{"article":{"__typename":"BlogArticle","id":"BlogArticle:70480","categories":[],"content":[{"__typename":"ArticleParagraphContent","subtype":null,"idAttr":"","innerHtml":"by Tony Comstock"},{"__typename":"ArticleParagraphContent","subtype":null,"idAttr":"","innerHtml":"If we're lucky, our obsessions yield beauty:"},{"__typename":"ArticleLegacyHtml","tagName":"P","idAttr":"","className":"","style":"","innerHtml":"

"},{"__typename":"ArticleParagraphContent","subtype":null,"idAttr":"","innerHtml":"Tony Comstock is a documentary filmmaker whose company, Comstock Films, specializes in erotic documentaries. Follow him on Twitter at @TonyComstock."}],"editorialProject":null,"primaryCategory":{"__typename":"Channel","displayName":"Technology","url":"https://www.theatlantic.com/technology/","slug":"technology"},"reviews":[],"embeds":[{"type":"iframe","src":"https://www.youtube.com/embed/HSKyHmjyrkA?wmode=transparent","__typename":"Embed"}],"authors":[{"id":"Author:316","displayName":"James Fallows","url":"https://www.theatlantic.com/author/james-fallows/","biography":{"default":"James Fallows is a contributing writer at The Atlantic and author of the newsletter Breaking the News.","__typename":"Biography"},"socialMedia":[{"platform":"TWITTER","url":"https://twitter.com/jamesfallows","__typename":"SocialMedia"}],"__typename":"Author","slug":"james-fallows"}],"preview":null,"layout":"standard","secondaryByline":"","dek":"","url":"https://www.theatlantic.com/technology/archive/2011/02/a-gift-from-a-father-to-a-son-theo-jansens-kinetic-sculptures/70480/","title":"A Gift From a Father to a Son: Theo Jansen's Kinetic Sculptures","seoTitle":"A Gift From a Father to a Son: Theo Jansen's Kinetic Sculptures","dateModified":"2011-02-09T17:10:31Z","datePublished":"2011-02-09T15:25:00Z","hasMeter":true,"primaryChannel":{"displayName":"Technology","__typename":"Channel","slug":"technology"},"shareImage1x1":null,"shareImage16x9":null,"shareImage4x3":null,"shareImageDefault":null,"shareImageSquareDefault":null,"shareImageLeadArt":null,"shareDek":"Jansen spends his days creating beautiful pieces that can live on the beach, where they are powered by the wind, forever","shareText":null,"shareTitle":"A Gift From a Father to a Son: Theo Jansen's Kinetic Sculptures","editorsNote":null,"leadArt":null,"narratedAudio":null,"narratedAudioImage":null,"fbiaUrl":"https://www.theatlantic.com/facebook-instant/article/70480/","canonicalUrl":"https://www.theatlantic.com/technology/archive/2011/02/a-gift-from-a-father-to-a-son-theo-jansens-kinetic-sculptures/70480/","syndication":"ALL","shareImage2x1":null,"shareImageSmall":null,"channels":[{"slug":"technology","__typename":"Channel"}],"watsonInfo":{"keywords":["Tony Comstock","Comstock Films","erotic documentaries","documentary filmmaker","obsessions","Twitter"],"__typename":"WatsonInfo"},"slug":"a-gift-from-a-father-to-a-son-theo-jansens-kinetic-sculptures","grapeshot":{"segments":["gv_safe","gb_safe","pos_bofa-kwlist","pos_lexus_fy23","pos_safe_core","pos_safe_strict","gs_genres","gs_entertain","gt_mixed","gs_entertain_movies","gs_fineart","gs_genres_documentary","gs_attractions","gs_attractions_museums","gs_shopping","gs_family_children"],"__typename":"Grapeshot"},"advertisingInfo":{"disableHouseAd":false,"__typename":"AdvertisingInfo"}}}

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