Things are shifting, though, and not just when it comes to text articles. A survey of 50,000 people published late last year found 65 percent of mobile video viewers saying they preferred watching full movies and TV episodes to briefer stuff (music videos, movie clips) on their phones. In another survey, 8 in 10 people said they would watch TV shows on their phones, were the shows available. And even more (88 percent) said they would watch full-length movies.
The second screen, in other words, is quickly gaining primacy in our lives—and for immersive content as well as quick-hit stuff. Think Buzzfeed is primarily useful for distracting yourself at work, on your PC? Not necessarily. Overall, a Buzzfeed rep told me, the site now gets more than 50 percent of its traffic from mobile.
"I have this experience of people telling me, 'You know, I actually like reading on my phone now,'" Jonah Peretti, Buzzfeed's founder and CEO, says. "More and more people are coming around to it."
So what's the appeal? Part of it, Peretti thinks, is the constant companionship phones provide. "You're in bed, and your laptop is in the other room, or your iPad, and the phone is right there," he told me. Part of it, too, is the way phones in particular are structured: That single, tab-less screen—the screen that scrolls with the flick of a finger—fits the way we most like to read.
"The immersive scroll is the oldest of mediums," Buzzfeed's editor-in-chief, Ben Smith, points out. He's joking, but he's also sort of not: There's something intuitive about the scroll as an interface. Individual pages—the stuff of books and magazines and newspapers, the stuff that had been transferred, skeuomorphically, to the web—offer reading experiences that are relatively contrived. One of Buzzfeed's most significant contributions to The Way We Web Now will likely prove to be the selection of a scroll framework over a paginated one. "I actually think that long, immersive scroll is a kind of lovely way to read a piece," Smith says.
Phones are also coming to prominence at the same time that news organizations are (re-)realizing how powerful—and alluring—lengthy, highly produced stories can be. The popularity of longform stories—of magazine stories—is telling as, among other things, a data point. "People's intuitions about longform were wrong," Peretti puts it. "They thought, 'Oh, the Internet is about the shortest possible clips, and no one has attention spans.'" But it's hard to impugn attention spans, he says, when "we see people spending 25 minutes on their phone, reading the story."
Smith agrees. That whole "the kids these days have no attention span" thing? "That's never been our experience at all," he says. Even the site's lists, he points out, are long (as lists go): Rarely will you see a "5 Things" or even a "10 Things" production; "27 Things" or "39 Things" is much more standard. Buzzfeed's time-on-page average, its rep tells me, is more than 5 minutes. And the average time spent on a longform story is double that: 10 minutes and 23 seconds.