In a speech about family values, the only woman in the GOP field doesn't bring up the personal values of a certain scandal-ridden rival
Michele Bachmann spoke about the importance of family values in Washington on Monday. The candidate currently occupying what was once her space in the Republican presidential primary has been accused of conduct you could call inconsistent with family values -- allegedly sexually harassing multiple women, one of whom was scheduled to come forward Monday afternoon.
An obvious opening, you might think -- even the most mild reference would be seized upon as a new development in the scandal enveloping Herman Cain. But Bachmann didn't get anywhere near the subject, and even seemed to back away from an earlier vague allusion to it.
"While this election season has been full of surprises, I can assure there will be no policy surprises with me," she said -- seeming to exclude personal surprises with the addition of the word "policy."
Eclipsed by other candidates and beset by campaign chaos, Bachmann now needs all the attention she can get. She's slipped to fourth in Iowa and sixth nationally according to recent polls. But she continues to carry on as if nothing has changed and didn't mention any of the other candidates by name in her Monday speech at the Family Research Council.
She noted that "some Republican candidates seem confused about what it means to be 100 percent pro-life," an apparent reference to Cain. She said, "It isn't heartless, it isn't cruel to cut these programs," which might have been directed at Rick Perry. She lamented that "too many Republicans" are merely "frugal socialists" compared to the "out-of-control socialist" in the White House. Romney, perhaps? All of them?
When a reporter asked who she meant by that last one, she smiled and said, "You see, that's part of the puzzle that you figure out." Politicians hate when reporters read between the lines of what they're saying, except when they demand it.
It's strange to see Bachmann being so skittish about attacking other candidates. In the run-up to the Ames straw poll in August, she effectively buried Tim Pawlenty with her brutal, direct salvos against him. She was a key part of the multi-candidate pile-on that torpedoed Perry's roll-out, memorably speaking of "innocent little 12-year-old girls ... forced to have a government injection," and proceeding to link the Gardasil vaccine to a charge of "crony capitalism."
This isn't about a media hungry for conflict between the candidates, the more brutal the better. It's about Bachmann's need to distinguish herself from her rivals in more than vague terms if she wants voters to consider her anew.
Bachmann's speech didn't go there, or really anywhere. Reading from a prepared text, she rushed through a series of points about history and the Constitution, touching on such hot-button topics as the space program and the U.N. charter. It was if she knew that the scattered, oblique attack lines would be picked up and isolated, and the rest was basically window dressing.
In a radio interview airing Monday, Bachmann reportedly was more explicit in her criticism, singling out Cain for being "inconsistent" on policy. But as the only woman in the field of candidates, and one who has made her status as wife an mother central to her appeal, she would seem to be uniquely situated to raise questions about Cain's alleged personal conduct. Plenty of Republicans -- women in particular -- have qualms about Cain's trustworthiness in the wake of the harassment revelations. Part of the reason Cain has so successfully framed the scandal as a battle between him and the media is that none of his rivals has sought to recast it as a question of character.
That includes Bachmann, apparently. Asked after the speech if she thought candidates' personal values ought also to be considered, she said, "Uh, that would be up to the voters, I guess, to decide. Sure."
She lived with us for 56 years. She raised me and my siblings without pay. I was 11, a typical American kid, before I realized who she was.
The ashes filled a black plastic box about the size of a toaster. It weighed three and a half pounds. I put it in a canvas tote bag and packed it in my suitcase this past July for the transpacific flight to Manila. From there I would travel by car to a rural village. When I arrived, I would hand over all that was left of the woman who had spent 56 years as a slave in my family’s household.
The condition has long been considered untreatable. Experts can spot it in a child as young as 3 or 4. But a new clinical approach offers hope.
This is a good day, Samantha tells me: 10 on a scale of 10. We’re sitting in a conference room at the San Marcos Treatment Center, just south of Austin, Texas, a space that has witnessed countless difficult conversations between troubled children, their worried parents, and clinical therapists. But today promises unalloyed joy. Samantha’s mother is visiting from Idaho, as she does every six weeks, which means lunch off campus and an excursion to Target. The girl needs supplies: new jeans, yoga pants, nail polish.
Listen to the audio version of this article:Download the Audm app for your iPhone to listen to more titles.
At 11, Samantha is just over 5 feet tall and has wavy black hair and a steady gaze. She flashes a smile when I ask about her favorite subject (history), and grimaces when I ask about her least favorite (math). She seems poised and cheerful, a normal preteen. But when we steer into uncomfortable territory—the events that led her to this juvenile-treatment facility nearly 2,000 miles from her family—Samantha hesitates and looks down at her hands. “I wanted the whole world to myself,” she says. “So I made a whole entire book about how to hurt people.”
The president’s business tells lawmakers it is too difficult to track all its foreign revenue in accordance with constitutional requirements, and it hasn’t asked Congress for a permission slip.
Days before taking office, Donald Trump said his company would donate all profits from foreign governments to the U.S. Treasury, part of an effort to avoid even the appearance of a conflict with the Constitution’s emoluments clause.
Now, however, the Trump Organization is telling Congress that determining exactly how much of its profits come from foreign governments is simply more trouble than it’s worth.
In response to a document request from the House Oversight Committee, Trump’s company sent a copy of an eight-page pamphlet detailing how it plans to track payments it receives from foreign governments at the firm’s many hotels, golf courses, and restaurants across the globe. But while the Trump Organization said it would set aside all money it collects from customers that identify themselves as representing a foreign government, it would not undertake a more intensive effort to determine if a payment would violate the Constitution’s prohibition on public office holders accepting an “emolument” from a foreign state.
The office was, until a few decades ago, the last stronghold of fashion formality. Silicon Valley changed that.
Americans began the 20th century in bustles and bowler hats and ended it in velour sweatsuits and flannel shirts—the most radical shift in dress standards in human history. At the center of this sartorial revolution was business casual, a genre of dress that broke the last bastion of formality—office attire—to redefine the American wardrobe.
Born in Silicon Valley in the early 1980s, business casual consists of khaki pants, sensible shoes, and button-down collared shirts. By the time it was mainstream, in the 1990s, it flummoxed HR managers and employees alike. “Welcome to the confusing world of business casual,” declared a fashion writer for the Chicago Tribune in 1995. With time and some coaching, people caught on. Today, though, the term “business casual” is nearly obsolete for describing the clothing of a workforce that includes many who work from home in yoga pants, put on a clean T-shirt for a Skype meeting, and don’t always go into the office.
A recent push for diversity has been blamed for weak print sales, but the company’s decades-old business practices are the true culprit.
Marvel Comics has been having a rough time lately. Readers and critics met last year’s Civil War 2—a blockbuster crossover event (and aspiritual tie-in to the year’s big Marvel movie)—with disinterest and scorn. Two years of plummeting print comics sales culminated in a February during which only one series managed to sell over 50,000 copies. Three crossover events designed to pump up excitement came and went with little fanfare, while the lead-up to 2017’s blockbuster crossover Secret Empire—where a fascist Captain America subverts and conquers the United States—sparked such a negative response that the company later put out a statement imploring readers to buy the whole thing before judging it. On March 30, a battered Marvel decided to try and get to the bottom of the problem with a retailer summit—and promptly stuck its foot in its mouth.
For a number of reasons, natural and human, people have abandoned many places around the world.
For a number of reasons, natural and human, people have evacuated or otherwise abandoned many places around the world—large and small, old and new. Gathering images of deserted areas into a single photo essay, one can get a sense of what the world might look like if humans were to suddenly vanish from the planet. Collected here are recent scenes from abandoned construction projects, industrial disaster zones, blighted urban neighborhoods, towns where residents left to escape violence or natural disasters, derelict Olympic venues, ghost towns, and more.
The national park wouldn’t let him collect rocks for research.
“How did the Grand Canyon form?” is a question so commonly pondered that YouTube is rife with explanations. Go down into the long tail of Grand Canyon videos, and you’ll eventually find a two-part, 35-minute lecture by Andrew Snelling. The first sign this isn’t a typical geology lecture comes about a minute in, when Snelling proclaims, “The Grand Canyon does provide a testament to the biblical account of Earth’s history.”
Snelling is a prominent young-Earth creationist. For years, he has given lectures, guided biblical-themed Grand Canyon rafting tours, and worked for the nonprofit Answers in Genesis. (The CEO of Answers in Genesis, Ken Ham, is also behind the Creation Museum and the Ark Encounter theme park.) Young-Earth creationism, in contrast to other forms of creationism, specifically holds that the Earth is only thousands of years old. Snelling believes that the Grand Canyon formed after Noah’s flood—and he now claims the U.S. government is blocking his research in the canyon because of his religious views.
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
Inside ABC’s tonally bizarro update of the seminal 1987 romantic drama Dirty Dancing are about four different projects trying to get out. There’s the most obvious one, a frame-by-frame remake of the original that’s as awkward and ill-conceived as Gus Van Sant’s 1997 carbon copy of Psycho. There’s the one Abigail Breslin’s starring in, an emotionally textured and realistic coming-of-age story about a clumsy but engaging wallflower. There’s a musical, in which Breslin and Nicole Scherzinger mime along to their own singing voices in a strange dance rehearsal while half-heartedly exploring the idea that power emanates from the vagina. And there’s the most compelling story, a Wide Sargasso Sea-inspired spinoff starring Debra Messing as a lonely housewife coming to terms with the turbulent depths of her own desire.