Karl Rove's Prediction vs. Karl Rove's Map

Ivana Trump attends the Fashion Institute of Technology Annual Gala benefit at The Plaza in New York, in 2016 — Michael Zorn / Invision / AP

The Biggest Winners: What Ivana Reveals About Trump Family Values

Megan Garber

Ivana Trump’s new book is a parenting memoir—and an ode to being better than everyone else.

There’s a story Ivana Trump tells in Raising Trump, her new memoir of parenting, work, and marriage. It was New Year’s Eve, 1977; she and Donald Trump were together in the hospital room after their first child had been born, discussing the matter of what name to give their new infant. Ivana suggested that the son should be named after the father: Donald Trump Jr. Donald, however, balked at this.

“What if he’s a loser?” he said.

Ivana got her way, in this instance as in many she describes in Raising Trump, which begins and ends with the premise that none of the three children Ivana and Donald Trump created together have been consigned to a life of loserdom. The book may be a parenting memoir; it may feature practical tips about punishments and allowances and the compulsory writing of thank-you notes; it may even feature a curated selection of awkward family photos and treasured family recipes; but it is about parenting, as most people practice it, in only the most superficial sense. By virtue of its core characters—a man who becomes the American president, a daughter who becomes his advisor, a son-in-law who becomes responsible for criminal justice reform and opioid crisis management and bringing peace to the Middle East—Raising Trump is less a straightforward memoir than it is a teasing exploration of the workings of the presidential family. Here are the oft-discussed “Trump family values,” as explained by the woman who helped to create them.

Boys sit on a piece of styrofoam sheet as they search for crabs in front of the Gwadar port in Pakistan. — Akhtar Soomro / Reuters

China Is Quietly Reshaping the World

Anja Manuel

The staggering scope of the country’s infrastructure initiative—and what it means for the international order

The Pakistani town of Gwadar was until recently filled with the dust-colored cinderblock houses of about 50,000 fishermen. Ringed by cliffs, desert, and the Arabian Sea, it was at the forgotten edge of the earth. Now it’s one centerpiece of China’s “Belt and Road” initiative, and the town has transformed as a result. Gwadar is experiencing a storm of construction: a brand-new container port, new hotels, and 1,800 miles of superhighway and high-speed railway to connect it to China’s landlocked western provinces. China and Pakistan aspire to turn Gwadar into a new Dubai, making it a city that will ultimately house 2 million people.

China is quickly growing into the world’s most extensive commercial empire. By way of comparison, after World War II, the Marshall Plan provided the equivalent of $800 billion in reconstruction funds to Europe (if calculated as a percentage of today’s GDP). In the decades after the war the United States was also the world’s largest trading nation, and its largest bilateral lender to others.

The Populist Right Tears Down a Press It Can't Replace

Conor Friedersdorf

Critics of the mainstream media were quick to charge that Harvey Weinstein’s misdeeds were an open secret, yet none of them were able to expose it.

Last week, the New York Times and The New Yorker published multiple allegations of abhorrent sexual misconduct against the movie producer Harvey Weinstein, drawing on years of costly investigative reporting; risking legal retaliation that could cost millions to litigate; and forcing its subject from his powerful perch in Hollywood, where his ability to lure aspiring film starts into hotel rooms is all but gone.

The episode was a credit to the reporters, editors, and publishers who broke the story; an example of why it is vital to support an independent press that probes wrongdoing; and a spur to examine all the factors that delayed the truth outing for so long, including apparent failures by some journalists and news-gathering organizations.

Have Smartphones Destroyed a Generation?

Jean M. Twenge

More comfortable online than out partying, post-Millennials are safer, physically, than adolescents have ever been. But they’re on the brink of a mental-health crisis.

One day last summer, around noon, I called Athena, a 13-year-old who lives in Houston, Texas. She answered her phone—she’s had an iPhone since she was 11—sounding as if she’d just woken up. We chatted about her favorite songs and TV shows, and I asked her what she likes to do with her friends. “We go to the mall,” she said. “Do your parents drop you off?,” I asked, recalling my own middle-school days, in the 1980s, when I’d enjoy a few parent-free hours shopping with my friends. “No—I go with my family,” she replied. “We’ll go with my mom and brothers and walk a little behind them. I just have to tell my mom where we’re going. I have to check in every hour or every 30 minutes.”

Those mall trips are infrequent—about once a month. More often, Athena and her friends spend time together on their phones, unchaperoned. Unlike the teens of my generation, who might have spent an evening tying up the family landline with gossip, they talk on Snapchat, the smartphone app that allows users to send pictures and videos that quickly disappear. They make sure to keep up their Snapstreaks, which show how many days in a row they have Snapchatted with each other. Sometimes they save screenshots of particularly ridiculous pictures of friends. “It’s good blackmail,” Athena said. (Because she’s a minor, I’m not using her real name.) She told me she’d spent most of the summer hanging out alone in her room with her phone. That’s just the way her generation is, she said. “We didn’t have a choice to know any life without iPads or iPhones. I think we like our phones more than we like actual people.”

What Martin Scorsese Gets Right About Rotten Tomatoes

David Sims

The director is blaming the critical aggregator for dooming more complex films, but the deeper problem is studio neglect.

Last weekend, Professor Marston and the Wonder Women, a drama about the creator of the famed comic-book character, became the latest mid-budget casualty. It was marketed on the back of its connection with Wonder Woman, one of the biggest hits of the year. It received a moderately wide release and got strong reviews, but its three-day box-office total was just $736,883—a flimsy average of $600 per theater, which essentially doomed any future chance of success. Critics and industry insiders alike have lamented for years the decline of modestly budgeted movies aimed at grownups, the sort of film that was once the backbone of Hollywood.

Professor Marston would likely have at least one sympathizer in Martin Scorsese, who recently wrote an op-ed for The Hollywood Reporter on how many good, artistic movies are struggling to find receptive audiences in this new era for the industry. “Box office is the undercurrent in almost all discussions of cinema, and frequently it’s more than just an undercurrent,” said the Academy Award-winning director, who also works tirelessly in the field of film preservation. Indeed, in most cases, a movie is judged a flop or a hit within the first few days of its release. Box-office prognosticators can predict a film’s final grosses almost immediately, and there’s very little chance for word-of-mouth to help build up hype, except in the cases of certain smaller independent works.

What John McCain Gets Wrong About Trump's Nationalism

Peter Beinart

The last seventy-five years of American foreign policy are not the story of a country consistently pursuing democratic ideals, only to see them undermined now by a fearful “blood and soil” isolationism.

Being a liberal in the Donald Trump era is tricky. On the one hand, you’re grateful for any conservative who denounces the president’s authoritarian lies. On the other, you can’t help but notice that many of the conservatives who condemn Trump most passionately—Bill Kristol, Bret Stephens, Michael Gerson, Jennifer Rubin—remain wedded to the foreign policy legacy of George W. Bush. And in criticizing Trump’s amoral “isolationism,” they backhandedly defend the disastrous interventionism that helped produce his presidency in the first place.

The godfather of this brand of hawkish, anti-Trump conservatism is John McCain. Sure, McCain—being a Republican Senator—doesn’t condemn Trump as forthrightly as his “neoconservative” allies in the press. But the terms of his critique are similar.

Is Obama's Foreign-Policy Legacy Disappearing?

Uri Friedman

Several of his achievements are under threat—and it’s not all because of Donald Trump.

When Donald Trump last week opted to decertify the nuclear agreement that Barack Obama forged with Iran, it appeared to fit a pattern in the president’s emerging foreign policy. In withdrawing from the Trans-Pacific Partnership trade deal and the Paris climate-change accord, in announcing that he was “canceling” the U.S. opening to Cuba, Trump seemed similarly determined to dismantle Obama’s achievements in international affairs. “The organizing principle for how he approaches foreign policy appears to be, in part, trying to look like he’s doing the opposite of his predecessor,” Ben Rhodes, Obama’s former deputy national-security adviser, told me.

But to the extent that Obama’s foreign-policy legacy is under threat, it’s not only Trump that’s doing the threatening. Some accomplishments are fraying for reasons that have nothing to do with the 45th president’s apparent contempt for the 44th. Obama’s legacy partially depends on his bets that certain countries—Cuba, Iran, Burma—would, with time, respond positively to diplomacy, which the former president once described to The Atlantic as “the element of American power that the rest of the world appreciates unambiguously.”

Luchenko Yana / Shutterstock / Zak Bickel / The Atlantic

What Facebook Did to American Democracy

Alexis C. Madrigal

And why it was so hard to see it coming

In the media world, as in so many other realms, there is a sharp discontinuity in the timeline: before the 2016 election, and after.

Things we thought we understood—narratives, data, software, news events—have had to be reinterpreted in light of Donald Trump’s surprising win as well as the continuing questions about the role that misinformation and disinformation played in his election.

Tech journalists covering Facebook had a duty to cover what was happening before, during, and after the election. Reporters tried to see past their often liberal political orientations and the unprecedented actions of Donald Trump to see how 2016 was playing out on the internet. Every component of the chaotic digital campaign has been reported on, here at The Atlantic, and elsewhere: Facebook’s enormous distribution power for political information, rapacious partisanship reinforced by distinct media information spheres, the increasing scourge of “viral” hoaxes and other kinds of misinformation that could propagate through those networks, and the Russian information ops agency.

I Quit Showering, and Life Continued

James Hamblin

We spend two full years of our lives washing ourselves. How much of that time (and money and water) is a waste?

12,167 hours of washing our bodies.

That’s how much life you use, if you spend 20 minutes per day washing and moisturizing your skin and hair (and you live to be 100, as we all surely will).

That adds up to nearly two entire years of washing every waking hour.

Not to mention water usage and the cost of cosmetic products—which we need, because commercials tell us to remove the oil from our skin with soap, and then to moisturize with lotion. Other commercials tell us to remove the oils from our hair, and then moisturize with conditioner.

That’s four products—plus a lot of water and time— and few people question whether it’s anything short of necessary.

It’s not just the fault of advertising, but also because most of us know from personal experience that if we go a few days without showering, even one day, we become oily, smelly beasts.

The Strangely Revealing Debate Over Viking Couture

Sigal Samuel

An archeological discovery has raised questions about Muslims’ influence on Europe.

A researcher at a Swedish university says that Viking burial clothes bear the word “Allah”—and some people really want to believe her.

Annika Larsson, a textile researcher at Uppsala University who was putting together an exhibit on Viking couture, decided to examine the contents of a Viking woman’s boat grave that had been excavated decades ago in Gamla Uppsala, Sweden. Inspecting the woman’s silk burial clothes, Larsson noticed small geometric designs. She compared them to similar designs on a silk band found in a 10th-century Viking grave, this one in Birka, Sweden. It was then that she came to the conclusion that the designs were actually Arabic characters—and that they spelled out the name of God in mirror-image. In a press release, she described the find as “staggering,” and major media outlets (including The New York Times, The Guardian, and the BBC) reported the story last week.