By Heart
Authors share and discuss their all-time favorite passages in literature.
A Writer’s Fixation on Sound
The author R. O. Kwon reflects on the relationship of rhythm to writing and how she stopped obsessing over the first 20 pages of her new novel, The Incendiaries.
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Doug McLean What J.D. Salinger Understood About Chance Encounters
A.M. Homes on the short-story writer’s “For Esmé—With Love and Squalor,” and the lifelong effects of fleeting interactions
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Doug McLean What Richard Pryor’s Stand-Up Can Teach Writers
The nonfiction author Cutter Wood on how the comedian’s work helped him imbue minor characters with emotional life
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Doug McLean How Gabriel García Márquez Created a World in a Sentence
The novelist Mary Morris explains how the opening line of One Hundred Years of Solitude shaped her path as a writer.
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Doug McLean Writing a Feminist Novel With a Man's Point of View
The author Tayari Jones explains what Toni Morrison’s Song of Solomon taught her about the centrality of male protagonists in stories that explore female suffering.
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Doug McLean The Necessity of 'Willful Blindness' in Writing
The memoirist Terese Marie Mailhot on how Maggie Nelson’s Bluets taught her to explode the parameters of what a book is supposed to be
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Doug McLean The Technological Shift Behind the World's First Novel
The author Martin Puchner on the way advances in paper production helped pave the way for The Tale of Genji
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Doug McLean What Writers Can Take Away From the Bible
The National Book Award finalist Min Jin Lee on how the story of Joseph, and the idea that goodness can come from suffering, influences her work
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Doug McLean Cujo's Unexpected Lesson About Parenting and Art
The comedian and writer John Hodgman explains what Stephen King’s 1981 horror novel taught him about risking mistakes in storytelling—and fatherhood.
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Doug McLean How Surrealism Enriches Storytelling About Women
The author Carmen Maria Machado, a finalist for this year’s National Book Award in Fiction, discusses the brilliance of an eerie passage from Shirley Jackson’s The Haunting of Hill House.
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Doug McLean What Writers Can Learn From Goodnight Moon
The Little Fires Everywhere novelist Celeste Ng explains how the surprising structure of the classic children’s book informs her work.
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Doug McLean Jenny Zhang: 'Tiny Stories' Are Vital to Literature
The Sour Heart author discusses Roberto Bolaño’s “Dance Card,” humanizing minor characters through irreverence, and homing in on history’s footnotes.
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Doug McLean How Rudyard Kipling Turned His Guilt Into Fiction
The novelist Scott Spencer on the English author’s short story “The Gardener” and what it reveals about transforming shame into art
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Doug McLean Finding the Emotional Truth in Horror Writing
The novelist Victor LaValle on how dark material hits hardest when it’s balanced out with wonder
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Doug McLean Keeping Track of Every Book You’ve Ever Read
A New York Times editor on the coffee-stained list she’s kept for almost three decades
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Doug McLean When Memories Are True Even When They’re Not
The Pulitzer Prize-winning novelist Elizabeth Strout discusses Louise Glück’s poem “Nostos” and the powerful way literature can harbor recollection.
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Doug McLean When Writing Is Actually About Waiting
Hannah Tinti, the author of The Good Thief, explains what she learned about patience and risk from the T.S. Eliot poem "East Coker."
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Doug McLean Colum McCann on Facing the Terror of the Blank Page
The award-winning author discusses the poetry of Wendell Berry, and the importance of abandoning yourself to mystery.
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Doug McLean When a Writer’s Great Freedom Lies in Constraint
The memoirist Melissa Febos discusses how an Annie Dillard essay, “Living Like Weasels,” helped refocus her life after overcoming addiction.
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Doug McLean The Peculiar Power of a Zadie Smith Sentence
Dissecting a line from the author’s story “The Embassy of Cambodia,” Jonathan Lee questions his own myopia as a novelist.
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Doug McLean George Saunders on Chekhov's Different Visions of Happiness
The Lincoln in the Bardo author dissects the Russian writer’s masterful meditations on beauty and sorrow in the short story “Gooseberries,” and explains the importance of questioning your stance while writing.
