Reporter's Notebook

The American Futures Notebook
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On this page you’ll find notes arising from American Futures project that Deborah and James Fallows have had underway, with some appearances on Marketplace radio, since 2013. Their full archive is here.

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And Back Where We Started

The picture below is how it looked six months ago, when we were headed westward from Gaithersburg airport, outside Washington, to Redlands, California, where we’ve spent the intervening months. (This note follows up on two previous cross-country flying reports, here and here.)

It was below freezing back then; the wind was howling; we had an electric heater (the yellow cord) plugged into the plane overnight to keep its engine block warm enough to have a chance of actually starting. The second before this picture was taken I was saying, “I cannot believe it is this cold!” And the stuff around our feet is more or less what we’ve lived off in the past few book-writing months.

That was then: in the 30-knot, 20-degree F weather at Gaithersburg, Maryland, outside DC, in early January.

This afternoon, we arrived back in Gaithersburg, on what will probably (sigh!)  be our final cross-country trip in this airplane. As we did with its predecessor when we moved to China 11 years ago, we must (sadly) sell this plane before heading to England late this summer. It has served us well. And we’ll hope to rent planes while overseas, and to buy back into the used-plane market on our return.

This is now: afternoon of July 3, 2017.

In closing the loop from the previous reports, here was FlightAware’s version of the route from Red Oak, Iowa, to the DC area today, with a stop for gas in Muncie, Indiana.

The pre-Independence Day trek, via FlightAware.

***

Long-term advice for your Fourth of July enjoyment: Nearly twenty years ago, when we were living in Berkeley, California, we happened to be flying in our earlier-model Cirrus airplane from southern California, where my parents lived, back to our home in Berkeley (really, the nearest airport, in Concord) on the evening of July 4. Going up through the Central Valley, in twilight, we saw from above the fireworks celebrations in Bakersfield, in Fresno, in Hanford, in Merced, in Modesto, in Stockton. Highly recommended if you ever have or make the chance.

Happy Independence Day!

David Hunter (left) and Shaun Rajewski, founders of Epic Web Studios in Erie, Pennsylvania Epic Web Studios

Two years ago at this time, when my wife, Deb, and I were in our fourth year of travel across the country to report on smaller towns, we found ourselves increasingly drawn to the lakefront city of Erie, Pennsylvania.

The initial attraction was a primal sense of topophilia on Deb’s part, or fondness for a particular landscape. She had grown up in a small town on the shores of Lake Erie, 150 miles to the west on the other side of Cleveland. The summer-evening sky, air, and sound of Erie’s lake walks were as familiar for her as they were exotic to me.

Summer sky, lakefront Erie, July 2016. (James Fallows)

As we made return trips (even in colder weather) and learned more about the layers of modern Erie, we became more absorbed by it, and connected to it, on both intellectual and emotional levels.

The intellectual appeal is one I set out two years ago in a post called “Erie and America.” It was based on the area’s role as a collision-point and real-time arena for almost every significant trend in modern American society, negative and positive alike. The way this balance plays out in Erie, and in similarly-situated places we visited like San Bernardino and Fresno and Allentown and Charleston, West Virginia, will help determine which will be the dominant tone in the next stage of American life. Will it be the poison, dysfunction, polarization, and mistrust of national-level politics? Or the widespread, dispersed signs of renewal that Deb and I have argued, in our Atlantic articles and our new book Our Towns, can be the proving-grounds and momentum-builders for the next era of national renewal?


That drama is fully on display in Erie.

This year a magazine has begun ranking colleges on vocational-training effectiveness. The Washington Monthly

As a one-time staff editor of The Washington Monthly magazine, I am biased in favor of that plucky enterprise and its approach to the world.

As a one-time chief editor of  US News & World Report, I am all too aware of the fatuousness imperfections of its college-ranking system. Being a pioneer in ranking has been the economic salvation of US News.  But the premise that vastly different institutions can be precisely ranked on overall quality has its obvious limits. What are the "best" ten lines of work, ranked one through ten, for your child to aspire to? What are the "best" twenty-five cities to live in -- or pieces of music to listen to, or food to eat? Or people to marry? The only sane answer is, "it depends," which is the answer when it comes to colleges and universities too.

***

As it happens, I wrote those two preceding paragraphs nine full years ago, during the 2009 version of “college ranking week” for a number of national magazines.

Back in the early 1980s, the number of prominent magazines doing the rankings was one: US News itself. You can read the background of how this became a business franchise for US News (which survives now mainly as a rankings organization), and why their decade-long near monopoly in rankings was so controversial, here in Slate back in 1999; here again one year later in Slate;  here at about the same time in The Washington Monthly; here in 2001 in the University of Chicago magazine; in The Atlantic in 2013 from John Tierney and two years later from Gillian White; and here in 2017 from Politico. (You’ll also see linked rebuttals from USN at many of those places, and for instance here.) And the Atlantic has some new features on the cost of education, out today: by Alia Wong and Amanda Ripley.

Maria Moreno, from the film Adios Amor, directed by Laurie Coyle George Ballis/Take Stock

Each spring, the music world hears the name “Coachella” and thinks of a major two-weekend arts and music festival. So attached are the name and the event that the web address Coachella.Com takes you not to the city’s official site but one where you can buy tickets for the festival.

The rest of the year, Coachella is a smallish farming community, in the sun-baked desert, where irrigation has supported a date-palm and grapefruit industry and where a mainly Latino farm work force has struggled over the decades for better pay and conditions.

This past spring, as the music festival was about to kick off, I did an item on “The Other Coachella” — the one I had known while growing up in the area, and the one that’s still there after the festival visitors have left. The occasion for the post was a new “Story Map” from our friends at the mapping company Esri, which gave a multimedia version of the city and people who dominate the town through the non-festival weeks of the year. The map, called “In the Valley of Coachella,” was written by the novelist Susan Straight and illustrated with photos by Douglas McCulloh. It is well worth a return look.


There’s one more aspect of “The Other Coachella,” and another kind of Coachella festival, that are also worth notice. Last month a group called Cinemas Culturas (plus other partners) put on the debut of “Festival in the Fields,” a film, arts, and education event meant to focus attention on the region’s working population. In a note earlier this year describing the project, Cony Martinez, director of Cinemas Culturas, the festival’s main organizer, said:

My mother was a farmworker for over 25 years. Therefore, I decided to create a platform that focuses and honors people like my mother.

The project focuses on the migrant community and the Latino community in general of the Coachella Valley.