A reader recommends the stirring hymn, “Partly because I’m from Africa, but mostly because it is just a beautiful song.” The version above is sung by a massive crowd led by Miriam Makeba, Ladysmith Black Mambazo, and Paul Simon. Here’s some background for “Nkosi Sikelel' iAfrika”:
[It’s] a hymn originally composed in 1897 by Enoch Sontonga, a Xhosa clergyman at a Methodist mission school near Johannesburg [South Africa]. The song became a pan-African liberation anthem and was later adopted as the national anthem of five countries in Africa including Zambia, Tanzania, Namibia and Zimbabwe after independence. Zimbabwe and Namibia have since adopted new national anthems. The song is currently the national anthem of Tanzania and, since 1994, a portion of the national anthem of South Africa.
(Submit a song via hello@. Track of the Day archive here. Pre-Notes archive here.)
“Galveston” is another in a line of lush, cinematic songs by songwriter Jimmy Webb. The original, iconic version by Glen Campbell was released during the Vietnam War, but the last few years make lines like “I clean my gun and dream of Galveston” as topical as you can get. Here’s the original version [above], as well as a cover by David Nail and Lee Ann Womack (the female harmony adds depth to the longing and fear of a young man at war).
Yesterday we had Georgia on our mind, and in today’s track, from Otis Redding, he “left my home in Georgia, headed for the Frisco Bay.” Here’s a reader in San Francisco, Doug:
For me, “Sittin’ on the Dock of the Bay” captures so much of the San Francisco experience (or at least the SF experience I’ve idealized): carefree, sitting overlooking the water, relaxing and listening to some amazing music. But as you can see from this playlist I made when I was moving back to California a few years ago, songs about California are kind of a dime a dozen (and I barely scratched the surface) …
If you have any reflections on a song about a specific place in California (real places—no Hotel Californias), drop us a note. Update from a reader in Oregon, Brian:
As a former San Franciscan, I’d like to point out that “Dock of the Bay” is not a San Francisco song but a Sausalito song—another city on the “Frisco” Bay. Although neither city name is mentioned, just the Bay. (And the City and County of San Francisco is named after the Bay, not the other way around.)
(Track of the Day archive here. Pre-Notes archive here.)
To get our new series going—songs about a particular place—here’s a classic pick and a wonderful memory from Jackie in Leonard, Maryland:
Georgia is my home state, and nobody, but nobody, could sing “Georgia on My Mind” as Ray Charles could. Charles was born in Macon, and I heard him sing the song live in Columbus, Georgia, in June 1962, right after I graduated from Baker High School. My date and I were the only white people there; Georgia was a segregated state then. But everyone there was cool with it, especially when they saw that we knew the words to all the songs and could dance well. The whole joint was rocking. It was a memorable night; I still have the program.
(Submit a song via hello@. Track of the Day archive here. Pre-Notes archive here.)
Both songs are unabashed, upbeat, and unironic love songs to these iconic American cities. In a time when we are constantly bombarded by messaging that signals that somehow this country is something less than it once was, it is nice to be reminded that we are, in fact, the sum of all of our parts—and that the parts are actually (as Fallows points out) pretty great.
P.S. I only recently noticed the timing of the daily song release ;)
Great picks, though “I Love L.A.” was already featured in TotD (in our series of songs about complicated patriotism) and “City of Immigrants” doesn’t seem to be about a particular city. So I asked the discussion group of Atlantic readers known as TAD for further picks. But first, one of them begs to differ with Adam:
As a proud Angelino, Randy Newman’s “I Love L.A.” is a sort of theme song and also the soundtrack of all of our many sporting achievements, but I’d hardly call it an “unabashed, upbeat, and unironic love song.” It’s very much a satirical take on the city. It includes lines like, “Look at that bum over there, man, he’s down on his knees.” Newman has said in interviews that he does in fact love L.A., but that song has deeper layers than it what it first appears to be.
Let’s go with “Twin Falls” for the first song in the new series, recommended by a reader in TAD:
I didn’t grow up in Twin Falls, Idaho, but I know it, and I grew up in a town just like it. Built To Spill’s nostalgic song about nostalgia gets it good.
Listen and reminisce for yourself:
If you have a favorite song about a specific place, please send it along with a short description of why you love it so much—and perhaps the place as well: email@example.com. Update from Adam:
I re-listened to “City of Immigrants” and it is true that Steve Earle never actually mentions a specific place, but it is about NYC; it was on Earle’s album Washington Square Serenade, which is (mostly) an extended love letter to the Big Apple.
Regarding “I Love L.A.,” I always took the line about the bum to be a warts-and-all kind of reference. As a teenager stuck in the heartland, that song represented the Los Angeles that I knew from the movies and pop culture. Maybe to the locals it was a theme song, but for this Iowa boy, it was aspirational.
(Track of the Day archive here. Pre-Notes archive here.)
Next time there’s a viral story, I’ll wait for more facts to emerge.
Like many people who spend too much time on Twitter, I watched with indignation Saturday morning as stories began appearing about a confrontation near the Lincoln Memorial between students from Covington Catholic High School and American Indians from the Indigenous Peoples March. The story felt personal to me; I live a few miles from the high school, and my son attends a nearby all-boys Catholic high school. I texted him right away, ready with a lesson on what the students had done wrong.
“They were menacing a man much older than them,” I told him, “and chanting ‘Build the wall!’ And this smirking kid blocked his path and wouldn’t let him leave.” The short video, the subject of at least two-thirds of my Twitter feed on Saturday, made me cringe, and the smirking kid in particular got to me: His smugness, radiating from under that red MAGA hat, was everything I wanted my teenagers not to be.
A controversial video of Catholic students clashing with American Indians appeared to tell a simple truth. A second video called that story into question. But neither shows what truly happened.
In a short, viral videoshared widely since Friday, Catholic high school students visiting Washington from Kentucky for the March for Life appeared to confront, and mock, Native Americans who had participated in the Indigenous Peoples March taking place the same day.
By Saturday, the video had been condensed into a single image: One of the students, wearing a Make American Great Again hat, smiles before an Omaha tribal elder, a confrontation viewers took as an act of aggression by a group of white youth against an indigenous community—and by extension, people of color more broadly. Online, reaction was swift and certain, with legislators, news outlets, and ordinary people denouncing the students and their actions as brazenly racist.
Insights into the little-studied realm of last words
Mort Felix liked to say that his name, when read as two Latin words, meant “happy death.” When he was sick with the flu, he used to jokingly remind his wife, Susan, that he wanted Beethoven’s “Ode to Joy” played at his deathbed. But when his life’s end arrived at the age of 77, he lay in his study in his Berkeley, California, home, his body besieged by cancer and his consciousness cradled in morphine, uninterested in music and refusing food as he dwindled away over three weeks in 2012. “Enough,” he told Susan. “Thank you, and I love you, and enough.” When she came downstairs the next morning, she found Felix dead.
During those three weeks, Felix had talked. He was a clinical psychologist who had also spent a lifetime writing poetry, and though his end-of-life speech often didn’t make sense, it seemed to draw from his attention to language. “There’s so much so in sorrow,” he said at one point. “Let me down from here,” he said at another. “I’ve lost my modality.” To the surprise of his family members, the lifelong atheist also began hallucinating angels and complaining about the crowded room—even though no one was there.
The death of Martin Luther King Jr. wasn’t a galvanizing event, but the premature end of a movement that had only just begun.
“Woe to you, because you build tombs for the prophets, and it was your ancestors who killed them.” Jesus’s rebuke to the Pharisees descended upon me on a cold January morning in 2017, in West Potomac Park in Washington, D.C. On that Monday, the national holiday dedicated to the man at whose memorial I stood, the capital bustled in anticipation of a more pressing political event. That’s why I was at the park, pondering this granite stone of hope, carved out of a mountain of despair. The memorial to Martin Luther King Jr. cast its shadow over me, its presence just as conflicted as those tombs.
As sure as Jesus’s words proved prescient about the adoption of Christianity in the empire that killed him, so too the modern-day legend of King writes itself in real time. In the official story told to children, King’s assassination is the transformational tragedy in a victorious struggle to overcome.
Starting the process will rein in a president who is undermining American ideals—and bring the debate about his fitness for office into Congress, where it belongs.
On January 20, 2017,Donald Trump stood on the steps of the Capitol, raised his right hand, and solemnly swore to faithfully execute the office of president of the United States and, to the best of his ability, to preserve, protect, and defend the Constitution of the United States. He has not kept that promise.
Instead, he has mounted a concerted challenge to the separation of powers, to the rule of law, and to the civil liberties enshrined in our founding documents. He has purposefully inflamed America’s divisions. He has set himself against the American idea, the principle that all of us—of every race, gender, and creed—are created equal.
Once again, Trump tried and failed to strike a deal on Saturday.
President Donald Trump is trapped. He shut the government to impose his will on the incoming Democratic majority in the House of Representatives. That plan has miserably failed. Instead, Trump has found himself caught in the trap he supposed he had set for his opponents.
Now he is desperately seeking an exit.
Trump attempted Exit One on January 8.He spoke that evening to the nation from the Oval Office, hoping to mobilize public opinion behind him, pressing the Democratic leadership of the House to yield to him. That hope was miserably disappointed. Surveys post-speech found that Trump had swayed only 2 percent of TV viewers. In the 10 days since the speech, Trump’s approval ratings have dipped to about the lowest point in his presidency. The supposedly solid Trump base has measurably softened.
America’s largest internet store is so big, and so bewildering, that buyers often have no idea what they’re going to get.
Updated at 5:28 p.m. ET on January 17, 2019.
There’s a Gatorade button attached to my basement fridge. If I push it, two days later a crate of the sports drink shows up at my door, thanks to Amazon. When these “Dash buttons” were first rumored in 2015, they seemed like a joke. Press a button to one-click detergent or energy bars? What even?, my colleague Adrienne LaFrance reasonably inquired.
They weren’t a joke. Soon enough, Amazon was selling the buttons for a modest fee, the value of which would be applied to your first purchase. There were Dash buttons for Tide and Gatorade, Fiji Water and Lärabars, Trojan condoms and Kraft Mac & Cheese.
The whole affair always felt unsettling. When the buttons launched, I called the Dash experience Lovecraftian, the invisible miasma of commerce slipping its vapor all around your home. But last week, a German court went further, ruling the buttons illegal because they fail to give consumers sufficient information about the products they order when pressing them, or the price they will pay after having done so. (You set up a Dash button on Amazon’s app, selecting a product from a list; like other goods on the e-commerce giant’s website, the price can change over time.) Amazon, which is also under general antitrust investigation in Germany, disputes the ruling.
She beat George W. Bush on Social Security privatization, and she’ll beat Trump on the wall.
Democrats sometimes portray themselves as high-minded and naive—unwilling to play as rough as the GOP. Speaker Nancy Pelosi is, once again, proving that self-image wrong. She’s not only refusing Donald Trump’s demand for a border wall. She’s trying to cripple his presidency. And she may well succeed.
Pelosi’s strategy resembles the one she employed to debilitate another Republican president: George W. Bush. Bush returned to Washington after his 2004 reelection victory determined to partially privatize Social Security. “I earned capital in the campaign, political capital,” he told the press, “and I intend to spend it.” Bush’s plan contained two main elements. The first was convincing the public that there was a crisis. Social Security, he declared in his 2005 State of the Union address, “is headed toward bankruptcy.” The second was persuading Democrats to offer their own proposals for changing it.
The civil-rights leader is now celebrated as a modern founding father, a celebration that gives those who oppose his policy agenda a claim to his legacy.
Every year, on the third Monday in January, people play their hand at the same game. “What would Martin Luther King Jr. think?” becomes an unwritten essay prompt for op-eds, a topic of speeches and sermons, a call to action, and a societal rebuke. In this annual pageant, there are few who would ever mark themselves as living in opposition to the legacy of King, even as they work to dismantle it.
It was only natural that Vice President Mike Pence would quote King in defense of President Donald Trump’s decision to continue the ongoing government shutdown until he receives full funding for a border wall. “One of my favorite quotes from Dr. King was: ‘Now is the time to make real the promises of democracy’,” Pence said on CBS’s Face the Nation on Sunday, citing King’s famous 1963 “I Have a Dream” speech. “You think of how he changed America. He inspired us to change through the legislative process, to become a more perfect union. That’s exactly what President Trump is calling on Congress to do: Come to the table in the spirit of good faith.”
[Please see Updates at the end of this post.] I don’t know who the young man in the MAGA hat in this photo is. And I don’t care to know.
His name, which the internet will inevitably turn up, really doesn’t matter. It matters to his parents, of course—and to his teachers. I hope they will be reflective, and I know they should be ashamed: of this smirking young man and the scores of other (nearly all white) students from a Catholic school in Kentucky. Today, on the National Mall in Washington, they apparently mocked, harassed, and menaced a Native American man who had fought for the United States in Vietnam and who today represented both the U.S. and his Omaha nation with poise, courage, and dignity.