When I first was asked to give a talk at MIT, I knew that I wanted my father to be there. My hosts graciously acceded to that request and both of us were excited for the joint visit. But Pops got sick last weekend and wasn't able to make it. That was depressing. Here are some thoughts on why.
Again, George L Ruffin on Frederick Douglass:
His range of reading has been wide and extensive. He has been a hard student. In every sense of the word, he is a self-made man. By dint of hard study he has educated himself, and to-day it may be said he has a well-trained intellect. He has surmounted the disadvantage of not having a university education, by application and well-directed effort.
He seems to have realized the fact, that to one who is anxious to become educated and is really in earnest, it is not positively necessary to go to college, and that information may be had outside of college walks; books may be obtained and read elsewhere. They are not chained to desks in college libraries, as they were in early times at Oxford.
Professors' lectures may be bought already printed, learned doctors may be listened to in the lyceum, and the printing-press has made it easy and cheap to get information on every subject and topic that is discussed and taught in the university. Douglass never made the mistake (a common one) of considering that his education was finished. He has continued to study, he studies now, and is a growing man, and at this present moment he is a stronger man intellectually than ever before.
It should be understood that Ruffin, at the time of this writing, was an exemplary product of the Academy. He was the first African-American to graduate from Harvard Law and the first African-American judge in the country. So he was not a foe of university education. But he didn't believe that those who found that education out of reach should then just throw up their hands.
Ruffin was writing at a time when very few Americans, much less African-Americans, would have the luxury of college attendance. More to the point he was writing at a time when the very notion of educating African-Americans was under attack. Consider his thoughts on the vindicating intellectual life of Douglass:
The life and work of Douglass has been a complete vindication of the colored people in this respect. It has refuted and overthrown the position taken by some writers, that colored people were deficient in mental qualifications and were incapable of attaining high intellectual position. We may reasonably expect to hear no more of this now, the argument is exploded. Douglass has settled the fact the right way, and it is something to settle a fact.
This is a man obviously possessed by that utterly irrational optimism that has historically afflicted black people beholding the wonder, if unfulfilled, of the American Dream. We shall not be unkind and hold the contagion against Ruffin. Many of us, nationalist inoculations be damned, have of late found ourselves brought low by that same peculiar malaise.
In Ruffin's time, the attacks on black intellect were not (as they are today) matters relegated to letters, journals and tomes. They were matters enforced by white terrorists--the Klan, the White Liners, the Red Shirts etc. Phrenologists asserted the limited potential of the African brain. The White Leagues made those claims into prophecy. So when white terrorists picked their targets, instruments of black intellectual improvement were always high on the list--black schools and black churches were torched, Teachers (many of them white) who'd traveled South to educate the newly emancipated were beaten, lynched and publicly whipped.
I don't say this simply as a matter of moral castigation. The terrorists are the 19th century could be no other way. Their parents had perpetrated the same war, as a matter of law by banning the education of enslaved black people. The essence of white supremacy meant lawfully keeping black people ignorant, and then justifying that ignorance as the work of God, and later the work of Darwin. Thus in the 19th century, the reaction to black education was twofold. In the academy it was laughed at by men employing all the tools of "science" to justify their mockery. Outside the academy it gave us by the greatest instance of home-grown terror in American history.
Against such the horde, people like Ruffin wielded education like an axe. If that education could not always be garnered in white universities, it would have to be garnered by black people themselves through "application and well-directed effort." We would have to be "hard students."
The black tradition is riddled with examples of such people--some of them prominent, some of them tragic. If you talk to old black Southerners it won't take long before someone reflects on black person murdered, or who barely escaped murder, for the crime of knowing too much. The accusation of being "uppity" was always rooted in the idea of black people possessing a knowledge that outstripped their God-assigned place. That outstripping was never too far removed from education--formal or otherwise. When right-wing pundits calls Princeton graduate Michelle Obama "uppity" they are participating in old and unfortunate tradition.
The response to that tradition was manifold, but in my life, it was the example of Malcolm X. By the time I was coming up Malcolm's calls for self-defense, while riveting, had less personal relevance for me. It wasn't like the Klan was going to come marching up North Avenue. But the example of being relatively bright, being derailed by a hostile system, and having to remake yourself in jail really stood out as a light in the dark.
I have no idea if Malcolm actually copied every word in the dictionary. But the example became a kind of myth to many of us. Knowledge (and especially history) was seen as a mystical force, stolen from us by white people and now wielded against us.
My Dad would joke about how brothers would come into his bookstore on Pennsylvania Avenue and ask if he was carrying a certain book. If he wasn't the reply was often, "The white man don't want you to see that book, brother!" That's funny, but it basically outlines our world view at the time. The white man wanted us stupid. There was a century worth of evidence to demonstrate as much.
The results of this approach are varying. The self-educated student can easily slip into a kind of paranoia, in which the only facts that exist are the ones you like. If white people would persecute you for reading a book, what else might they do? Would they give you HIV? Would they conceal the fact that Cleopatra was black? And was it even white people? Wasn't it really the Jews? And did homosexuality ever exist in Africa to begin with?
You see where this goes. The distrust breeds unevidenced claims, and then descends into the very bigotry it claimed to combat. You can become conspiratorial, racist, anti-Semitic, homophobic, sexist etc. Or, less obviously, you can end up accepting the frame of the very people you're debating without realizing it. That was how I went down--searching through the text to try to refute Saul Bellow. But Ralph Wiley (Tolstoy is the Tolstoy of the Zulus) set me free. Still, it took me years to get the basic humanistic power in that statement.
But here is what I know: This week, among many other wonderful thing, I stood in the office of Sam Bowring and held aloft the oldest rock in recorded history. I got there by being a hard student--with all the drawbacks, trap-doors, bad grammar, and B'More accent. And I was raised by hard students, starting with my father.
None of this is what we expected. We thought we were rebelling against the academy, indeed building one of our own. None of us ever expected any kind of recognition. I didn't leave college thinking it would be the ticket to lecturing at colleges. We didn't denigrate education (all my brothers and sisters are college graduates.) But we didn't feel like its highest offices were really open to us. And yet here we are.
Perhaps from that vantage point, you may begin to understand my sympathy for Ruffin's affliction and my peculiar perspective on all the events of the week.
The war is so very long.
*Pictured above: Afroborinqueno (hope I got that right) and legendary hard student, Arturo Schomburg.
A British broadcaster doggedly tried to put words into the academic’s mouth.
My first introduction to Jordan B. Peterson, a University of Toronto clinical psychologist, came by way of an interview that began trending on social media last week. Peterson was pressed by the British journalist Cathy Newman to explain several of his controversial views. But what struck me, far more than any position he took, was the method his interviewer employed. It was the most prominent, striking example I’ve seen yet of an unfortunate trend in modern communication.
First, a person says something. Then, another person restates what they purportedly said so as to make it seem as if their view is as offensive, hostile, or absurd.
Twitter, Facebook, Tumblr, and various Fox News hosts all feature and reward this rhetorical technique. And the Peterson interview has so many moments of this kind that each successive example calls attention to itself until the attentive viewer can’t help but wonder what drives the interviewer to keep inflating the nature of Peterson’s claims, instead of addressing what he actually said.
Their peaceful premises and intricate rule systems are changing the way Americans play—and helping shape an industry in the process.
In a development that would have been hard to imagine a generation ago, when video games were poised to take over living rooms, board games are thriving. Overall, the latest available data shows that U.S. sales grew by 28 percent between the spring of 2016 and the spring of 2017. Revenues are expected to rise at a similar rate into the early 2020s—largely, says one analyst, because the target audience “has changed from children to adults,” particularly younger ones.
Much of this success is traceable to the rise of games that, well, get those adults acting somewhat more like children. Clever, low-overhead card games such as Cards Against Humanity, Secret Hitler, and Exploding Kittens (“A card game for people who are into kittens and explosions”) have sold exceptionally well. Games like these have proliferated on Kickstarter, where anyone with a great idea and a contact at an industrial printing company can circumvent the usual toy-and-retail gatekeepers who green-light new concepts. (The largest project category on Kickstarter is “Games,” and board games make up about three-quarters of those projects.)
Poor white Americans’ current crisis shouldn’t have caught the rest of the country as off guard as it has.
Sometime during the past few years, the country started talking differently about white Americans of modest means. Early in the Obama era, the ennobling language of campaign pundits prevailed. There was much discussion of “white working-class voters,” with whom the Democrats, and especially Barack Obama, were having such trouble connecting. Never mind that this overbroad category of Americans—the exit pollsters’ definition was anyone without a four-year college degree, or more than a third of the electorate—obliterated major differences in geography, ethnicity, and culture. The label served to conjure a vast swath of salt-of-the-earth citizens living and working in the wide-open spaces between the coasts—Sarah Palin’s “real America”—who were dubious of the effete, hifalutin types increasingly dominating the party that had once purported to represent the common man. The “white working class” connoted virtue and integrity. A party losing touch with it was a party unmoored.
Allegations against the comedian are proof that women are angry, temporarily powerful—and very, very dangerous.
Sexual mores in the West have changed so rapidly over the past 100 years that by the time you reach 50, intimate accounts of commonplace sexual events of the young seem like science fiction: You understand the vocabulary and the sentence structure, but all of the events take place in outer space. You’re just too old.
This was my experience reading the account of one young woman’s alleged sexual encounter with Aziz Ansari, published by the website Babe this weekend. The world in which it constituted an episode of sexual assault was so far from my own two experiences of near date rape (which took place, respectively, during the Carter and Reagan administrations, roughly between the kidnapping of the Iran hostages and the start of the Falklands War) that I just couldn’t pick up the tune. But, like the recent New Yorker story “Cat Person”—about a soulless and disappointing hookup between two people who mostly knew each other through texts—the account has proved deeply resonant and meaningful to a great number of young women, who have responded in large numbers on social media, saying that it is frighteningly and infuriatingly similar to crushing experiences of their own. It is therefore worth reading and, in its way, is an important contribution to the present conversation.
After a rocky start in theaters, the Hugh Jackman–starring circus musical has become a massive word-of-mouth hit.
The hottest box-office story in Hollywood right now isn’t Star Wars: The Last Jedi, which made more than $600 million in the U.S. and became the sixth biggest hit in movie history. It isn’t the surprising success of Jumanji: Welcome to the Jungle, an unambiguous smash that has cemented the star power of Dwayne Johnson and Kevin Hart. No, the most interesting film in last weekend’s returns was The Greatest Showman—the family-friendly original musical about P.T. Barnum starring Hugh Jackman that has now made $113 million in five weekends. It was a risky proposition of a movie that got mediocre reviews and initially generated little excitement from audiences. Now, it’s one of the largestword-of-mouth hits in Hollywood history. So what happened?
The federal government will reopen on Tuesday after Senate Democrats accepted an offer from Majority Leader Mitch McConnell to end their filibuster of a stopgap spending bill. Congress passed the bill early Monday evening.
Updated on January 22 at 6:15 p.m. ET
Senate Democrats have given in.
A three-day shutdown of the federal government ended on Monday after Senate Democrats dropped their filibuster of a stopgap spending bill and accepted an offer from the Republican leadership to debate an immigration proposal by early February.
An overwhelming majority of the Senate voted, 81-18, early Monday afternoon to advance legislation to fund the government for the next three weeks, through February 8. A final version cleared the chamber on an identical vote later in the afternoon. Shortly after 6 p.m. Eastern, the House easily approved the bill on a bipartisan vote, 266-150, and sent it to President Trump for his signature.
More comfortable online than out partying, post-Millennials are safer, physically, than adolescents have ever been. But they’re on the brink of a mental-health crisis.
One day last summer, around noon, I called Athena, a 13-year-old who lives in Houston, Texas. She answered her phone—she’s had an iPhone since she was 11—sounding as if she’d just woken up. We chatted about her favorite songs and TV shows, and I asked her what she likes to do with her friends. “We go to the mall,” she said. “Do your parents drop you off?,” I asked, recalling my own middle-school days, in the 1980s, when I’d enjoy a few parent-free hours shopping with my friends. “No—I go with my family,” she replied. “We’ll go with my mom and brothers and walk a little behind them. I just have to tell my mom where we’re going. I have to check in every hour or every 30 minutes.”
Those mall trips are infrequent—about once a month. More often, Athena and her friends spend time together on their phones, unchaperoned. Unlike the teens of my generation, who might have spent an evening tying up the family landline with gossip, they talk on Snapchat, the smartphone app that allows users to send pictures and videos that quickly disappear. They make sure to keep up their Snapstreaks, which show how many days in a row they have Snapchatted with each other. Sometimes they save screenshots of particularly ridiculous pictures of friends. “It’s good blackmail,” Athena said. (Because she’s a minor, I’m not using her real name.) She told me she’d spent most of the summer hanging out alone in her room with her phone. That’s just the way her generation is, she said. “We didn’t have a choice to know any life without iPads or iPhones. I think we like our phones more than we like actual people.”
Entertainment glorifying or excusing predatory male behavior is everywhere—from songs about “blurred lines” to TV shows where rapists marry their victims.
Edward Cullen. Chuck Bass. Lloyd Dobler. Spike from Buffy the Vampire Slayer. That guy from Love Actually with the sign. The lead singers of emo bands with their brooding lyrics. Many of the romantic heroes that made me swoon in my youth followed a pattern and, like a Magic Eye picture, only with a little distance did the shape of it pop out to me. All of these characters in some way crossed, or at least blurred, the lines of consent, aggressively pursuing women with little or no regard for their desires. But these characters’ actions, and those of countless other leading men across the pop-culture landscape, were more likely to be portrayed as charming than scary.
Romance often involves a bit of pursuit—someone has to make a move, after all. And there’s certainly a spectrum of pursuit: Sometimes supposedly romantic gestures in pop culture veer toward the horrendous or illegal; sometimes they’re just a bit creepy or overzealous. But revisiting some of these fictional love stories can leave one with the understanding that intrusive attention is proof of men’s passion, and something women should welcome. In a number of cases, male characters who were acknowledged to have gone too far—by, for example, actually forcing themselves on women—were quickly forgiven, or their actions compartmentalized and forgotten.
When truth itself feels uncertain, how can a democracy be sustained?
“In God We Trust,” goes the motto of the United States. In God, and apparently little else.
Only a third of Americans now trust their government “to do what is right”—a decline of 14 percentage points from last year, according to a new report by the communications marketing firm Edelman. Forty-two percent trust the media, relative to 47 percent a year ago. Trust in business and non-governmental organizations, while somewhat higher than trust in government and the media, decreased by 10 and nine percentage points, respectively. Edelman, which for 18 years has been asking people around the world about their level of trust in various institutions, has never before recorded such steep drops in trust in the United States.
TNT’s new prestige series focuses on a doctor using criminal psychology to pursue a serial killer in 1890s New York.
It says something about how fiercely The Alienist commits to discomfiting its audience that the most disturbing scene in the first two episodes isn’t when the camera disappears inside the darkness of a young boy’s mutilated eye socket, or even when it lingers on the syphilitic sores on the bloodied face of a shrieking asylum inmate. The new TNT series, based on the 1994 bestselling novel by Caleb Carr, is viscerally gruesome (literally visceral, in some cases), portraying a late 19th-century New York City that’s a fetid, teeming quagmire of disease, corruption, and iniquity. You want butchered bodies? Ten a penny. Pox-ridden psychopaths destined for the electric chair? The Alienist is a veritable grab bag of triggering visuals and nauseating images.