Inspired by our March 2016 cover story by James Fallows, “How America Is Putting Itself Back Together,” readers share their best aerial photos from across the U.S. Submit your own via email@example.com. (Please provide the location, the story behind the photo, and the largest file size you have. Horizontal photos with a bit of the plane visible—a wing, the edge of a window—are ideal. Terms and Conditions here.)
These aerial shots from readers are getting better and better:
Good afternoon! I want to share my submission for America From the Air—a photo I took while flying from Miami to Guatemala City in March 2015. It was the second leg of a journey from Brazil to Guatemala. At the time, I was an American diplomat stationed at the U.S. Consulate General in Sao Paulo and starting a temporary duty assignment (TDY) at the U.S. Embassy in Guatemala City.
I am a window seat junkie who meticulously chooses my seat based on the prevailing runway patterns and last-minute checks of runways in use on flightaware.com to get the best possible views on takeoffs and landings. As a Miami native and Foreign Service Officer who didn’t get to travel home often enough, I was thrilled to see my research pay off with this colorful photo of downtown Miami and Biscayne Bay. The Brickell neighborhood and Brickell Key are to the left of the mouth of the Miami river, with the city’s center and the American Airlines Arena (which has an airplane silhouette on the roof) just below the leading edge of the 737’s wing.
Thanks for putting together this great series, I’ve loved the submissions so far. (Especially the photo of the National Mall ... I always try and sit on the left side of the plane when flying into Reagan!)
Flying into SeaTac on July 19, 2015. (The photo is unfiltered.) You can see the Seattle waterfront, which is dead center, where the Great Wheel is.
On-the-ground views here. It’s the tallest Ferris wheel on the West Coast, at 175 feet (53.3 m). The tallest in the U.S., and the world, is the High Roller, towering over Las Vegas at 550 foot (167.6 m). Full list here.
I lived in Mammoth Lakes, California (a ski town in the Eastern Sierra) for several years and still consider it home, even though I live in DC now. Flying from DC to San Francisco on December 7, 2015, I deliberately sat on the left side of the plane so I would be sure to see my old home as we flew by.
In the center of the shot you can see Mammoth Mountain Ski Area, with its well-defined lower runs and its great white expanse across the top of the ridge. In the lower right, you can see June Mountain, Mammoth’s smaller sister. After the terrible drought of the last several years, I was very happy to see a decent snow cover this early in the season. When I lived there from ’96 to ’03, we had several years of 400+ inches of snow and good skiing from November into June.
Seeing the place even now takes my breath away, I miss it so.
I was onboard a Southwest flight into Midway and caught this view of the loop, all the skyscrapers and even Navy Pier! What’s really striking is the huge swath of green right along the lake—Grant Park and Millennium Park.
Some observers consider Millennium Park to be the city’s most important project since the World's Columbian Exposition of 1893. But it far exceeded its originally proposed budget of $150 million. The final cost of $475 million was borne by Chicago taxpayers and private donors. The city paid $270 million; private donors paid the rest, and assumed roughly half of the financial responsibility for the cost overruns. The construction delays and cost overruns were attributed to poor planning, many design changes, and cronyism.
Millennium Park celebrated its 10th anniversary season last year  and in 2015 will continue to present dozens of free events and programs including art installations, outdoor concerts, films screenings, alfresco workouts and more.
All year round, “The Bean” is an iconic draw for visitors and locals alike. Take a picture in front of Cloud Gate, the official name for the massive, stainless steel structure that’s become Chicago’s signature landmark. In its mirror-like surface you’ll see not only your own reflection but the downtown skyline.
During the winter months, lace up your skates for ice skating amid twinkling tree lights at the McCormick Tribune Ice Rink. Or escape into Lurie Garden, an urban oasis that pays homage to Chicago's motto — “Urbs in Horto,” or City in a Garden.
In the warmer months, spread out a blanket in front of the award-winning Pritzker Pavilion for a live performance. Cool off by splashing around in Millennium Park’s Crown Fountain, a shallow reflecting pool bookended by 50-foot towers. Grab food and drinks at the alfresco patio Park Grill, or burn off those calories during a Saturday morning workout on the Great Lawn.
This photo was taken on November 11, 2014, when I was arriving at Reagan National (DCA) from Boston (BOS). It had been a great trip, visiting such a historic town with a close military friend on Veterans Day. As I looked out the window during the final descent, I realized I picked the right side of the plane to see a stunning view of the nation’s capital. I pulled out my phone just in time to capture this view of the Lincoln Memorial, Washington Memorial, Reflecting Pool, White House (barely), Capitol Building, and the rest of the National Mall.
The Watergate, where The Atlantic is headquartered, is just out of frame.
Tim Heffernan, an Atlantic alum who has written several great pieces for the magazine, sends an agita inducing view:
This is a bit of a cheat for the series since I wasn’t actually airborne, but a few years ago I toured the Empire State Building as a journalist and got to go out on the open-air catwalk beneath the radio mast—effectively the 103rd floor. The T-shaped doohickey is a lightning rod. And that parapet is very very low, maybe knee-height on me. When I remarked on this, my guide told me to quit being such a baby; she had taken a bunch of Knicks players out there too, and the wall barely reached over their shoe-tops. On a CBS visit in 2013, they learned that the deck of the catwalk has been lowered in order to make the parapet wall higher. Here you can see how low it was when I was up there (it’s the silver-painted part of the wall).
Our social media fellow, Rosa, adds a gorgeous shot to the series (which you can still contribute to):
This is Mt. Hood in January 2015, seen from the south on a flight departing Portland, Oregon. There is less snow than there should be for January, and you can see a dark spot on the right near the summit where volcanic activity is melting the snow. Mt. St. Helens, Mt. Rainier, and Mt. Adams are all visible in the background (Mt. Adams at the very tip of the wing).
I was lucky to get plenty of powder when I skied at Mount Hood Meadows with my brother in late December. And according to this report from Friday on a winter storm, things are looking good for Hood:
The fresh batch of snow is good news in northwest Oregon, where a once-robust snowpack dropped below normal in the Central Cascades and Mount Hood following February’s stretch of warm weather. Central Cascade snow-water equivalent was 85 percent of normal and Mount Hood 81 percent of normal as of Feb. 19. The influx of snow should bounce that number closer to 100 percent, where it has been most of the season.
This photo was taken aboard a federal contract jet departing Fairbanks, Alaska, and destined for the National Interagency Fire Center in Boise, Idaho. Flights like these shuttled back and forth between Alaska and the lower 48 throughout the summer, transiting some of the many firefighters dispatched to Alaska to help fight forest fires burning there during the summer of 2015. The crews aboard this flight were returning to their normal duty stations across Idaho after completing two week assignments in Alaska.
This past September I accompanied my boyfriend when he piloted his Cessna 170 on a cross country flight from Anchorage, Alaska to Lockhart, Texas (30 miles from Austin). The entire trip took eight days. We passed over these glaciers and mountains on the first day en route to Prince William Sound.
From there, we proceeded south down the coast. We camped on the beach at Icy Bay the first night and stayed in a historic hotel in Juneau the next. We went inland at Prince Rupert, British Columbia, the following day and spent the next two nights in Canada—in a hotel in Terrace one night and camping on a grass strip maintained by a hang gliding club in Hope on the second night.
We crossed back into the states at Oroville, Washington, camping on the tarmac that night in Odessa, where we ended up crashing their annual Deutschesfest celebration. The next day, we flew out of Washington, eastern Oregon, Idaho, Nevada, and on into Utah, spending the night in South Provo. On the second to last day, we flew over the four corners—Utah, Arizona, Colorado, and New Mexico—and spent our final night in Santa Rosa, New Mexico.
It was a tremendous way to experience an incredible number of stunning landscapes in a relatively short segment of time.
Our reader Anoop took this photo “flying over JFK in November,” with the Rockaways in the foreground. Some quick history of the airport:
It was built to relieve LaGuardia Airport, which was overcrowded soon after opening in 1939. Construction began in 1943, and about $60 million was initially spent of governmental funding, but only 1,000 acres (400 ha) of land on the site of the Idlewild Golf Course were earmarked for use. In March 1948 the New York City Council changed the name to New York International Airport, Anderson Field, but the common name was “Idlewild” until 1963. The airport was renamed John F. Kennedy International Airport on December 24, 1963, a month after the assassination of President John F. Kennedy.
Why is Hollywood still hiring this raging anti-Semite?
Every day, as dawn’s rosy fingers reach through my window, I arise and check in with Twitter, to see what fresh hell awaits. Generally, by about 6:30, I’ve been made furious by the outrage du jour. But recently, I experienced more of a sense of bemusement than ire, as I took in Deadline’s headline: “Mel Gibson in Talks to Direct Lethal Weapon 5.”
Gibson is a well-known Jew-hater (anti-Semite is too mild). His prejudices are well documented. So my question is, what does a guy have to do these days to get put on Hollywood’s no-fly list? I’m a character actor. I tend to take the jobs that come my way. But—and this hurts to write—you couldn’t pay me enough to work with Mel Gibson.
Now, I love the Lethal Weapon movies (at least the first few). And Danny Glover’s a gem. But Gibson? Yes, he’s a talented man. Many horrible people produce wonderful art. Put me down as an ardent fan of Roald Dahl, Pablo Picasso, and Edith Wharton; can’t get enough of what they’re selling. But these three had the good taste to die. That makes it a lot easier to enjoy their output. Gibson lives. And Tinseltown need not employ him further.
A new, highly contagious variant could have terrible consequences. But if it ends up causing milder symptoms than Delta, there’s a real upside.
World, meet Omicron; Omicron, meet a lot of people who are very, very anxious to know more about you.
The arrival of the newest coronavirus variant, first identified in Botswana and South Africa and now present in the United States, might be bad news, or it might be terrible news—or maybe it’s just a temporary distraction from Delta. Ultimately, Omicron’s effect on the course of the pandemic will be determined by three factors: its transmissibility; the degree to which it evades our existing immune defenses; and its virulence, or the severity of the disease that it causes. If Omicron turns out to jump between hosts with ease, blow past our neutralizing antibodies, and cause unusually dangerous complications, we’ll all be in deep trouble. But it could also turn out to do a lot of other things, with more subtle implications. If Omicron ends up being super contagious, for example, but mild in its symptoms, that might even be a good thing—a perfect variant, just in time for Christmas.
The Humans turns a difficult Thanksgiving dinner into something grotesque.
The Humans features no ghosts, monsters, or poltergeists. It’s not set inside a haunted house, an abandoned building, or a tract of shadowy woods. And yet, it might be the scariest movie of the year.
Based on Stephen Karam’s Tony-winning play, and adapted and directed by Karam himself, The Humans centers on the Blake family as they gather in lower Manhattan for a Thanksgiving dinner. The mood is about as warm as a broken oven. Deirdre (Jayne Houdyshell, brilliantly reprising her role from the play) and Erik (Richard Jenkins) have driven hours to visit their younger daughter, Brigid (Beanie Feldstein), at her new apartment, where she lives with her boyfriend, Richard (Steven Yeun)—but all they’ve gotten for their journey are terse thank-yous and cheap champagne in plastic cups. Aimee (Amy Schumer), their older daughter, is still reeling from a recent breakup and career setbacks, while Momo (June Squibb), Erik’s mother, has dementia and must be cared for at all times. The setting doesn’t help: Brigid and Richard’s home is a thin-walled, claustrophobia-inducing space that lets in barely any natural light. Each family member has something to get off his or her chest, and it’s as if their collective dread has permeated the foreboding premises. Or is it the reverse?
What Peter Jackson’s Get Back reveals about the Beatles breakup
What is happening to the Beatles? Whose idea was this? What is going on? It’s January 1969, and look at them: stuck on a soundstage in Twickenham Film Studios—the Beatles!—sitting around like a bunch of YouTubers, idly generating content. They burble; they dawdle; they pick up their instruments and put them down again. They are of the ’60s and they are above the ’60s. “I think your beard suits you … man,” George says to Paul. Planes of shifting color light up the white screens behind them, viridescent splodges and blooms of moody fuchsia, as if they’re trapped at the end of a rainbow. Everybody’s watching, everybody’s listening: nosy cameras, nudging mics, cables and crew members all over the place.
Conservatives on the Supreme Court have engineered a system that allows half the country’s population to be stripped of a fundamental constitutional right.
Women’s constitutional right to decide whether to bear children appears to be hanging by a thread. At yesterday’s oral argument in the case of Dobbs v. Jackson Women’s Health Organization, the Supreme Court’s Republican-appointed justices displayed an eagerness to overturn Roe v. Wade, the legal precedent that prevents states from banning abortion. This is no surprise—the conservative legal movement fought a decades-long political battle to achieve just this objective. The case, which will decide the constitutionality of Mississippi’s ban on abortions after 15 weeks of pregnancy, offers a clear opportunity to do so.
I should caution that the back-and-forth of arguments before the Court can be deceiving. The Obama administration’s difficulty arguing its case in favor of the Affordable Care Act led observers to declare it would be struck down—that didn’t happen. An oral argument can be a preview of how the justices will rule, but it is not always, and so the decision in this case remains unknown until it is handed down. That said, conservative activists had not spent decades attempting to strike down Obamacare. Ending legal abortion in America, though, has long been the main goal of the conservative legal movement.
Sometimes, dips in immunization quality can be rescued with a little extra quantity.
If it doesn’t happen with this variant, it’ll happen with the next one, or maybe the next. Some version of this coronavirus is bound to flummox our vaccines. In the past two years, SARS-CoV-2 has hopscotched across the globe, rejiggering its genome to better coexist with us. The latest coronavirus contender, Omicron, has more than 50 mutations, making it the most heavily altered coronavirus variant of concern that researchers have identified to date. Even in the fully vaccinated, at least a few antibodies will likely be stumped, and at least a few cells infected. Our collective defenses may soon bear an Omicron-shaped dent.
But immunity isn’t a binary switch that some party-crashing variant can flip off. Even if a wily virus erodes some of the safeguards that our original-flavor vaccines have raised, it’s nearly impossible for a variant to wipe them away completely. “I don’t think we’re ever going to go back to square one of having no immunity against this virus,” Rishi Goel, an immunologist at the University of Pennsylvania, told me. Defenses, if they drop, should fall stepwise, not all at once: first against infection, then transmission and mild symptoms, and finally the severest disease. And vaccinated immune systems are extraordinarily stubborn about letting those last fortifications go.
Let’s start with a simple mystery: What happened to original blockbuster movies?
Throughout the 20th century, Hollywood produced a healthy number of entirely new stories. The top movies of 1998—including Titanic, Saving Private Ryan, and There’s Something About Mary—were almost all based on original screenplays. But since then, the U.S. box office has been steadily overrun by numbers and superheroes: Iron Man 2, Jurassic Park 3, Toy Story 4, etc. Of the 10 top-grossing movies of 2019, nine were sequels or live-action remakes of animated Disney movies, with the one exception, Joker, being a gritty prequel of another superhero franchise.
Some people think this is awful. Some think it’s fine. I’m more interested in the fact that it’s happening. Americans used to go to movie theaters to watch new characters in new stories. Now they go to movie theaters to re-submerge themselves in familiar story lines.
Both pandemic-origin arguments depend on coincidence.
The evolutionary virologist Michael Worobey is trying to bring the pandemic-origins debate back to where it started: with the notion that the coronavirus made the jump to humans at the Huanan seafood market, in Wuhan, China. Last week, he argued in Science that, contrary to official timelines of infection, the “first known” patient was a market vendor selling shrimp. For Worobey, it’s telling—to say the least—that this confirmed case, and most of the other very early ones, was linked to Huanan. In an interview with Jane Qiu, whose excellent rundown of the new analysis appeared on Friday in the MIT Technology Review, he calls a natural spillover in this spot “vastly more likely than any other scenarios based on what we now know.”
The Wildlife Photographer of the Year contest is inviting the public to vote for their favorite image, selected from a group of shortlisted entries.
The Wildlife Photographer of the Year contest is inviting the public to vote for their favorite image selected from a group of shortlisted entries in this year’s competition. Voting for the People’s Choice Award is open until February 2, 2022. Organizers have shared a handful of the candidates below. Be sure to click through to their site to see the rest of the images. Wildlife Photographer of the Year is developed and produced by the Natural History Museum in London. Captions are provided by the photographers and WPY organizers, and are lightly edited for style.
Amelia Whelan used social media as an accelerant for her sales community. Then things blew up.
So you’ve been scrolling through Facebook for a while—dull, dull, dull—when you hear the sound of tropical bird chatter. You glimpse a 20-something woman floating in a natural pool of water with her eyes closed, and then she starts to talk to you about her passion for “manifesting money” and how every little thing she’s ever wanted is now hers. What’s this? She’s looking out the window of an airplane, through the clouds at a mossy mountaintop; she’s scooping up sand and blowing it at the camera as if the grains were dandelion seeds; she’s biking in a white dress on a secluded path, no handlebars. She has more time and wealth than she knows what to do with—and so now she will pause to bathe an elephant. Wait a minute, you say to yourself. Could this be my life too?