The peppy mixed messaging of I Feel Pretty is only the latest reminder: American culture doesn’t fully know what it’s talking about when it talks about attractiveness.
The White House press secretary has set a new precedent: Partisanship over patriotism. Victory over truth.
From tidy stories of reunited migrant families to #PlaneBae, Americans’ bias toward optimism is a wonderful thing—until it’s not.
It's a slippery slope when weighty matters get dissolved into claims of bias and fakery.
The elevation of ousted Fox News executive Bill Shine to the highest workplace in the land is another reminder: #MeToo backlash will happen compromise by compromise, shrug by shrug.
Nothing in American culture—not even delight, not even coincidence, not even love—is safe from the gravitational forces of commodification.
Tarana Burke, the movement’s founder, wants it to return to its original—and specific—purpose: to serve as a counter to sexual violence.
#MeToo is much more than women fighting among themselves.
Yes, voting; yes, speaking; yes, showing up; full participation in the American democracy of the moment, however, demands an even more basic activity.
A reminder that the quintessential piece of women’s footwear—a symbol of delicacy, of danger, of beauty—used to be worn by men
The 20th century witnessed the rise of the media event. The 21st, with its tan suits and swatted hands and flippant Zara outerwear, is bringing a new spin to the old idea.
A corollary to a politics of destabilized truth is a politics of destabilized empathy.
The documentary series The Fourth Estate tries to humanize the journalists who report the news. It can’t help but fall into a trap.
The competition is getting a #MeToo-era makeover. But even if the bikini tops are on their way out, the biases will remain.
His current book tour has reinvigorated discussions of what the former president owes, in the age of #MeToo, to “that woman, Ms. Lewinsky.”
On Friday, hazy questions—about celebrity, about impunity, about American culture’s messy tangling of that which is immoral with that which is illegal—collided with stark criminal charges.
To mourn Philip Roth is also to mourn a particular kind of literary celebrity.
A recent spate of #MeToo stories serves as yet another reminder of the centrifugal forces of talented men.
The Academy, in a move that comes approximately 41 years too late, expelled the director; he now says he’ll appeal the ruling.
Michelle Wolf’s biting mockery of it was only the latest reminder: The annual event’s contradictions have become too heavy to bear.
The conviction of the actor and comedian is a testament to the power of #MeToo.