In 1936 Joe Louis faced off against Max Schmeling. Louis was young and undefeated. More significantly for our purposes, he was the pride of his people. The shadow of Jack Johnson still loomed -- a man who had lived a sordid life, consorted with white women, and drove the country to riot. Unlike Johnson, Louis was a "credit to his race." He was clean. He didn't trash talk. He handled his business in the ring and humbly returned to his corner. He was distinctly aware of his status as a standard-bearer, an ambassador, for his people, and his people loved him for not embarrassing them.
Schmeling was 30 years old when he met Louis, and was considered to be on the southern slope of his career. This belief was shared by Louis's camp:
Louis took training for the Schmeling fight none too seriously. Louis' training retreat was at Lakewood, New Jersey, where Louis was introduced to the game of golf -- later to become a lifelong passion. Louis spent significant time on the golf course rather than training. Conversely, Schmeling prepared intently for the bout. Schmeling had thoroughly studied Louis's style, and believed he had found a weakness: Louis's habit of dropping his left hand low after a jab.
Indeed Schmeling had found a weakness:
Schmeling spent the first three rounds using his jab, while sneaking his right cross behind his jab. Louis was stunned by his rival's style. In the fourth round, a snapping right landed on Louis' chin, and Louis was sent to the canvas for the first time in his twenty eight professional fights. As the fight progressed, stunned fans and critics alike watched Schmeling continue to use this style effectively, and Louis apparently had no idea how to solve the puzzle.
In the 12th round Schmeling knocked Louis out and great wailing went up through Harlem. From Langston Hughes:
I walked down Seventh Avenue and saw grown men weeping like children, and women sitting in the curbs with their head in their hands. All across the country that night when the news came that Joe was knocked out, people cried.
In Germany, Hitler sent Schmeling's wife flowers. Before moving on, it's important to note Schmeling was not much of a Nazi bogeyman. In later years he became friends with Louis, to the point of actually helping him out financially. But my focus here is upon Louis, and the great weight he carried going into that fight.
I can't really imagine how Joe Louis must have felt after his loss. Losing is always a bitter pill, but the taint doubles when the loss belongs not merely to you, but to that nation you represent. The taint triples when your nation is held as a pariah class, for your advances represent the possibility of their own advance out of degradation, and your regressions are ever held as affirming the logic of their status.
Today, black fighters are taken for granted, but in Joe Louis's era the skin game had yet to switch, and it was still common and respectable to assert that blacks lacked the physical courage and discipline to compete with whites in the manly sport of boxing. In short, the manner of Joe Louis's loss -- to an emissary of Hitler no less -- demoralized his people, and by that same factor emboldened their enemies.
Champions of black people rarely seek the honor. Most of them want to just go about the work of their business. I date back to Warren Moon, the NFL's first great black quarterback:
A lot has been said about me as being the first African American quarterback into the Pro Football Hall of Fame. It's a subject that I'm very uncomfortable about sometimes only because I've always wanted to be judged as just a quarterback. But because I am the first and because significance does come with that, I accept that. I accept the fact that I am the first...
I played this game not for just myself, not just for my teammates, but I always had that extra burden when I went on that field that I had a responsibility to play the game for my people. That extra burden I probably didn't need to go out on the field with, because I probably would have been a much better player if I didn't have that burden.
But you know what, I carried that burden proudly.
As I looked at young people all along my route as a professional football player, they always told me, Warren, you got to represent. Warren, you got to represent. Warren, you got to represent.
Like Joe Louis, like Warren Moon, like any black person significant for the fact of being black, I imagine that Barack Obama would love to have only the burden of being great at his craft. All presidential candidates represent something larger than themselves, and in that sense their loss is always broadly shared. But few classes in America have so little to lose as the one Obama represents.
When candidate Obama was asked about his relationship to the black community during the 2008 election, he would often say he was "rooted in the black community, but not limited to it." I was thinking about all of this before last night's debate. I did not know whether Obama would win. But I thought that he would do really, really well. And I thought that, in part, because of the fact that he is, as he said, "rooted in the black community."
These are powerful words for a president. They mean that should Obama fail, the people who will suffer under a triumphant Republican administration will not be abstract to him; they will be down the street. The poor black women who will doubtlessly find their access to contraception troubled will be degrees closer to Obama than to any other presidential aspirant. That 47 percent whom Mitt Romney will surely treat as the loafers he considers them to be will not be a subject of academic study, they will be his fellow parishioners. Barack Obama has spent a life breaking barriers, and should he lose, in any part, because he neglected to prepare -- to work hard -- he will break the seal on a shame which few can fathom.
Joe Louis knew. He stood across from Max Schmeling a second time. It was 1938. World War II was in the air, and now he was not simply the champion of his people, but, most strangely, of a country that reviled them. A loss would not simply be a loss for black people, but for humanity itself:
A few weeks before the rematch, Louis visited President Franklin Delano Roosevelt at the White House. The New York Times quoted Roosevelt as telling the fighter, "Joe, we need muscles like yours to beat Germany." In his 1976 biography, Louis wrote, "I knew I had to get Schmeling good. I had my own personal reasons and the whole damned country was depending on me." This time, Louis took training for the bout seriously, giving up golf and women throughout his training.
Louis won. And some sense of the times can be gleaned from how his win was reported. "Joe Louis, the lethargic, chicken-eating young colored boy," wrote The Washington Post, "reverted to his dreaded role of the 'brown bomber' tonight."
"Joe Louis, the lethargic, chicken-eating young colored boy," wrote The Washington Post, "reverted to his dreaded role of the 'brown bomber' tonight."
When you are deemed a "credit to your race," as Joe Louis so often was, the weight can be crushing. But it also can be the source of great power. In championing the reviled, the battle-weary, the low, you champion something greater than yourself. Wherever you fight, you are always fighting for your hometown. You trade the aspect of the lone wolf, for that of the wounded bear with rearing up in defense of her cubs.
Thus it was with little surprise (though some small thrill) that I watched Barack Obama maul Mitt Romney last night, much as Louis mauled Schmeling in the rematch all those years ago. Unlike Louis, Obama's bout continues on. But should he lose the election it will not be in the shameful manner which, to some, appeared imminent. He will not fall as "the lethargic, chicken-eating, young colored boy." He will not go out confirming the warped logic of those who hate him and the community in which he is rooted. He represents too much.
“Somewhere at Google there is a database containing 25 million books and nobody is allowed to read them.”
You were going to get one-click access to the full text of nearly every book that’s ever been published. Books still in print you’d have to pay for, but everything else—a collection slated to grow larger than the holdings at the Library of Congress, Harvard, the University of Michigan, at any of the great national libraries of Europe—would have been available for free at terminals that were going to be placed in every local library that wanted one.
At the terminal you were going to be able to search tens of millions of books and read every page of any book you found. You’d be able to highlight passages and make annotations and share them; for the first time, you’d be able to pinpoint an idea somewhere inside the vastness of the printed record, and send somebody straight to it with a link. Books would become as instantly available, searchable, copy-pasteable—as alive in the digital world—as web pages.
It’s a shame that the standard way of learning how to cook is by following recipes. To be sure, they are a wonderfully effective way to approximate a dish as it appeared in a test kitchen, at a star chef’s restaurant, or on TV. And they can be an excellent inspiration for even the least ambitious home cooks to liven up a weeknight dinner. But recipes, for all their precision and completeness, are poor teachers. They tell you what to do, but they rarely tell you why to do it.
This means that for most novice cooks, kitchen wisdom—a unified understanding of how cooking works, as distinct from the notes grandma lovingly scrawled on index-card recipes passed down through the generations—comes piecemeal. Take, for instance, the basic skill of thickening a sauce. Maybe one recipe for marinara advises reserving some of the starchy pasta water, for adding later in case the sauce is looking a little thin. Another might recommend rescuing a too-watery sauce with some flour, and still another might suggest a handful of parmesan. Any one of these recipes offers a fix under specific conditions, but after cooking through enough of them, those isolated recommendations can congeal into a realization: There are many clever ways to thicken a sauce, and picking an appropriate one depends on whether there’s some leeway for the flavor to change and how much time there is until dinner needs to be on the table.
They’re stuck between corporations trying to extract maximum profits from each flight and passengers who can broadcast their frustration on social media.
Two weeks ago, a man was violently dragged off a United Airlines flight after being told it was overbooked. And late last week, American Airlines suspended a flight attendant after a fight nearly broke out between a passenger and the crew, over a stroller. What did the two incidents have in common? Both stories went viral after passengers’ videos showcased the rotten conditions of flying in coach today. But also, in both cases, it’s not particularly clear that the airline employees caught on camera had many better options.
On the infamous United flight, employees, following protocol, had to call security agents to remove a passenger in Chicago, due to a last-minute need to transport crew to fly out of Louisville the following day. United’s contract of carriage gives employees broad latitude to deny boarding to passengers. On the other hand, it is terrible to force a sitting passenger to get up and de-board a plane. So, the attendants were stuck: Either four people already seated had to leave the plane, or a flight scheduled the next day would have been grounded due to the lack of crew—which would have punished even more paying customers.
Will you pay more for those shoes before 7 p.m.? Would the price tag be different if you lived in the suburbs? Standard prices and simple discounts are giving way to far more exotic strategies, designed to extract every last dollar from the consumer.
As Christmas approached in 2015, the price of pumpkin-pie spice went wild. It didn’t soar, as an economics textbook might suggest. Nor did it crash. It just started vibrating between two quantum states. Amazon’s price for a one-ounce jar was either $4.49 or $8.99, depending on when you looked. Nearly a year later, as Thanksgiving 2016 approached, the price again began whipsawing between two different points, this time $3.36 and $4.69.
We live in the age of the variable airfare, the surge-priced ride, the pay-what-you-want Radiohead album, and other novel price developments. But what was this? Some weird computer glitch? More like a deliberate glitch, it seems. “It’s most likely a strategy to get more data and test the right price,” Guru Hariharan explained, after I had sketched the pattern on a whiteboard.
Film, television, and literature all tell them better. So why are games still obsessed with narrative?
A longstanding dream: Video games will evolve into interactive stories, like the ones that play out fictionally on the Star Trek Holodeck. In this hypothetical future, players could interact with computerized characters as round as those in novels or films, making choices that would influence an ever-evolving plot. It would be like living in a novel, where the player’s actions would have as much of an influence on the story as they might in the real world.
It’s an almost impossible bar to reach, for cultural reasons as much as technical ones. One shortcut is an approach called environmental storytelling. Environmental stories invite players to discover and reconstruct a fixed story from the environment itself. Think of it as the novel wresting the real-time, first-person, 3-D graphics engine from the hands of the shooter game. In Disneyland’s Peter Pan’s Flight, for example, dioramas summarize the plot and setting of the film. In the 2007 game BioShock, recorded messages in an elaborate, Art Deco environment provide context for a story of a utopia’s fall. And in What Remains of Edith Finch, a new game about a girl piecing together a family curse, narration is accomplished through artifacts discovered in an old house.
A lab has successfully gestated premature lambs in artificial wombs. Are humans next?
When babies are born at 24 weeks’ gestation, “it is very clear they are not ready to be here,” says Emily Partridge, a research fellow at the Children’s Hospital of Philadelphia.
Doctors dress the hand-sized beings in miniature diapers and cradle them in plastic incubators, where they are fed through tubes. In many cases, IV lines deliver sedatives to help them cope with the ventilators strapped to their faces.
Each year, about 30,000 American babies are born this early—considered “critically preterm,” or younger than 26 weeks. Before 24 weeks, only about half survive, and those who live are likely to endure long-term medical complications. “Among those that survive, the challenges are things we all take for granted, like walking, talking, seeing, hearing,” says Kevin Dysart, a neonatologist at the Children’s Hospital.
The cuts-only plan President Trump is expected to unveil Wednesday follows a pattern: The risk associated with higher deficits takes a back seat when it comes with political pain.
“I am the king of debt,” Donald Trump famously boasted during last year’s campaign. On Wednesday, the president is going to set about proving it—but perhaps not in the way he originallymeant.
All indications are that the tax plan the White House is slated to unveil will include what Trump has described as a “massive” cut in the rate that corporations and many small businesses pay to the government. But it will omit the more politically painful choices that Republicans would need to make to offset the correspondingloss of revenue, such as HouseSpeaker Paul Ryan’s proposed tax on imports or the elimination of popular deductions for charitable giving and homeowners. The result is a tax plan that, like the ones Trump offered as a candidate, could add trillions of dollars to the national debt. You can call them tax cuts, but they aren’t tax reform.
From Anaïs to Zizek, a brief list of "shibboleth names"
In October 1937, the president of the Dominican Republic, Rafael Trujillo, devised a simple way to identify the Haitian immigrants living along the border of his country. Dominican soldiers would hold up a sprig of parsley—perejil in Spanish—and ask people to identify it. Those who spoke Spanish would pronounce the word's central "r" with that language's characteristic trill; the Haitians, on the other hand, would bury the "r" sound in the throaty way of the French. To be on the receiving end of the parsley test would be to seal, either way, one's fate: The Spanish-speaking Dominicans were left to live, and the Haitians were slaughtered. It was a state-sponsored genocide that would be remembered, in one of history's greatest understatements, as the Parsley Massacre.
The Hulu show has created a world that’s visually and psychologically unlike anything in film or television.
Call it luck, call it fate, call it the world’s most ridiculous viral marketing campaign, but the first television adaptation of The Handmaid’s Tale is debuting on Wednesday to audiences who are hyper-ready for it. The 1985 speculative fiction work by Margaret Atwood has featured on library waitlists and Amazon’s top 20 for months now—partly in anticipation of the new Hulu show, and partly in response to the strange new landscape that emerged after November 9, wherein women in the millions felt compelled to take to the streets to assert their attachment to reproductive freedom. (When the release date for The Handmaid’s Tale was announced in December, people joked that it would likely be a documentary by the time it arrived on TV screens.)
Those who speak Toki Pona say linguistic simplicity can enable a more profound form of communication.
In Chinese, the word computer translates directly as electric brain.
In Icelandic, a compassis a direction-shower, and a microscope a small-watcher.
In Lakota, horse is literally dog of wonder.
These neologisms demonstrate the cumulative quality of language, in which we use the known to describe the unknown.
“It is by metaphor that language grows,” writes the psychologist Julian Jaynes. “The common reply to the question ‘What is it?’ is, when the reply is difficult or the experience unique, ‘Well, it is like —.’”
That metaphorical process is at the heart ofToki Pona, the world’s smallest language. While the Oxford English Dictionary contains a quarter of a million entries, and even Koko the gorilla communicates with over 1,000 gestures in American Sign Language, the total vocabulary of Toki Pona is a mere 123 words. Yet, as the creator Sonja Lang and many other Toki Pona speakers insist, it is enough to express almost any idea. This economy of form is accomplished by reducing symbolic thought to its most basic elements, merging related concepts, and having single words perform multiple functions of speech.