Reporter's Notebook

Sometime this week, you might walk outside in broad daylight, look up at the sky, and see a luminous orb as bright as a full moon. Only it wouldn’t be the moon. It would be something far more explosive: the dazzling aftermath of a cataclysm hundreds of light-years away.

You’d be seeing the light from a supernova—the final, powerful flash of a dying star.

Or … you might see the regular old sky. Supernovas are nearly impossible to predict. But astronomers have recently started discussing the rare possibility with a bit more enthusiasm than usual, thanks to some odd behavior elsewhere in the Milky Way. If the supernova did show up tomorrow, it would be the celestial event of the year, perhaps even the century, leaving a cosmic imprint in the sky for all to see.

Christopher Hitchens and I weren’t close friends—I was a lesser planet in his orbit. Every so often I felt the rhetorical lash of his published words on my back, and then I tried to make him feel mine, and you can guess who got the better of those exchanges. They usually had to do with Iraq. We both supported the war, but I supported it in an ambivalent, liberal way, while Christopher supported it in a heroic, revolutionary way. The more I saw of the war, the deeper my despair became. Christopher made it a point of honor never to call retreat.

I know of many friendships that ended in those years, including a few of mine. But something strange happened between Christopher and me. For every time he called me a split-the-difference bien-pensant, and for every time I called him a pseudo–Lord Byron, we seemed to become better friends. We would say rude things about each other in print, and then we’d exchange tentatively regretful emails without yielding an inch, and then we’d meet for a drink and the whole thing would go unmentioned, and somehow there was more warmth between us than before. Exchanging barbs was a way of bonding with Christopher.

Donald Trump faces the diciest moment of his presidency, a Senate impeachment trial, with a pair of distinct handicaps: shattered credibility and a West Wing that is broken into fiefdoms and often clueless about his intentions. Both were years in the making; neither seems easily fixed.

From the outside, these can seem like two different problems. But in many ways, they’re one and the same. False statements and West Wing disorder are not only inseparably linked; they’re mutually reinforcing.

Start with a president who is a solitary decision maker and who has swept aside early staff efforts to vet the material he sees. Trump now absorbs information, innuendo, gossip, and calumny wherever he finds it. He’s getting it from random Twitter feeds and old friends, from overseas autocrats and pro-Trump talking heads. He’ll repeat rumor as fact without naming the source.

On a sweltering July day, I follow Annise Dobson down an overgrown path into the heart of Seton Falls Park. It’s a splotch of unruly forest, surrounded by the clamoring streets and cramped rowhouses of the Bronx. Broken glass, food wrappers, and condoms litter the ground. But Dobson, bounding ahead in khaki hiking pants with her blond ponytail swinging, appears unfazed. As I quickly learn, neither trash nor oppressive humidity nor ecological catastrophe can dampen her ample enthusiasm.

At the bottom of the hill, Dobson veers off the trail and stops in a shady clearing. This seems like a promising spot. She kicks away the dead oak leaves and tosses a square frame made of PVC pipe onto the damp earth. Then she unscrews a milk jug. It holds a pale yellow slurry of mustard powder and water that’s completely benign—unless you’re a worm.

“You never want a serious crisis to go to waste,” Rahm Emanuel, the incoming White House chief of staff, said days after Barack Obama was elected in 2008. Emanuel’s point was that a moment of cataclysm meant a chance for big structural reforms that wouldn’t be possible in moments of calm.

But there are other ways to take advantage of a crisis, as the Trump administration is demonstrating right now. Even as the president’s impeachment trial moves forward, the White House is acting aggressively on a range of policy proposals that are politically, legally, or morally suspect, wagering—probably correctly—that the press and the people will mostly overlook them amid the drama in the Senate.

It isn’t, as has sometimes been claimed, that Trump wanted to be impeached, or that the impeachment is somehow a brilliant Machiavellian distraction he has orchestrated. The president has made clear that he wants the trial over as quickly as possible. But as long as it’s going on, the White House is using the crisis as best as it can.

On the opening day of the impeachment trial, the Senate, in a party-line vote of 53–47, approved an organizing resolution establishing the ground rules for the trial and rejecting efforts by Democrats to compel the testimony of witnesses and the production of documents not included by the House in its impeachment inquiry. However, the resolution allows Democrats to renew their motions to subpoena witnesses and documents after House managers and the president’s defense lawyers have completed their opening statements. The fateful battle over witnesses will thus begin in earnest next week.

In December, Donald Trump became only the third U.S. president to be impeached. If Senate Majority Leader Mitch McConnell succeeds in his intention to prevent any witnesses from testifying, Trump will become the first president to be acquitted by an unconstitutional impeachment process.

American exceptionalism takes on many forms, both flattering (our immigrant-founded start-ups) and unfortunate (our health-care prices). But perhaps no part of life in the United States is more unambiguously exceptional than this: We have so many damn bathrooms.

And the world wants to know why. The internet is filled with long threads, on sites such as Quora and Reddit, in which users swap theories on “What’s the American obsession with bathrooms all about?” and “Why do houses in the US have so many bathrooms?” “There are so many incredible America decadences that are mind boggling to foreigners when we first arrive here, and the sheer number of bathrooms in suburban houses is very high on the list," Tom Gara, an Australian who edits opinion pieces for BuzzFeed News, wrote on Twitter.

With much fanfare, The New York Times Magazine devoted an entire issue in August to what it called the 1619 Project. The project’s aim, the magazine announced, was to reinterpret the entirety of American history. “Our democracy’s founding ideals,” its lead essay proclaimed, “were false when they were written.” Our history as a nation rests on slavery and white supremacy, whose existence made a mockery of the Declaration of Independence’s “self-evident” truth that all men are created equal. Accordingly, the nation’s birth came not in 1776 but in 1619, the year, the project stated, when slavery arrived in Britain’s North American colonies. From then on, America’s politics, economics, and culture have stemmed from efforts to subjugate African Americans—first under slavery, then under Jim Crow, and then under the abiding racial injustices that mark our own time—as well as from the struggles, undertaken for the most part by black people alone, to end that subjugation and redeem American democracy.

Many college-educated people think they are deeply engaged in politics. They follow the news—reading articles like this one—and debate the latest developments on social media. They might sign an online petition or throw a $5 online donation at a presidential candidate. Mostly, they consume political information as a way of satisfying their own emotional and intellectual needs. These people are political hobbyists. What they are doing is no closer to engaging in politics than watching SportsCenter is to playing football.

For Querys Matias, politics isn’t just a hobby. Matias is a 63-year-old immigrant from the Dominican Republic. She lives in Haverhill, Massachusetts, a small city on the New Hampshire border. In her day job, Matias is a bus monitor for a special-needs school. In her evenings, she amasses power.

Days after finishing Cheer, Netflix’s popular new docuseries about a cheerleading team’s pursuit of its 14th national championship in 19 years, two scenes keep replaying in my head. In one, an athlete named TT arrives to practice with a back injury sustained at an event with a club cheerleading team, and Navarro College’s head cheerleading coach, Monica Aldama, forces him to practice, punishing him for failing to put her team first. As practice wears on, TT’s injury is exacerbated while catching female cheerleaders as they plunge to the ground. By the end of the scene, he’s sobbing.

In the second, an athlete named Morgan clutches her ribs and writhes in pain on the floor. She was injured on the opposite end of competitive cheerleading’s basic tandem: repeatedly falling from great heights with only the arms of her teammates to cushion her. She’s ignored by the coaches and, afraid to tell Aldama that she’s injured, confides in a teammate that she might sneak off to the hospital for treatment in between practices. At the ER, Morgan refuses treatment because the muscle relaxers she’s prescribed would keep her from participating in that afternoon’s practice. She leaves, against medical advice and with a warning that more stress on her ribs could damage her organs or kill her, and returns to the gym. When told that Morgan had been to the ER, Aldama appears annoyed. Morgan practices.