"Of no party or clique" was the founding motto of our magazine, 157 years ago next month. In practice this mainly means that we should aspire to present each article or argument on its merits, and not as expressions of some other agenda. (Though of course we all have our larger worldviews, blind spots, favorites, etc.) Sometimes it means there are disagreements in the arguments presented in our pages or on this site.
For the record I want to note two recent disagreements, one about a journalistic tone and one about a diplomatic goal.
1) Gary Hart. Last week I wrote that I found Matt Bai's All the Truth Is Out to be valuable and worth reading in full, perhaps especially if you'd read the interesting but not-quite-representative excerpt in the NYT Magazine. The book as a whole considers the real career, achievements, and, yes, "character" of former senator and presidential candidate Gary Hart, including his original and decades-long work as a defense reformer—and it contrasts that with the smirking shorthand of press references to Hart as a man forced out of politics because of Monkey Business.
Yesterday The Atlantic ran a short news item about Hart that demonstrated the smirking shorthand tone. Indeed, I thought the item had little point except as an occasion to mention Hart this way—that is, it probably wouldn't have been written if some other former senator was going on a diplomatic mission. It began:
Gary Hart hasn't made a whole lot of headlines in the quarter-century since the outing of his extramarital affair cost him a shot at the presidency and, arguably, changed American politics forever.
But less than a month after a new book thrust him back into the news, Hart has a new job, and it comes courtesy of a fellow member of the semi-exclusive club of presidential losers, John Kerry.
This is just too easy, and there's just too much of it in political media. I'm sorry that we added to the supply. Before you ask, I have discussed this with the item's author, Russell Berman, and I know that he never meant to leave the impression I am talking about. But that's all the more reason to note it in public, as an illustration of the tone we often take by reflex, without meaning to or thinking about it—and because we are talking about real people.*