Ironically, when one mulls it over, one may find that it's Galt and his band of strikers and dropouts who prove to be driven by their passions. Galt especially, who, despite his ultra-handsome looks and heroic self-understanding, can't muster up the gumption to just go up to the woman he has a massive crush on and ask her out for a drink -- or at least just talk to her -- and instead sits around chatting up her poor, love-struck assistant, hoping to catch a glimpse into her life.
Is this rational action, heroic action?
No, I think not. And aside from being somewhat creepy, it underscores the true impotence of Rand's hero. And it's not only with Dagny. When faced with the "communist" takeover of the motor factory, Galt doesn't seek out the banker Midas Mulligan and ask for a loan so that he can develop his motor on his own or attempt a run for political office; he just takes his toys and goes into hiding, hoping by such action to help hasten the apocalypse. This seems to me to be more like the behavior of a petulant adolescent than of the "highest man." Galt longs for a total transformation of human society, a complete victory for his higher morality and the unconditional surrender of those who oppose him, and he is content, indeed happy, to watch everything be destroyed to get there.
And the attempt to flee from reality courses through Rand's novel, from the disappeared and the destructive activities of Francisco D'Anconia and Ragnar Danneskjöld to Dangy's fruitless affair with Hank to the libertarian fantasyland of Galt's Gulch. Despite all of their speeches and protestations, these people are not so much stern rationalists but romantics. Such characters make terrible role models for those of us who are forced to reside in the world, which just may not be the stage for the struggle between the looting mystics and heroic individuals, but a place infinitely more complex, and more interesting. (Also, we should keep in mind that it is people convinced of their superior rationality and gnostic insights into the direction of world-historical change that generally pose the greatest challenge to the stability of the political order.)
It is worth remarking, too, that there is no sense of tragedy, no sense of the ultimate fragility of existence, in Rand's work. Her heroes regard suffering as something unnatural and unnecessary, and happiness as the only rightful condition of man. It is a strangely sterile world, one without sickness or disease or disability, where failure (in business) is merely an incentive to greater striving, and death takes only the villains, the marginal, or the vast unnamed. Rand's heroes are unencumbered by finitude, however. They strive to overcome "the contradictory, the arbitrary, the hidden, the faked, the irrational in men," to recover, as Galt himself says, the spirit of their childhood. There is a word for people who try to escape from the contradictory, the arbitrary, the irrational and tragic dimensions of life that we all must face--that word is delusional.
From: Michael Brendan Dougherty
To: Conor Friedersdorf, Garance Franke-Ruta, Jerome Copulsky
Subject: Part II
Bill Buckley once said he thought Whittaker Chambers had gone too far when he wrote in his review of this book, "From almost any page of Atlas Shrugged, a voice can be heard, from painful necessity, commanding: 'To a gas chamber -- go!'" I've been reading the book with an eye toward Chambers' judgement.
Shortly after we are introduced to John Galt, he solemnly intones these words: "Ever since I can remember, I had felt that I would kill the man who'd claim that I exist for the sake of his need -- and I had known that this was the highest moral feeling."
So, Chambers was right. And I hate to be the outside-it-all religious one here, as always, but this really is a repulsive thing to put as the highest moral feeling. This is John Galt talking about the looters and moochers, the takers. Shiftless employees, socialists, etc. His long speech is fascinating; it is also so humorless. None of these heroes has any lightness of spirit. They are so leaden. Galt eventually addresses his inferiors as "you who dread knowledge" and shortly thereafter informs them "You have nothing to offer us. We do not need you ... Are you not crying: No this was not what you wanted?"
And I really wonder where the disabled, the sick, the ignorant, and all manner of humans fit into Ayn Rand's vision. These of course are the people that will starve first under the strike of the abled. So while violence is officially abjured by these Objectivists, you do get this sick sense reading the text that Randians would love to just execute a load of "inferior" people. What is a palsied man but a perpetual taker? Give him a bullet, he takes no more. This is never made explicit, but the feeling of it just oozes from everywhere.
And yet again, there is a small something in me that wants to excuse these excesses. The Soviet Union really did do monstrous things to achieve its plans, using brute force, show trials, and the most insane sort of economic planning. And Rand's own escape from Russia to America has to be a part of her narrative of the super-capitalists withdrawing their talent from the monster state. Her talents were not drafted in service of that corrupt and deformed worker's state. I find her impression that some people like a tyranny depressingly convincing.
But the sympathy ends. John Galt at one point explains how to fix a torture machine currently being used on his own body, in order to destroy the torturers. And when he gives his blessing to the new world he is about to build, he makes a dollar sign in the air. I haven't burned the book
, but I did throw my iPad down into a cushion at this exact point.
I couldn't agree more with the point Jerome makes about the shallowness of Rand's anthropology. You get pleasure and pain, joy or suffering and that's it. Men of reason don't disagree? Who are these men of reason? Even if we accepted all of Rand's premises, Reardon, Dagny Taggart, and even John Galt himself seem absolutely transported and taken (with themselves) at times. My own view is that enterprise and competition are necessary evils. I think it helps man to remove himself from the commercial sphere as much as he can, and it is obvious that this is what some of the "men of the mind" want this for themselves as well. Some of those in Galt's Gulch are effectively retired on their riches.
Naturally, Galt rants against the one Christian doctrine that is essentially proved by a reading of history: Original Sin. It is said to be a "cowardly evasion" that man is born with free will but with a tendency to evil. Galt rejects this idea, dismissing it by saying that it makes men like loaded dice. And yet, everything we know from psychology, sociology, sociobiology, history, and self-reflection tells us that we want shortcuts, we want power, we are burdened by our genes, our upbringing, our social environment, and that these are powerful forces, though we often feel at the same time that they are not determinative. And business is not rational. Even the best businessmen favor their friends and family; they favor those like them. They do not come to some reasonable conclusion about the wages of their employees, and the employees do not come to reasonable conclusions. They fight, cajole, prey upon, and exasperate one another in negotiations. If so many humans can be taken in by a lying morality, one so obviously fraudulent and tyrannical, why you might think there was something a little warped about human nature, no?