Yesterday we had Georgia on our mind, and in today’s track, from Otis Redding, he “left my home in Georgia, headed for the Frisco Bay.” Here’s a reader in San Francisco, Doug:
For me, “Sittin’ on the Dock of the Bay” captures so much of the San Francisco experience (or at least the SF experience I’ve idealized): carefree, sitting overlooking the water, relaxing and listening to some amazing music. But as you can see from this playlist I made when I was moving back to California a few years ago, songs about California are kind of a dime a dozen (and I barely scratched the surface) …
If you have any reflections on a song about a specific place in California (real places—no Hotel Californias), drop us a note. Update from a reader in Oregon, Brian:
As a former San Franciscan, I’d like to point out that “Dock of the Bay” is not a San Francisco song but a Sausalito song—another city on the “Frisco” Bay. Although neither city name is mentioned, just the Bay. (And the City and County of San Francisco is named after the Bay, not the other way around.)
(Track of the Day archive here. Pre-Notes archive here.)
To get our new series going—songs about a particular place—here’s a classic pick and a wonderful memory from Jackie in Leonard, Maryland:
Georgia is my home state, and nobody, but nobody, could sing “Georgia on My Mind” as Ray Charles could. Charles was born in Macon, and I heard him sing the song live in Columbus, Georgia, in June 1962, right after I graduated from Baker High School. My date and I were the only white people there; Georgia was a segregated state then. But everyone there was cool with it, especially when they saw that we knew the words to all the songs and could dance well. The whole joint was rocking. It was a memorable night; I still have the program.
(Submit a song via hello@. Track of the Day archive here. Pre-Notes archive here.)
Both songs are unabashed, upbeat, and unironic love songs to these iconic American cities. In a time when we are constantly bombarded by messaging that signals that somehow this country is something less than it once was, it is nice to be reminded that we are, in fact, the sum of all of our parts—and that the parts are actually (as Fallows points out) pretty great.
P.S. I only recently noticed the timing of the daily song release ;)
Great picks, though “I Love L.A.” was already featured in TotD (in our series of songs about complicated patriotism) and “City of Immigrants” doesn’t seem to be about a particular city. So I asked the discussion group of Atlantic readers known as TAD for further picks. But first, one of them begs to differ with Adam:
As a proud Angelino, Randy Newman’s “I Love L.A.” is a sort of theme song and also the soundtrack of all of our many sporting achievements, but I’d hardly call it an “unabashed, upbeat, and unironic love song.” It’s very much a satirical take on the city. It includes lines like, “Look at that bum over there, man, he’s down on his knees.” Newman has said in interviews that he does in fact love L.A., but that song has deeper layers than it what it first appears to be.
Let’s go with “Twin Falls” for the first song in the new series, recommended by a reader in TAD:
I didn’t grow up in Twin Falls, Idaho, but I know it, and I grew up in a town just like it. Built To Spill’s nostalgic song about nostalgia gets it good.
Listen and reminisce for yourself:
If you have a favorite song about a specific place, please send it along with a short description of why you love it so much—and perhaps the place as well: firstname.lastname@example.org. Update from Adam:
I re-listened to “City of Immigrants” and it is true that Steve Earle never actually mentions a specific place, but it is about NYC; it was on Earle’s album Washington Square Serenade, which is (mostly) an extended love letter to the Big Apple.
Regarding “I Love L.A.,” I always took the line about the bum to be a warts-and-all kind of reference. As a teenager stuck in the heartland, that song represented the Los Angeles that I knew from the movies and pop culture. Maybe to the locals it was a theme song, but for this Iowa boy, it was aspirational.
(Track of the Day archive here. Pre-Notes archive here.)
The Democratic Party’s gerontocracy is holding back the political causes it claims to want to advance.
Why have national Democrats and not national Republicans fallen under the tyranny of the 70-somethings? It seems so contrary to common expectation. Democrats are, as they often remind us, the party of progress and the future. The question seems to rival those enduring, unanswerable mysteries such as “What happens when you die?” and “Why did Mick Taylor quit the Rolling Stones?”
People in their mid-to-late 70s are thick on the ground nowadays, while in an earlier era, of course, you’d have been more likely to find them under it. This is especially true in the urban centers of the Northeast and mid-Atlantic, according to a recent survey of census data by the Associated Press–NORC Center for Public Affairs Research. In particular, the Washington, D.C., area is a leader in “senior labor force participation,” by which the researchers mean the region is loaded with people who have passed the age of retirement yet somehow neglected to retire.
The senator from New York is a battle-tested campaigner who thrives as the underdog. But 2020 is proving to be a much tougher challenge than she thought.
DES MOINES—Isaac Rosenberg is stumped. What is it about Kirsten Gillibrand that makes people love to hate her, the rush of coverage eager to point out how her presidential campaign has underperformed?
Maybe, Rosenberg says, “it’s because America isn’t used to such an opinionated and strong woman.”
Rosenberg doesn’t get it. They hit it off. Rosenberg likes her style—in politics, and in fashion. They’d just done their makeup together upstairs. “I like a full, pink lip; she likes a red lip,” Rosenberg tells me.
We were standing in Blazing Saddle, a gay bar in the East Village neighborhood here. Rosenberg had on a white top exposing a bare midriff, and a flowing white skirt that people in the crowd had to be careful not to step on. Rosenberg is better known as the drag queen Vana, and is one of the senator’s biggest fans in Iowa.
A faction of the religious right has concluded that if liberal democracy does not guarantee victory, then it must be abandoned.
By the tail end of the Obama administration, the culture war seemed lost. The religious right sued for détente, having been swept up in one of the most rapid cultural shifts in generations. Gone were the decades of being able to count on attacking its traditional targets for political advantage. In 2013, Chuck Cooper, the attorney defending California’s ban on same-sex marriage, begged the justices to allow same-sex-marriage opponents to lose at the ballot box rather than in court. Conservatives such as George Will and Rod Dreher griped that LGBTQ activists were “sore winners,” intent on imposing their beliefs on prostrate Christians, who, after all, had already been defeated.
The rapidity of that cultural shift, though, should not obscure the contours of the society that the religious right still aspires to preserve: a world where women have no control over whether to carry a pregnancy to term, same-sex marriage is illegal, and gays and lesbians can be arrested and incarcerated for having sex in their own homes and be barred from raising children. The religious right showed no mercy and no charity toward these groups when it had the power to impose its will, but when it lost that power, it turned to invoking the importance of religious tolerance and pluralism in a democratic society.
No novel of the past century has had more influence than George Orwell’s 1984. The title, the adjectival form of the author’s last name, the vocabulary of the all-powerful Party that rules the superstate Oceania with the ideology of Ingsoc—doublethink, memory hole, unperson, thoughtcrime, Newspeak, Thought Police, Room 101, Big Brother—they’ve all entered the English language as instantly recognizable signs of a nightmare future. It’s almost impossible to talk about propaganda, surveillance, authoritarian politics, or perversions of truth without dropping a reference to 1984. Throughout the Cold War, the novel found avid underground readers behind the Iron Curtain who wondered, How did he know?
Mama was in her 70s before she discovered the true story of her conception.
Late on the eve of my mother’s wedding day, in August of 1965, in Springfield, Illinois, a hoot owl on a tree outside her bedroom window called out “Who? Who?” The call echoed in the darkness of her high-ceiled room. It was a loaded question.
Earlier that day, my grandmother (Granny, we kids called her) had taken my mother (whom we call Mama) aside for a private talk. “Now Beth,” she said. “You know that Daddy and I had trouble having you.” In spite of Granny’s midwestern Methodist reserve and impermeable feminine decorum, Mama did know a little about this. When, as an unusually intense and imaginative little girl, she had begged Granny for brothers and sisters, Granny had finally explained that siblings were impossible. She and Grandpa had tried to conceive Mama for five years and sought the assistance of doctors at a Chicago hospital; it was a miracle she had been born at all. Mama would have to content herself with her cousins in Moweaqua—the children of Granny’s little sister. Effusive and highly sociable, Mama bonded with her cousins as if they were her own sisters and brother, and made near-siblings of the kids on her block, herding them to perform dog circuses and theatricals on their quiet street.
Fifty years after Jazzercise was founded, it is still shaping how Americans workout—for better or for worse.
“You’re not in Jazzercise, ladies,” a trim, tattooed, fitness instructor chided me and the roomful of women who were attempting to work up a sweat one morning a few months ago. I’d never done Jazzercise, but I knew what she meant. The caustic cue conjured grainy VHS tapes—the kind that circulate on social media for their Totally ’80s aesthetic—featuring a gyrating blonde who’s all limbs, leotard, and embarrassing exclamations like “find that boogie body.” My instructor was calling us uncool.
Tempting as it may be to dismiss Jazzercise to the dustbin of fitness history, the dance-cardio program—which turns 50 this month—is more than a punchline. The format founded in a dance-studio basement by Judi Sheppard Missett, the frontwoman in the videos, established the style and substance of “boutique fitness,” the fastest-growing segment of today’s $26 billion industry. Jazzercise set the standard not only for contemporary choreographed offerings, but also for the franchise model exemplified by the likes of Curves, PureBarre, and Barry’s Bootcamp.
Americans are hypochondriacs, yet we skip our checkups. We demand drugs we don’t need, and fail to take the ones we do. No wonder the U.S. leads the world in health spending.
I was standing two feet away when my 74-year-old father slugged an emergency-room doctor who was trying to get a blood-pressure cuff around his arm. I wasn’t totally surprised: An accomplished scientist who was sharp as a tack right to the end, my father had nothing but disdain for the entire U.S. health-care system, which he believed piled on tests and treatments intended to benefit its bottom line rather than his health. He typically limited himself to berating or rolling his eyes at the unlucky clinicians tasked with ministering to him, but more than once I could tell he was itching to escalate.
My father was what the medical literature traditionally labeled a “hateful patient,” a term since softened to “difficult patient.” Such patients are a small minority, but they consume a grossly disproportionate share of clinician attention. Nevertheless, most doctors and nurses learn to put up with them. The doctor my dad struck later apologized to me for not having shown more sensitivity in his cuff placement.
Like many rich Americans, I used to think educational investment could heal the country’s ills—but I was wrong. Fighting inequality must come first.
Long ago, I was captivated by a seductively intuitive idea, one many of my wealthy friends still subscribe to: that both poverty and rising inequality are largely consequences of America’s failing education system. Fix that, I believed, and we could cure much of what ails America.
This belief system, which I have come to think of as “educationism,” is grounded in a familiar story about cause and effect: Once upon a time, America created a public-education system that was the envy of the modern world. No nation produced more or better-educated high-school and college graduates, and thus the great American middle class was built. But then, sometime around the 1970s, America lost its way. We allowed our schools to crumble, and our test scores and graduation rates to fall. School systems that once churned out well-paid factory workers failed to keep pace with the rising educational demands of the new knowledge economy. As America’s public-school systems foundered, so did the earning power of the American middle class. And as inequality increased, so did political polarization, cynicism, and anger, threatening to undermine American democracy itself.
At its annual meeting, the evangelical denomination initially declined to consider a statement of its opposition to the alt-right.
Updated at 6:10 p.m. EST on June 14
The Southern Baptist Convention’s annual meeting turned chaotic in Phoenix this week over a resolution that condemned white supremacy and the alt-right. On Tuesday, leaders initially declined to consider the proposal submitted by a prominent black pastor in Texas, Dwight McKissic, and only changed course after a significant backlash. On Wednesday afternoon, the body passed a revised statement against the alt-right. But the drama over the resolution revealed deep tension lines within a denomination that was explicitly founded to support slavery.
A few weeks before the meeting was slated to start, McKissic published his draft resolution on a popular Southern Baptist blog called SBC Voices. The language was strong and pointed.
A growing pattern of attacks across Europe is as much about electoral opportunity as a conflict of ideas.
When Federico Batini, an Italian academic, wanted to research classroom bullying, he distributed a questionnaire to 54 schools in central Italy. The survey was carried out in partnership with local education authorities and sought to explore the extent to which young people faced racial, homophobic, or gender-based discrimination from their peers.
But instead of learning more about students’ experiences, Batini found his name smeared in the national media and his research abruptly discontinued. A senator from the far-right League party condemned Batini’s questionnaire as “gender indoctrination.” A national conservative daily, La Verità, berated the survey as “crazy gender ideology.” Then the Italian education minister, Marco Bussetti, a member of the League, blocked the questionnaire altogether.