Quasi-monthly celebrations, by James Fallows and friends and cronies, of beers worth noticing.
I had somehow missed the fact that we are already four days into American Craft Beer Week! Fortunately it runs all the way through Sunday evening. In its honor, these updates:
1) Best Beer Gardens. Via Foursquare, an interactive map of the most highly rated beer gardens around the country. What you see below is a screen shot. More info at the site.
Here’s something I hadn’t come across before: Not simply good local craft beer inside an airport, which is becoming more common (and which I first noticed a few years ago, with Heady Topper on tap at the excellent-in-all-ways BTV BVT airport in Burlington, Vermont). In this case the local supplier in question is Yazoo Brewing, of Nashville, and the airport is BNA, of Nashville.
(I wrote about Yazoo last summer, when I was in Nashville to interview Al Gore for this story. Alas, I couldn’t talk Gore into visiting the brewhouse with me, so I was there on my own.)
The news for me was craft beer to go inside the Nashville airport. Or beer “on the fly,” as the Yazoo banners put it. You can buy a pint from the Yazoo kiosk in Concourse C (as I did today) and then take it anyplace inside the “secured” (post-TSA) part of the airport, excepting only (a) into other bars and (b) actually onto the plane when you board.
Why does this matter? Obviously in any cosmic way it doesn’t, but it’s one more little ergonomic improvement. You don’t have to jam into one of the bars, elbowing for a seat and wondering if you’re already late for the plane. You can stroll with your plastic cup of craft brew to the gate, and then endure all the other minuses of airline travel with this slight positive counter-force.
Background on the policy behind “beer on the fly” here and here. Well done BNA and Yazoo. That is all.
Heady Topper is a beer from Vermont with three distinctive attributes. It is extremely good; it comes in large-sized cans; and it is available only in a very limited area around its brewing site, in Waterbury. You can read all about it starting here.
I’ve found the Australian counterpart. It’s from a brewery called Modus Operandi (which I have not yet visited), in the northern Sydney suburb of Mona Vale, and it is called “Former Tenant” Red IPA.
When I was in the very well-stocked Oak Barrel beer-and-wine store in Sydney last week, I asked one of the staffers for the best, canned, Aussie, IPA he could point me toward. Best for obvious reasons; canned so I could easily bring it back in a suitcase; Aussie as part of a buy-local, see-the-world policy; and IPA because that’s what I like.
“Well, it’s probably this one,” he said, pointing to “Former Tenant.” It is indeed excellent, and the harsh truth I have to convey is that you just aren’t going to find it any place other than greater Sydney. At least for now. Another reason to visit! Among many.
The can even looks like Heady Topper’s. If you have a chance, check it out.
The craftbrew revolution: it’s not just for America any more
I give you Wig and Pen, on the very campus of the Australian National University in Canberra. A wide range of beers made on site, and this in the land that barely a decade ago offered mainly the thin and depressing likes of Foster’s, Tooheys, Hahn, and VB.
If you would like to be astonished by a range of craft beers from around the world, try the Oak Barrel in Sydney. And if you’re in the Australian Capital Territory, check out Wig and Pen.
That is all. Thanks to Christopher Zinn and Sam Roggeveen.
I am in the middle of article-writing. Thus this amuse-bouche.
In this space I have from time to time unkindly disparaged the state of Florida. If you’re from California, you are supposed to. Also, I blame the @_FloridaMan Twitter account. Still, in atonement let me mention two nice beers I found during a trip to Miami last Friday. I was there for a National League of Cities conference to hear six mayors talk about how their cities had come back from hardships, and to talk with people at the Knight Foundation about the “City Challenge” program I wrote about last week.
On the flanks in the shot above, twin cans of Screamin’ Reels IPA, from Saltwater Brewery in Delray Beach, Florida. And in the central tower, Category Five Imperial IPA from Due South Brewery in Boynton Beach, Florida. Both very much worthwhile, and conveniently available in cans for transport northward, where you see them posing in the back yard.
America is getting better, including Florida. I am sorry for being unkind.
Thanks to my Atlantic colleague Kathy Gilsinan for the reminder of why today is different from all other days: It’s National Beer Day! Congratulations to beer.
Last week I did an item about the reasons to believe that craft breweries can actually play a significant part in the economic revival of communities. Short version: because startup breweries need a lot of space but typically don’t have a lot of money, they usually set up show in low-rent, fringe, non-fashionable parts of town. The jobs and activity they create in those neighborhoods have their own effect — which is then magnified by the customers they draw to the area, particularly at night and weekends when warehouse districts would ordinarily be deserted. As Jeff Alworth wrote in an All About Beer item I mentioned:
They are people magnets, bringing folks in who are curious to try a pint of locally made IPA. In fairly short order, breweries can create little pockets of prosperity in cities that can (and often do) radiate out into the neighborhood.
Pretty soon, other businesses see the bustle and consider moving in, too. It doesn’t hurt that breweries often find run-down parts of towns that have great buildings. Once a brewery moves in and refurbishes an old building, it reveals the innate promise of adjacent buildings to prospective renters.
Last summer my wife Deb and I stopped through Chico, California, to hear the story of how Sierra Nevada, second-largest of America’s craft brewers, had ended up in this remote site in Butte County. More on that tale ahead.
For now, to catch up on our Cavalcade of Beers, a welcome harbinger of spring on the still-chilly Eastern seaboard. It’s a 2016 release from Sierra Nevada’s line of Beer Camp collaborative and experimental releases. This spring’s version, Tropical IPA, has been in ample stock at the neighborhood Safeway here in DC. (Sierra Nevada now serves the East Coast from a second brewery, in North Carolina.)
You can follow the whole discussion about this seasonal release on Beer Advocate here; most people who have weighed in like this Tropical IPA, as do I. Judge for yourself, if you still can find it in one of your stores — which is to say, if I haven’t been through your neighborhood.
Yesterday in this space I argued that Donald Trump should shut up. Amtrak’s recent decision to stock Victory Brewing Company’s Hop Devil IPA on some trains showed that America is already great again.
Today the evidence from the nation’s northeastern rail corridor is mixed. On the one hand,we have the livestock-pen-indignity of the Penn Station waiting area, in which people mill around waiting for the last-second announcement of which gate to rush toward. (Yes! I know about the secret lower-level workaround. I’m thinking of my fellow citizens.) This is better than most commercial airports, but just barely. Penn Station veterans will know that the miracle of the shot below is that you can see a little area of unoccupied linoleum. But after all, this was 3 pm.
A new entry on Amtrak’s cafe-car offerings: Victory Brewing Company’s Hop Devil IPA!
This is a step forward on an already progressive menu. For years Amtrak has offered Sam Adams Boston Lager on northeastern routes, plus Yuengling — and then Dogfish Head’s super-potent 90 Minute IPA, which at 9% alcohol is too much for me. [Update: and I hear from a reader that San Diego’s wonderful Stone beers have been available on the west coast Surfliner.]
But en route to NYC this evening, to accompany the traditional Amtrak dinner staple of Hebrew National All-Beef Hot Dog, I see Hop Devil, from the plucky Victory Brewing Company of Downington, Pa. It’s been marked up, to put it mildly ($7.50), but this is the price of dining out.
To hell with Donald Trump. America is already great again.
When my wife and I lived in Austin long ago, while she was a UT graduate student and I was working for the then-new Texas Monthly (and then-State Senator, now Congressman, Lloyd Doggett), we spent what seemed like every evening with friends at the famous Scholz Garten open-air beer garden downtown. The range of regional beer choice in those days was Shiner, Pearl, or Lone Star from Texas, and Negro Modelo, Bohemia, Dos Equis, etc from further south.
The craft brew age has come to Texas as it has everywhere else. Continuing our saga of appreciation for the increasing range of American beer greatness, please consider the four offerings above. They are shown on a Dallas doorstep, protectively nestled on a blanket with Dress Mackenzie tartan. From left to right:
My main point with these updates is to add little chronicles of the ongoing golden age of beer. For academic substantiation on that point, check out the new Journal of Wine Economics for a history and analysis of the American craft brewing movement by three academic economists: Kenneth Elzinga, Carol Horton Tremblay, and Victor Tremblay. A PDF of their 33-page essay is here. (Thanks to Russ Mitchell for spotting it.) The report includes this map of craft brewing’s expansion, after Jimmy Carter took the historic step of legalizing home brewing in 1979.
I have exactly two sources of recent interest in the fascinating-to-millions-of-people-but-previously-not-to-me world of SEC football.
One is the delightful recent book by Stuart Stevens — former Mitt Romney campaign strategist, book and TV writer, author for The Atlantic and other publications — called The Last Season. It’s the story of how, after the painful loss with Romney, Stevens spent a late summer and fall going with his 95-year-old father to every game of the football season for the University of Mississippi, his father’s alma mater. The book is about the modern role of football, especially the SEC variety. But it is also about the pre- and post- Civil Rights era deep south, about fathers and sons, about self-knowledge and self-delusion, about life’s losses and gains. I recommend it. It was 99% because of the book that I watched part of the game this afternoon in which Ole Miss steamrolled LSU.
Have been off the grid, mainly in Mississippi, so here is a good-news way to ease back in.
1) Ballast Point Bonanza. I’ve long enjoyed Ballast Point beers, from San Diego. Earlier this month I mentioned its lightish Longfin Lager. My favorites from its lineup are actually its Sculpin IPA, as shown at right, and the packs-a-punch, spicy-plus-bitter Habanero Sculpin. Also great: Ballast Point’s Fathom IPL (India Pale Lager), Big Eye IPA, and Dorado Double IPA.
In addition to liking the beer, I’ve liked the idea that Ballast Point was co-founded by fellow Cirrus airplane pilot (and skilled flight instructor) Bill Graham, whom I’ve come to know at a number of aviation gatherings over the years. When I saw him at a Cirrus convention in Dallas a few weeks ago, he didn’t mention that he was about to sell the craft brewery for … one billion dollars. That’s the news — sale of Ballast Point to Constellation Brands as a California-based non-tech billion-dollar “unicorn” — that was announced yesterday. Congratulations to the company, and to the Graham family.
Only little cloud on the horizon: some of Constellation’s other beer brands include Corona, Pacifico, and Tsingtao. Hmmm. Please keep your brewmasters, Bill!
2) Beer Road Trip. From Nathan Yau at FlowingData, a wonderful algorithmically generated map of how to visit the greatest number of the nation’s best craft breweries with the most efficient route. Not all of them are there — no Bent Paddle or Fitger’s of Duluth, Minnesota, no Yazoo of Nashville, no Victory Brewing (and its famous Hop Devil) of Downingtown, Pennsylvania, no DC Brau of DC, no Terrapin of Athens, Georgia, none of the Mississippi breweries I’ll be writing about shortly, of course no Hangar 24 or Escape or Ritual of Redlands, California — but, to be fair, it covers a lot. Nice job.
3) Know Your Craft Beers. The LA Times story on the Ballast Point sale also has a interesting / challenging test on “craft” vs. “crafty” beers — ones that are still independent, versus brands that are part (as Ballast Point is about to be) of larger chains. Many of the “crafty” beers are still very good! But see if you do better on this test than I did…
The special counsel’s most interesting findings about Trump and Russia might be in the counterintelligence portion of his report.
On Sunday afternoon, Attorney General Bill Barr presented a summary of Special Counsel Robert Mueller’s conclusions that contained a few sentences from Mueller’s final report, one of which directly addressed the question of collusion between Donald Trump’s campaign and Russia: “The investigation did not establish that members of the Trump campaign conspired or coordinated with the Russian government in its election interference activities.” In a footnote, Barr explained that Mueller had defined “coordination” as an “agreement—tacit or express—between the Trump campaign and the Russian government on election interference.”
Mueller’s full report has not been made available to the public yet, so it’s not clear whether it sets forth everything the special counsel’s office learned over the course of its nearly two-year investigation—including findings about conduct that was perhaps objectionable but not criminal—or whether it is more tailored and explains only Mueller’s prosecution and declination decisions. But national-security and intelligence experts tell me that Mueller’s decision not to charge Trump or his campaign team with a conspiracy is far from dispositive, and that the underlying evidence the special counsel amassed over two years could prove as useful as a conspiracy charge to understanding the full scope of Russia’s election interference in 2016.
The home-rental start-up says it’s cracking down on hosts who record guests. Is it doing enough?
When Max Vest shook hands with the host of his Miami Airbnb back in January, the man introduced himself as Ralph—even though “Ray” was the name he’d used in all their prior communication.
This was the first and only indication that something was wrong. But his host had a great rating on the home-sharing site, and many of the comments mentioned how friendly and accommodating he was. So Vest, a children’s-camp director from Gainesville, Florida, didn’t think much of the discrepancy and settled into the two-bedroom, two-bathroom apartment he’d be sharing with Ralph—or was it Ray?—and his girlfriend for the next five days. At about 8 or 9 p.m., he went out for dinner; by the time he got home, his hosts had gone to bed in the room adjacent to his, and he prepared to do the same.
The country lost an opportunity to model how fair procedures can work in a #MeToo case.
Al Franken, the former Democratic senator from Minnesota, should never have been pressured, even bullied, into resigning from office. The accusations against him were not properly vetted. Their seriousness was not properly weighed. Nevertheless, the frenzy that followed the accusations resulted in his Democratic colleagues making it impossible for him to continue as a senator.
His departure from the Senate—he officially resigned on January 2, 2018—continues to rankle and reverberate. The lessons of this debacle remain unlearned, and the consequences of Franken’s case continue to play out, in the presidential race and beyond. The Democratic reaction to the Franken allegations and the precedents it set will present a danger to the Democratic Party until it reconsiders the episode, and thinks about ways to stop such unfair and swift destruction from happening.
Success in forensics is about making yourself vulnerable. Several former competitors accuse a prominent coach of exploiting that vulnerability to sexually harass students.
In the lobby of a deserted student-union building in Peoria, Illinois, the George Mason University speech team falls into formation. Following their coach, a petite, white-haired man in a silk designer tie, they walk single file down an empty hallway and into an empty classroom, where someone plugs in a speaker, turns up the music, and announces that it’s time to dance.
On this rainy Saturday morning in April 2017, no one really wants to dance. It’s 6:30 a.m., and most team members are running on four hours’ sleep and a granola bar for breakfast. Everyone is in a suit. Still, they sway their hips, kick the air, jump up and down, bang on the walls, and belt out their best rendition of Nicki Minaj’s “Starships.” At least one person leaps on top of a chair. Because standing off to the side, arms crossed, their coach, Peter Pober, is watching.
American Jews are very uncomfortable with Trump, but the pro-Israel lobby has embraced him wholeheartedly.
It was the final day of AIPAC’s annual policy conference in Washington, D.C., and the star of the gathering had finally appeared: Benjamin Netanyahu. An estimated 18,000 attendees sat in rows in a large downtown convention center, watching the Israeli prime minister address them through a patchy satellite feed on gigantic blue screens; although Netanyahu met with President Donald Trump in Washington this week, he cut short his trip after rockets fired from Gaza struck a home outside Tel Aviv.
It was difficult to hear what Netanyahu was saying at times, but the audience didn’t care: The staunch Israel supporters who filled the room gave him standing ovations. The only other speaker who won nearly as much applause on Tuesday morning was David Friedman, the U.S. ambassador to Israel. He brought greetings from Trump, “Israel’s greatest ally ever to reside in the White House,” as Friedman put it. The whole event underscored the enthusiastic Trump-Netanyahu alliance, even by the standard of the traditionally strong U.S.-Israel relationship. In his meeting with Trump at the White House on Monday, Netanyahu compared him to Cyrus the Great, the Persian king, and Harry Truman, the U.S. president who recognized Israel.
There’s a benefit to keeping your internet friends close, and your internet adversaries closer.
No one has more nemeses than the writer Roxane Gay. Since 2011, she has tweeted blind items about various foes in a stream of captivating updates. “All last night, I visualized crushing my nemesis this weekend,” she tweeted in 2013. “My nemesis is having a good year professionally and has clear skin. It’s a lot to take,” she noted last summer.
Gay’s anonymous nemeses have become so well known that on Friday, Monica Lewinsky declared she would be dressing up as one for Halloween. “Not that i know who it is … just, ya know, generic nemesis costume,” she tweeted.
While having an opponent is nothing new, the nebulous concept of having a secret digital adversary is a more modern condition. Broadcast-based social-media platforms like Facebook, Instagram, and Twitter have allowed everyone to have real-time updates on other people’s biggest accomplishments, and that can make it feel as if everyone on the planet is getting married, writing a book, or winning an award. It’s easy, when you see someone leading a seemingly perfect life, to want to tear that person down.
It’s not entirely clear why fertility rates rise and fall.
I have four kids. I don’t strike people as the type to have so many, nor does my wife. We’re professors. Neither of us is conventionally religious. We spent our 20s in Brooklyn as vegetable-blending free spirits. I drive a Prius on principle, even though I’m 6 foot 8 and my head hits the ceiling.
It’s hard to say how we ended up with such a large family. When people ask, I say (1) my wife likes babies, (2) I tend to assume I won’t regret having another child, and (3) we love the kids we have. But there’s an element of mystery, even to me. Any answer feels incomplete. Maybe that’s because the fuller explanation is buried too deep, in layers of instinct and social expectation. I think it’s hard for people to say exactly why they have kids or not—and if they do, how many.
A former Jehovah's Witness is using stolen documents to expose allegations that the religion has kept hidden for decades.
Updated at 3:34 p.m. ET on March 25, 2019.
In March 1997, the Watchtower Bible and Tract Society, the nonprofit organization that oversees the Jehovah’s Witnesses, sent a letter to each of its 10,883 U.S. congregations, and to many more congregations worldwide. The organization was concerned about the legal risk posed by possible child molesters within its ranks. The letter laid out instructions on how to deal with a known predator: Write a detailed report answering 12 questions—Was this a onetime occurrence, or did the accused have a history of child molestation? How is the accused viewed within the community? Does anyone else know about the abuse?—and mail it to Watchtower’s headquarters in a special blue envelope. Keep a copy of the report in your congregation’s confidential file, the instructions continued, and do not share it with anyone.
Until it’s released to the public, the country will float in a state of suspended animation.
Attorney General Bill Barr’s summary of Special Counsel Robert Mueller’s final report—released on Sunday to Congress and the public at a slim four pages—was greeted as putting to rest the questions that have swirled around President Donald Trump’s campaign and its relationship to Russia.
But reports of the end of this chapter of Trump’s presidency have been greatly exaggerated. The only document that has so far become public is Barr’s highly truncated summary of Mueller’s report—which is not the same as the report itself. This is a time of suspended animation, after the investigators have finished their work but before it’s clear precisely what the conclusion of that work means.
The debate has shifted out of the legal playing field and into the realm of politics without any of the political players knowing what information they’re dealing with. The problem is that Mueller’s report itself is not yet public. So while the matter at hand is definitively no longer one for the courts, members of Congress and the public at large—who will need to decide what is and is not acceptable in public life—don’t yet know the things they need to know in order to make an informed decision. Between the idea of Mueller’s report and the reality of its appearance, in other words, falls the shadow.
The actor’s tremendous work in Jordan Peele’s film mines the relationship between two doppelgängers to frightening, allegorical effect.
This article contains mild spoilers for the film Us.
In his newest film, the Hitchcockian horror Us, the writer, director, and producer Jordan Peele offers a sharp, often funny meditation on the terrifying power of human connection. Bonds are broken, ties are severed. No relationship, even the most fundamental, is quite what it seems.
As the film’s lead, the 12 Years a Slave and Black Panther actor Lupita Nyong’o plays two roles: the seemingly normal human mother Adelaide Wilson, and Adelaide’s nefarious doppelgänger, Red. Early in the film, a family of red-jumpsuit-clad clones, each creepily resembling a member of Adelaide’s family, arrives to wreak havoc upon the Wilsons while they’re on vacation. Red leads this eerie, scissor-toting assembly, who announce themselves as “the Tethered,” as they attempt to exact vengeance upon the humans for reasons that are initially unclear.
