A few notes for some folks who are interested in the winding path to the Blue Period:
1.) A friend sent along the following quotes from Michael Oakeshott on the limits of awesome sonnage. Oakeshott is critiquing Hobbes who raised sonnage to historic levels:
...The blood of contention ran in his veins. He acquired the lucid genius of a great expositor of ideas; but by disposition he was a fighter, and he knew no tactics save attack. He was a brilliant controversialist, deft, pertinacious and imaginative, and he disposed of the errors of scholastics, Puritans and Papists with a subtle mixture of argument and ridicule.
But he made the mistake of supposing that this style was universally effective, in mathematics no less than in politics. For brilliance in controversy is a corrupting accomplishment. Always to play to win is to take one’s standards from one’s opponent, and local victory comes to displace every other consideration. Most readers will find Hobbes’s disputatiousness excessive; but it is the defect of an exceptionally active mind.
And it never quite destroyed in him the distinction between beating an opponent and establishing a proposition, and never quite silenced the conversation with himself which is the heart of philosophical thinking. But, like many controversialists, he hated error more than he loved truth, and came to depend overmuch on the stimulus of opposition. There is sagacity in Hobbes, and often a profound deliberateness; but there is no repose.
I didn't finish Leviathan. I hope to get back to it. I'm sure some folks in the Horde will disagree with this characterization. But I think the deeper point about "brilliance in controversy" is one for the ages. It's tough to remember that you must never do it for them. It's tough to remember why you came. Why you came was not to be lauded for "destroying," "owning," or otherwise sonning anyone. You must always define the debate and not allow the debate--and all its volume and spectacle--to define you.
2.) As noted before, I first began seriously considering the immortality of white supremacy after listening to Nell Irvin Painter. I say "seriously considering" to distinguish it from the kind of general cynicism toward white America that a lot of black people feel. I felt that and then lost most of it with the election of Barack Obama. What followed wasn't cynicism--which I think is really just another specimen of naiveté-- but something more haunting and real. Here are a couple interviews on that point--one with Phoebe Judge at WUNC in the Research Triangle in North Carolina, the other with Jonathan Judaken before a lecture at Rhodes College in Memphis.