This is what escalation looks like. “The situation on the ground in Minneapolis & St. Paul has shifted & the response tonight will be different as a result,” the Minnesota Department of Public Safety tweeted as businesses boarded up their windows and the Saturday sun sank low over the Twin Cities. The National Guard and law-enforcement presence would “triple in size,” the state agency warned, “to address a sophisticated network of urban warfare.”

“Urban warfare” is a striking choice of words for a state agency, and one that cable-news anchors seized on and repeated in the fiery hours that followed. For the fifth straight night, Americans marched and chanted—and some rioted and looted—overwhelmed with frustration and rage by the Monday killing of George Floyd, who died while a Minneapolis police officer, Derek Chauvin, knelt on his neck for eight minutes and 46 seconds. Prosecutors charged Chauvin with manslaughter and third-degree murder on Friday, but three other police officers involved in the incident remain free. And the current protests are about not one black man’s death, but thousands of them, and centuries of discrimination, dehumanization, and denial of basic civil rights.

Editor’s Note: This article is part of “Uncharted,” a series about the world we’re leaving behind, and the one being remade by the pandemic.

It’s Day One of the reopened future, and as people have always done when it’s time for a new start, you head to the gym. Well, hold on. We should begin before Day One, because you’ll actually have booked this time slot the week before. It’s good for 90 minutes. Don’t be late.

You grab a door handle wrapped in germ-repelling vinyl and walk inside. A Bluetooth-enabled beacon at the front desk recognizes your phone and checks you in. The receptionist takes your temperature and hands you a towel, plus a colored wristband that’ll help the staff remind you when it’s time to go. Hopefully you brought some water with you, because touchless bottle fillers have replaced the drinking fountains.

When the virus came here, it found a country with serious underlying conditions, and it exploited them ruthlessly. Chronic ills—a corrupt political class, a sclerotic bureaucracy, a heartless economy, a divided and distracted public—had gone untreated for years. We had learned to live, uncomfortably, with the symptoms. It took the scale and intimacy of a pandemic to expose their severity—to shock Americans with the recognition that we are in the high-risk category.

The crisis demanded a response that was swift, rational, and collective. The United States reacted instead like Pakistan or Belarus—like a country with shoddy infrastructure and a dysfunctional government whose leaders were too corrupt or stupid to head off mass suffering. The administration squandered two irretrievable months to prepare. From the president came willful blindness, scapegoating, boasts, and lies. From his mouthpieces, conspiracy theories and miracle cures. A few senators and corporate executives acted quickly—not to prevent the coming disaster, but to profit from it. When a government doctor tried to warn the public of the danger, the White House took the mic and politicized the message.

Overnight, protests of the egregious police killing of George Floyd roiled several American cities, including Minneapolis, where riots and looting frightened locals and destroyed livelihoods.

A prudent president would have urged calm.

On Twitter, President Donald Trump instead aggressively insulted elected officials in Minneapolis. “A total lack of leadership,” he wrote. “Either the very weak Radical Left Mayor, Jacob Frey, get his act together and bring the City under control, or I will send in the National Guard & get the job done right.”

Adam Serwer: Trump’s warped definition of free speech

Then Trump threatened to unleash American carnage on looters. “These THUGS are dishonoring the memory of George Floyd, and I won’t let that happen,” he declared in a second tweet. “Just spoke to Governor Tim Walz and told him that the Military is with him all the way. Any difficulty and we will assume control but, when the looting starts, the shooting starts.”

Clyde Ross was born in 1923, the seventh of 13 children, near Clarksdale, Mississippi, the home of the blues. Ross’s parents owned and farmed a 40-acre tract of land, flush with cows, hogs, and mules. Ross’s mother would drive to Clarksdale to do her shopping in a horse and buggy, in which she invested all the pride one might place in a Cadillac. The family owned another horse, with a red coat, which they gave to Clyde. The Ross family wanted for little, save that which all black families in the Deep South then desperately desired—the protection of the law.

In the 1920s, Jim Crow Mississippi was, in all facets of society, a kleptocracy. The majority of the people in the state were perpetually robbed of the vote—a hijacking engineered through the trickery of the poll tax and the muscle of the lynch mob. Between 1882 and 1968, more black people were lynched in Mississippi than in any other state.

You’d think Donald Trump would have more sympathy for looters, being a looter himself. The president has helped himself to money from the U.S. Treasury, using political power to direct public money to his personal businesses. It’s not as visual as a riot, but until 2017 it would have been regarded as equally criminal.

But no, he seems to think they deserve the death penalty: “These THUGS are dishonoring the memory of George Floyd, and I won’t let that happen,” he said on Twitter about the protesters in Minneapolis. “Just spoke to Governor Tim Walz and told him that the Military is with him all the way. Any difficulty and we will assume control but, when the looting starts, the shooting starts.”

If there were a way to watch Netflix’s new series Space Force without any of the dialogue, you might mistake it for a drama from happier times. The show’s score, which pops up intermittently in wafts of softly rousing strings and trumpets, seems to consciously evoke The West Wing; in one episode, it crescendos emphatically while a troupe of astronauts marches out from an aircraft hangar toward a shining gold horizon. The directors include significant names from the film world: Dee Rees (Mudbound) and Paul King (Paddington). Space Force’s set alone, which replicates a boondoggle of a U.S. military base in Colorado, is so sprawling and detailed and shiny that it feels like it should belong to a James Cameron movie, not a Greg Daniels workplace comedy. At a time when entertainment has adjusted to lo-fi spectacle—the Zoom sketch-comedy show, the TikTok satire, the art of performative bookshelving—the obvious expense of Space Force almost feels unseemly, even without the reported $10 million Steve Carell was paid to star in it.

When, in January 2016, I wrote that despite being a lifelong Republican who worked in the previous three GOP administrations, I would never vote for Donald Trump, even though his administration would align much more with my policy views than a Hillary Clinton presidency would, a lot of my Republican friends were befuddled. How could I not vote for a person who checked far more of my policy boxes than his opponent?

What I explained then, and what I have said many times since, is that Trump is fundamentally unfit—intellectually, morally, temperamentally, and psychologically—for office. For me, that is the paramount consideration in electing a president, in part because at some point it’s reasonable to expect that a president will face an unexpected crisis—and at that point, the president’s judgment and discernment, his character and leadership ability, will really matter.

The first quotation from Donald Trump ever to appear in The New York Times came on October 16, 1973. Trump was responding to charges filed by the Justice Department alleging racial bias at his family’s real-estate company. “They are absolutely ridiculous,” Trump said of the charges. “We have never discriminated, and we never would.”

In the years since then, Trump has assembled a long record of comment on issues involving African Americans as well as Mexicans, Hispanics more broadly, Native Americans, Muslims, Jews, immigrants, women, and people with disabilities.

For nearly a decade, if Americans wanted to leave the planet, they had to do so from a launchpad in Kazakhstan. Now they need only go as far as Florida.

Two astronauts launched into space this afternoon, departing from the sandy shores of Cape Canaveral, from the same launchpad where the space shuttles and Apollo missions once took off. The astronauts work for NASA, but for the first time in spaceflight history, they’re flying on a truly private spacecraft, designed from top to bottom by SpaceX, Elon Musk’s aerospace company.

Doug Hurley and Bob Behnken made the journey wearing SpaceX suits, inside a SpaceX capsule, atop a SpaceX rocket, from a SpaceX-operated launchpad.

The astronauts are bound for the International Space Station, humankind’s only off-world residence, where one American astronaut and two Russian cosmonauts are waiting for them. The successful launch makes SpaceX the first private company to put astronauts in orbit, a feat achieved by only three spacefaring nations: Russia, the United States, and China.