“Skylight” by Gramatik. The title of this album, Beatz & Pieces, Vol. 1, pretty much sums up my taste in “working music”—heavy beat, probably some mixing / sampling or something that sounds like it, brought together by great composition.
“Imagination” by CFCF. A little less electronic, slightly more jazzy than some of the other stuff on this list, but still has that solid underlying rhythm layered with the more complex melodic stuff on top.
“Ce matin-la” by Air. Just relaxing, easy instrumentals. Nice changes of pace, combination of a bunch of different instruments ... working gold.
That song from Air is off their album Moon Safari, available on YouTube, and one of their others, Talkie Walkie—available here—was a favorite during my senior year of college, so highly recommended.
(Submit a song via hello@. Track of the Day archive here. Pre-Notes archive here.)
Reader David recommends a popular soundtrack whose movie—a George Clooney vehicle directed by Steven Soderbergh—got a mediocre Rotten rating:
Hello! I listen to a lot of ambient and film music while I work, and one of my all-time favorites is the soundtrack to the 2002 sci-fi film Solaris, composed by Cliff Martinez. Ambient beds of synthesizers and the occasional swell of strings (real? electronic?) mingle with steel drum sounds—yes, steel drums!— to create an otherworldly soundscape that’s simultaneously free-floating and grounded in pulsating rhythm.
Reader Doug keeps alive our series of “songs to work to” with a score by Nick Cave set to an enchanting timelapse of scenes from San Francisco:
Pretty sure I picked this one up from the Dish, but it’s a phenomenal instrumental song that tends toward the more relaxing, if that’s what you’re craving.
You may recognize it from the 2007 film The Assassination of Jesse James by the Coward Robert Ford.
(Submit a song via hello@. Track of the Day archive here. Pre-Notes archive here.)
It’s rare to see something end well on the internet. Most ongoing projects—whether blogs, podcasts, or novelty Tumblrs—don’t really ever formally end; instead, their creator loses interest in them over time, and then they have a busy couple months at work, and then maybe they have a new kid on the way, and obligations stack up until eventually an unpaid server bill takes the long-fallow page out of its misery.
So I want to congratulate and also thank Hoverbird (also known as Patrick Ewing) for formally and lovingly ending his tremendous online radio show, Warm Focus, this Wednesday. You can listen to the final episode on BFF.fm’s website.
For the past 18 months or so, Warm Focus has run early on Wednesday afternoons on BFF.fm, capturing a nameless but very weekday-in-autumn vibe: the popping-synapses, bright-but-background, happy-and-humming, in-the-flow feeling that characterizes music for good work getting done well. Hoverbird himself says the genre walks the line “between mellow & energetic, digital & analog, high & low BPM.”
I’d known about Warm Focus (the concept) from a series of playlists that Ewing made a few years ago, on the late and beloved streaming service Rdio. But Warm Focus (the radio show) was even better than those, because every so often Ewing would turn the music down, ask how the work was going, and remind you it was okay to take a walk. Not even Siri does that.
I found this upbeat, elated song—which aurally falls somewhere between Steve Reich and I Am Robot and Proud—through Ewing’s show, and he played it on his last episode. I think it’s a good way to end the week or start the next one.
And if you’re looking for a way into more perfect-for-working music, I’d encourage you to check out:
The premise of a midday working-music show is an exceptional one, I think. After all, millions and millions of people are at their desk on weekdays around 3 p.m. We might as well have a communal moment to hang out together.
Ewing plans to keep making mixes and live sets. I can’t wait to see them. But on Wednesday, I found myself appreciating what he had done over the past year—assembled a lot of music I wouldn’t have known about otherwise, presented it in a chill and earnest way, and leave at the peak of his game. It’s nice that I’ll always be able to remember (and return to Warm Focus) as a thing that was done well—and that is also done.
(Submit a song via hello@. Track of the Day archive here. Pre-Notes archive here.)