{"article":{"__typename":"BlogArticle","id":"BlogArticle:43932","isTnfCompatible":true,"datePublished":"2008-03-22T21:15:45Z","title":"Halleluja","slug":"halleluja","wordCount":17,"layout":"standard","isFreelance":false,"isPython3":true,"preview":null,"watsonInfo":{"topCategory":{"full":"/hobbies and interests/reading","one":"hobbies and interests","two":"reading","three":null,"four":null,"__typename":"WatsonTopCategory"},"categories":["/hobbies and interests/reading","/art and entertainment/visual art and design/performance art","/science/social science/history"],"__typename":"WatsonInfo","keywords":["surrealist performance art","greatest piece","internet era"]},"grapeshot":{"segments":["gs_entertain","pos_alcohol","pos_chasemarriott","pos_citibank","pos_creditcard","pos_disasters","pos_diseases","pos_disney_fxfargo","pos_ey","pos_facebook_safety","pos_hermes","pos_ibm","pos_mobkoi","pos_septembereleven","an_bankofamerica_negative","an_facebook_safe","an_fidelity_safe","an_jpmc_safe","an_ms_safe","an_volvo_safe","ap_alfaromeo_safe","ap_bankofamerica_safe","ap_citi_banking_safe","ap_citi_hurricanes","ap_citi_injury","ap_citi_naacp_safe","ap_citi_sex_safe","ap_citi_transportation_safe","ap_facebook_infeed_safe","ap_facebook_safe","ap_fidelity_safe","ap_gwp","ap_jpmc_safe","ap_ms_safe","ap_netflix_israeli_safe","ap_texas_shooting_safe","ap_volvo_safe","general_safe_gv","gs_entertain_perfarts","gs_entertain_arts","gs_tech_computing","gs_tech"],"__typename":"Grapeshot"},"editorialProject":null,"seoTitle":"Halleluja","shareTitle":"Halleluja","dek":"","shareDek":"","url":"https://www.theatlantic.com/politics/archive/2008/03/halleluja/43932/","ampUrl":"https://amp.theatlantic.com/amp/article/43932/","fbiaUrl":"https://www.theatlantic.com/facebook-instant/article/43932/","canonicalUrl":"https://www.theatlantic.com/politics/archive/2008/03/halleluja/43932/","hasMeter":true,"dateModified":"2010-05-03T20:03:20Z","shareImage2x1":null,"primaryChannel":{"displayName":"Politics","__typename":"Channel","slug":"politics"},"authors":[{"displayName":"Matthew Yglesias","socialMedia":[],"__typename":"Author","id":"Author:729","url":"https://www.theatlantic.com/author/matthew-yglesias/","biography":{"default":"Matthew Yglesias is a former writer and editor at The Atlantic.","__typename":"Biography"}}],"channels":[{"slug":"politics","__typename":"Channel"}],"primaryCategory":{"__typename":"Channel","displayName":"Politics","url":"https://www.theatlantic.com/politics/","slug":"politics"},"reviews":[],"secondaryByline":"","shareImage1x1":null,"shareImage16x9":null,"shareImage4x3":null,"shareImageDefault":null,"shareImageSquareDefault":null,"shareImageLeadArt":null,"shareText":null,"content":[{"__typename":"ArticleLegacyHtml","tagName":"P","idAttr":"","className":"","style":"","innerHtml":"This may be the greatest piece of surrealist performance art of the internet era:

I'm speechless."}],"categories":[],"leadArt":null,"embeds":[],"editorsNote":null,"advertisingInfo":{"disableHouseAd":false,"__typename":"AdvertisingInfo"}}}