genre by expanding its focus beyond a singular murder to the opioid epidemic at the edges of its story.
The more humans understand about their behavior, the more inaccessible their world seems.
I played Ms. Monopoly so that you don’t have to.
What’s next: Your weekly guide to the best in books
Robin Sloan, the author of Mr. Penumbra’s 24-Hour Bookstore, discusses his new short story for The Atlantic.
Our picks for immersive, escapist, or nostalgic reading—wherever you are
An hour-by-hour account—with recipes
How the mechanisms of reality TV taught us to trust no one
“The Rime of the Ancient Mariner” is taking on new meaning during the coronavirus pandemic.
Lawrence Wright’s The End of October has been heavily touted for its prescience, but the one thing it didn’t anticipate is heartening.
A renowned scholar claimed that he discovered a first-century gospel fragment. Now he’s facing allegations of antiquities theft, cover-up, and fraud.
The first live sports games to air in the U.S. since the start of the pandemic provide a hopeful, yet harrowing, look at the future.