“Galveston” is another in a line of lush, cinematic songs by songwriter Jimmy Webb. The original, iconic version by Glen Campbell was released during the Vietnam War, but the last few years make lines like “I clean my gun and dream of Galveston” as topical as you can get. Here’s the original version [above], as well as a cover by David Nail and Lee Ann Womack (the female harmony adds depth to the longing and fear of a young man at war).
Yesterday we had Georgia on our mind, and in today’s track, from Otis Redding, he “left my home in Georgia, headed for the Frisco Bay.” Here’s a reader in San Francisco, Doug:
For me, “Sittin’ on the Dock of the Bay” captures so much of the San Francisco experience (or at least the SF experience I’ve idealized): carefree, sitting overlooking the water, relaxing and listening to some amazing music. But as you can see from this playlist I made when I was moving back to California a few years ago, songs about California are kind of a dime a dozen (and I barely scratched the surface) …
If you have any reflections on a song about a specific place in California (real places—no Hotel Californias), drop us a note. Update from a reader in Oregon, Brian:
As a former San Franciscan, I’d like to point out that “Dock of the Bay” is not a San Francisco song but a Sausalito song—another city on the “Frisco” Bay. Although neither city name is mentioned, just the Bay. (And the City and County of San Francisco is named after the Bay, not the other way around.)
(Track of the Day archive here. Pre-Notes archive here.)
To get our new series going—songs about a particular place—here’s a classic pick and a wonderful memory from Jackie in Leonard, Maryland:
Georgia is my home state, and nobody, but nobody, could sing “Georgia on My Mind” as Ray Charles could. Charles was born in Macon, and I heard him sing the song live in Columbus, Georgia, in June 1962, right after I graduated from Baker High School. My date and I were the only white people there; Georgia was a segregated state then. But everyone there was cool with it, especially when they saw that we knew the words to all the songs and could dance well. The whole joint was rocking. It was a memorable night; I still have the program.
(Submit a song via hello@. Track of the Day archive here. Pre-Notes archive here.)
Both songs are unabashed, upbeat, and unironic love songs to these iconic American cities. In a time when we are constantly bombarded by messaging that signals that somehow this country is something less than it once was, it is nice to be reminded that we are, in fact, the sum of all of our parts—and that the parts are actually (as Fallows points out) pretty great.
P.S. I only recently noticed the timing of the daily song release ;)
Great picks, though “I Love L.A.” was already featured in TotD (in our series of songs about complicated patriotism) and “City of Immigrants” doesn’t seem to be about a particular city. So I asked the discussion group of Atlantic readers known as TAD for further picks. But first, one of them begs to differ with Adam:
As a proud Angelino, Randy Newman’s “I Love L.A.” is a sort of theme song and also the soundtrack of all of our many sporting achievements, but I’d hardly call it an “unabashed, upbeat, and unironic love song.” It’s very much a satirical take on the city. It includes lines like, “Look at that bum over there, man, he’s down on his knees.” Newman has said in interviews that he does in fact love L.A., but that song has deeper layers than it what it first appears to be.
Let’s go with “Twin Falls” for the first song in the new series, recommended by a reader in TAD:
I didn’t grow up in Twin Falls, Idaho, but I know it, and I grew up in a town just like it. Built To Spill’s nostalgic song about nostalgia gets it good.
Listen and reminisce for yourself:
If you have a favorite song about a specific place, please send it along with a short description of why you love it so much—and perhaps the place as well: email@example.com. Update from Adam:
I re-listened to “City of Immigrants” and it is true that Steve Earle never actually mentions a specific place, but it is about NYC; it was on Earle’s album Washington Square Serenade, which is (mostly) an extended love letter to the Big Apple.
Regarding “I Love L.A.,” I always took the line about the bum to be a warts-and-all kind of reference. As a teenager stuck in the heartland, that song represented the Los Angeles that I knew from the movies and pop culture. Maybe to the locals it was a theme song, but for this Iowa boy, it was aspirational.
(Track of the Day archive here. Pre-Notes archive here.)
A plant virus distributes its genes into eight separate segments that can all reproduce, even if they infect different cells.
It is a truth universally acknowledged among virologists that a single virus, carrying a full set of genes, must be in want of a cell. A virus is just a collection of genes packaged into a capsule. It infiltrates and hijacks a living cell to make extra copies of itself. Those daughter viruses then bust out of their ailing host, and each finds a new cell to infect. Rinse, and repeat. This is how all viruses, from Ebola to influenza, are meant to work.
But Stéphane Blanc and his colleagues at the University of Montpellier have shown that one virus breaks all the rules.
Faba bean necrotic stunt virus, or FBNSV for short, infects legumes, and is spread through the bites of aphids. Its genes are split among eight segments, each of which is packaged into its own capsule. And, as Blanc’s team has now shown, these eight segments can reproduce themselves, even if they infect different cells. FBNSV needs all of its components, but it doesn’t need them in the same place. Indeed, this virus never seems to fully come together. It is always distributed, its existence spread between capsules and split among different host cells.
The former California governor called President Trump’s attacks on the late Arizona senator “absolutely unacceptable.”
Arnold Schwarzenegger and John McCain saw in each other a willingness to buck the Republican Party and became fast friends and political allies. Mindful of McCain’s legacy, the former California governor said on Wednesday that he couldn’t stay silent in the face of President Donald Trump’s recent spate of attacks on the late senator.
He told me that Trump’s swipes at McCain are both disgraceful and destructive. “He was just an unbelievable person,” Schwarzenegger said. “So an attack on him is absolutely unacceptable if he’s alive or dead—but even twice as unacceptable since he passed away a few months ago. It doesn’t make any sense whatsoever to do that. I just think it’s a shame that the president lets himself down to that kind of level. We will be lucky if everyone in Washington followed McCain’s example, because he represented courage.”
The surprisingly short life of new electronic devices
Two years ago, Desmond Hughes heard so many of his favorite podcasters extolling AirPods, Apple’s tiny, futuristic $170 wireless headphones, that he decided they were worth the splurge. He quickly became a convert.
Hughes is still listening to podcasters talk about their AirPods, but now they’re complaining. The battery can no longer hold a charge, they say, rendering them functionally useless. Apple bloggers agree: “Air Pods are starting to show their age for early adopters,” Zac Hall, an editor at 9to5Mac, wrote in a post in January, detailing how he frequently hears a low-battery warning in his AirPods now. Earlier this month, Apple Insider tested a pair of AirPods purchased in 2016 against a pair from 2018, and found that the older pair died after two hours and 16 minutes. “That’s less than half the stated battery life for a new pair,” writer William Gallagher concluded.
As other social networks wage a very public war against misinformation, it’s thriving on Instagram.
When Alex, now a high-school senior, saw an Instagram account he followed post about something called QAnon back in 2017, he’d never heard of the viral conspiracy theory before. But the post piqued his interest, and he wanted to know more. So he did what your average teenager would do: He followed several accounts related to it on Instagram, searched for information on YouTube, and read up on it on forums.
A year and a half later, Alex, who asked to use a pseudonym, runs his own Gen Z–focused QAnon Instagram account, through which he educates his generation about the secret plot by the “deep state” to take down Donald Trump. “I was just noticing a lack in younger people being interested in QAnon, so I figured I would put it out there that there was at least one young person in the movement,” he told me via Instagram direct message. He hopes to “expose the truth about everything corrupt governments and organizations have lied about.” Among those truths: that certain cosmetics and foods contain aborted fetal cells, that the recent Ethiopian Airlines crash was a hoax, and that the Christchurch, New Zealand mosque shootings were staged.
When the two strangers accosted Chelsea Clinton, she was attending an NYU vigil for the Muslims murdered by a terrorist in Christchurch, New Zealand. “This right here is the result of a massacre stoked by people like you and the words that you put out into the world,” one declared as the other recorded the encounter. “I want you to know that, and I want you to feel that deep down inside. Forty-nine people died because of the rhetoric you put out there.”
The accuser’s blend of callous indignation and extravagant nonsense brought to mind charges that Chelsea’s parents murdered Vince Foster or that her mother committed treason when the U.S. consulate in Benghazi was attacked. But these critics weren’t right-wingers parroting talk radio. They were leftist NYU students.
“Floods and hurricanes happen. The hazard itself is not the disaster—it’s our habits, our building codes.”
Historic flooding in the Missouri River and Mississippi River basins has ravaged much of the Midwest in recent days. Nebraska and Iowa bore the brunt of the devastation, but rivers in six states at more than 40 locations have reached record levels. The swollen rivers have made short work of the levees that surround them, blasting through or over the tops of 200 miles of earthen barriers in four states. At least three people have died, and hundreds of homes and structures have been destroyed. The Nebraska Farm Bureau estimates farm and ranch losses up to $1 billion in that state alone.
Should we call this a natural disaster?
Labels matter, even—perhaps especially—in times of emergency. Calling the midwestern carnage a natural disaster neatly absolves us of responsibility, and casts us as hapless victims of an unpredictable and vengeful Mother Nature. Far better to draw a distinction between natural hazards and human-induced disasters. According to Craig Fugate, a former administrator of the Federal Emergency Management Agency, “Floods and hurricanes happen. The hazard itself is not the disaster—it’s our habits, our building codes. It’s how we build and live in those areas—that’s the disaster.” This is not a call for blame, but a call to arms to learn from the past to keep ourselves out of harm’s way.
Donald Cline must have thought no one would ever know. Then DNA testing came along.
Updated at 5:23 p.m. ET on March 18, 2019.
The first Facebookmessage arrived when Heather Woock was packing for vacation, in August 2017. It was from a stranger claiming to be her half sibling. She assumed the message was some kind of scam; her parents had never told her she might have siblings. But the message contained one detail that spooked her. The sender mentioned a doctor, Donald Cline. Woock knew that name; her mother had gone to Cline for fertility treatments before she was born. Had this person somehow gotten her mother’s medical history?
Her mom said not to worry. So Woock, who is 33 and lives just outside Indianapolis, flew to the West Coast for her vacation. She got a couple more messages from other supposed half siblings while she was away. Their persistence was strange. But then her phone broke, and she spent the next week and a half outdoors in Seattle and Vancouver, blissfully disconnected.
They rely on murderous insincerity and the unwillingness of liberal societies to see them for what they are.
The coward who gunned down 49 Muslim worshippers in New Zealand left behind a white-nationalist screed rationalizing his mass murder as a necessary act to preserve the white race.
The manifesto is striking for its trolling—its combination of fanaticism, insincerity, and attempts at irony. The killer was particularly obsessed with the idea of “white genocide,” a term that does not actually refer to mass murder, ethnic cleansing, or even violence, but to the loss of political and cultural hegemony in countries that white supremacists think should belong to white people by law. The theory of white population decline is innumerate nonsense; as The New Yorker’s Jelani Cobb writes, the conspiracy is a kind of projection, a paranoia that the past genocide, colonialism, and ethnic cleansing forced on the West’s former subjects will be visited upon it.
Just because some people allegedly cheated the system doesn’t mean the system is defensible.
Like most other college presidents, R. Gerald Turner, the head of Southern Methodist University, where my son is a student, sends correspondence only when something goes terribly wrong. When I received a mass email from his office this week, I assumed the school had gotten caught up in the fallout of Operation Varsity Blues, the college-admissions cheating and bribery scandal that came to light last week.
But Turner’s missive turned out to be preemptive instead of apologetic. The scandal offered SMU “an opportunity to add to the ongoing review of our process,” he wrote. The university, he explained, must rely on the accuracy of materials submitted by students, including SAT scores. Turner announced that the university intended to review the records of any students associated with “The Key,” the college-counseling firm run by William Singer, the alleged fixer who is accused of paying bribes, facilitating cheats, and creating fraudulent materials to help wealthy parents get their kids into elite schools such as Stanford, Yale, and the University of Southern California.
Michael Jackson’s music is a gift. What do we do with it now?
The camera flies high above the palm trees of Hollywood, soaring north and west, all the way to the suburb of Simi Valley, where it slows down to seek out a certain street, and then slows some more until it finds a particular house. It hovers above it, and then swoops down, pushing in all the way to the doorstep, where it rests, impatient. It is the house where James Safechuck, one of the two men at the center of Leaving Neverland, an HBO documentary, grew up, but in a way it might as well be the Darlings’ house: “Peter Pan chose this particular house because there were people here who believed in him.”
But the Safechucks are not the only people who believe, because here is another suburban house, and here again is that seeking, searching intelligence, the camera pushing closer and closer. It is the house in Brisbane, Australia, where the other subject of the documentary, Wade Robson, grew up. The implication is clear: Michael Jackson could have any little boy in the world; all he needed were parents who would serve up their sons to him.