Inspired by our March 2016 cover story by James Fallows, “How America Is Putting Itself Back Together,” readers share their best aerial photos from across the U.S. Submit your own via email@example.com. (Please provide the location, the story behind the photo, and the largest file size you have. Horizontal photos with a bit of the plane visible—a wing, the edge of a window—are ideal. Terms and Conditions here.)
This was a 6am flight into NYC after getting stuck in Syracuse for work the night before due to weather. We’re cutting across Manhattan before looping around to LGA. Central Park, Hudson River, and the GW Bridge are all visible.
As an economics student with a passion for amateur photography, I’ve been thrilled with this unique supplement to James Fallows’s excellent work on the resilience and diligence of the American people!
I took this early-morning photo of Manhattan as we made our crescent descent into LaGuardia this past January. The interplay between the dark clouds and the morning glow reflected the state of my emotions at the time. I made the trip to the city for two reasons: Firstly, I needed an expedited visa in order to return to the UK for my yearlong study abroad, and secondly, a friend and I were to begin a pre-semester international journey from JFK a day later. Obtaining the visa was essential, and as life would have it, I was desperately falling for this particular friend (whom I had not seen in person for over six months). Looking out the left-side window at the glimmering One World Trade Center, it was impossible not to project my hopes and fears onto “the concrete jungle where dreams are made of.” From the air, at least, the city and its background seemed to perfectly reflect the issues swirling in my head.
As I type this note from the English countryside months later, I’m relieved and elated to report that I got the visa—and the girl.
As our series starts to wind down, here’s one of many mountain views emailed in by readers:
It’s always a treat to fly between Southern California and Seattle, as it affords some spectacular views of the Sierras and the Cascade Range along the way (when clouds aren’t in the way)! This view of Mount St. Helens was taken in March 2014 on the southbound journey home. Sadly I only had my phone with me at the time, but the low sun angle made for some cool highlights off the water and the wing. The new dome is just barely visible inside of the large crater.
Here are a few photos I took during a trip up the Chicago Lakeshore Drive VFR corridor on St. Patrick’s Day 2014. It had been a brutal winter with the Great Lakes nearly completely frozen in February. By mid-March, there were still ice floes crowding the southern shores of Lake Michigan. Brrr…
The weather was clear and sunny, and it was a unique look at the Windy City on a clear and cold day. Flying at 1000ft-1200ft AGL right next to the Chicago Skyline and under the Class Bravo airspace for Chicago O’Hare (ORD) is always a special treat—one of the wonderful things about the U.S. general aviation system.
It’s also eye-opening to fly over the industrial wastelands south of Chicago, past the centers of business and commerce, to the mansions and private golf courses north of the city lining the same lake. The distance of 20-30 miles on the same lakeshore can be worlds apart from an economic activity and wealth perspective.
A previous contributor returns for another pass, this time looking north at the Peetz Table Wind Farm near Padroni, Colorado:
Operated by Nextera Energy, this power station’s 300 wind turbines produce over 420 mw of power when the wind is blowing. Nextera, a descendant of Florida Power and Light, is the nation’s largest wholesale producer of electric power. Hydroelectric stations in Maine, the storied Seabrooke nuclear plant, and the nation’s second largest solar station in the Mohave Desert are just some of the generating assets operated by the publicly traded company valued at over 50 billion dollars.
In the background is the wheat country of the Nebraska panhandle. Directly below the plane is a Minuteman III ICBM silo, and if you look really hard you can see hydraulic fracturing well sites in the valley of the South Platte River, which runs to the south of our flight track.
Over the weekend I posted the above photo from a reader, Eric Zimmerman, who had stumped his family and friends over the location of this remote area in the western U.S. Many readers wrote in with their own guesses. “Looks like a photovoltaic [solar] farm in the area of Alamosa, Colorado,” says Joe. Nope, but here’s a stunning image of a solar farm in Pfeffenhausen, Germany, a satellite image I just came across in an amazing Instagram account from Anthony Quigley (which we’ll be using for many Orbital Views). Another reader, Dan:
It’s a chemical warfare chemical depot. There are ones in Nevada, Utah, and Oregon, that I know of. My guess is this is in Oregon, since it doesn’t look like the ones I know of in Nevada or Utah.
Other guesses from readers include:
“It’s a server farm”
“Farm worker housing”
“Looks like ammunition magazines/storage bunkers”
But the answer is something far more specific—and disturbing. Here’s reader Steve Karwan:
Topaz Internment Camp Site near Delta, Utah, with coordinates of 39.411485, -112.773676. My initial guess was Manzanar. After quickly ruling that out, I then began searching for other former Japanese internment sites.
(BTW, I’m a former frequent player of the Dish’s View Form Your Window contest. I guessed about five or seven correctly, but never as specifically as the winner. I’m very much a Chini-wannabe! )
By the way, I just came across a strange coincidence, given that several readers thought this was a solar farm: Type “solar farm” in Google and the third hit is the Wikipedia page for Topaz Solar Farm in southern California. Topaz.
Doug Chini—the legendary champion of the window contest mentioned by Steve—emailed his answer just before I posted:
In all the years of doing the Daily Dish’s VFYW contest, I never got more of a gut punch from finding a location than I did with this one. At first I thought we were looking at an agricultural site, or perhaps an old Army barracks; but as someone whose college thesis focused on the Pacific in WW2, I should have recognized it instantly. Your reader's mystery view shows the ghostly footprint of the Topaz “War Relocation Center,” one of ten major sites where Japanese-Americans were forcibly interned during the war. Here’s the view from Google Earth:
Among the more than 11,000 held there was Fred Korematsu, the plaintiff who lost the infamous Supreme Court case that legitimized the internment program. Today the decision in that case, Korematsu v. United States, is used in law school as an example of how hysteria and deference during crises can produce abhorrent results.
I love this series! As a kid I would lie on the living room floor devouring our atlas. Then, 23 years working for Northwest Airlines at Logan Airport offered me many travel opportunities, and like many of your readers I was a window seat junkie (when I could get one as a standby employee). The landscape unfolding below us was always interesting and sometimes amazing. The classics: Niagara Falls, the Grand Canyon, Hoover Dam, Denali during a Chicago-to-Tokyo flight, volcanic plumes in Indonesia, Alaska, and even a glimpse of red magma at Mt. Mihara south of Tokyo in the mid 1980s. Once, after a week of sailing along the coast of Nova Scotia and back to Maine, reading old stories of shipwrecks and adventures along the way, on our puddle jumper from Portland to Boston I suddenly glimpsed the infamous Boon Island.
All fourteen crewmen aboard survived the initial wreck, however two died from their injuries and another two drowned attempting to reach the mainland on an improvised raft. The remaining ten crewmen managed to stay alive despite winter conditions with no food and no fire for twenty-four days, until finally rescued. They resorted to cannibalism which gave the incident a notoriety that it retains even today. It is said that after the Nottingham Galley disaster, local fishermen began leaving barrels of provisions on Boon Island in case of future wrecks.
Back to our reader, who guides us through the above photo:
The rugged coast of Massachusetts and New England make flying in and out of Boston easy to pick out landmarks and sights. (As a kid sailing in Marblehead, I used to daydream about the people in the planes above us as they followed a common flightpath, and now Marblehead, Cape Ann, and other coastal towns are easy to pick out from above.)
This photo of Boston at 6:26 a.m. on a clear morning was not a path out of Logan I had experienced many times. The Charles River meanders through the middle. From bottom left and up and across on the Boston side of the Charles one can see: Matthews Arena at Northeastern University (red roof), Symphony Hall (green roof), Fenway Park, the CITGO Sign, Christian Science Church, the Prudential Building, Mass Ave Bridge, Boston Public Library, Hancock Tower, the Hancock building (whose lights give the weather forecast), and just at the front edge of the wing is the Hatch Shell at the Esplanade.
Across the river, starting from the right: a piece of the Longfellow Bridge (aka the salt-and-pepper bridge, due to the decorative turrets looking like salt and pepper shakers). Above the winglet is the Mystic River, and the line of the wing points to some of the hills of Somerville catching the morning light. Back at the Longfellow Bridge and heading west is Kendall Square area, the Charles River Yacht Club, and just before the Mass Ave Bridge, the Dome at MIT. And finally there’s the BU Bridge, then the river turns and follows another turn in the river up to Harvard.
Thanks for letting me give you a short tour of my hometown city!
As a habitual window-seat photo snapper, I love the aerial photo series. I’ve had a long-running game with my family where we take a photo from the air, send it around to family members, and see who can figure out where it is.
Here’s one that stumped everyone. I took it a couple of years back, from an airliner at cruise altitude. I happened to look down at the right moment and saw this pattern on the ground. I had a hunch what it might be, took the photo, and later confirmed my guess with Google Earth.
Some context that might help: This location is in a fairly arid Western state (obviously). The site is quite isolated, and far from any significant population centers. But it is at the edge of an agricultural valley, rather than in total desert.
I’m curious if any staff or readers get it. I’ll put the the answer in a separate message for spoiler protection.
Here’s the Philadelphia skyline coming back from a flight from LA. I still can't believe that up until the late ‘80s, the tallest building was City Hall. You can barely see it now. Shows how much things can change.
A reader figures out the location of yesterday’s aerial view from Rebecca Pinkus and sends the above image from Google Earth that matches it exactly:
Howdy, Atlantic staff! Yesterday’s, uh, view from an airplane window looks north, north-east over the town of Ashburn, Virginia. A best estimate is that the picture was taken at 2:42:57 PM on January 30th, at 38.9775N/77.543W from an altitude of 4,100 feet shortly after takeoff from Dulles’ runway 30. The high school immediately adjacent to the water towers is Ashburn’s Briar Woods High.
It’s too bad your reader gave the arrival and departure cities; this location would have been slightly harder to find without them.
That email is from Doug Chini, the legendary guru of the View From Your Window Contest—a weekly feature I edited for years at The Dish, beginning in 2010 when Andrew and I were at The Atlantic. Every week we posted a photo from a reader’s window and invited others to guess the location. The resulting entries I edited together were mind-boggling in their detail and precision, in addition to the local color, history, and personal stories the views solicited from readers. Chini was hands down the most accurate and consistently impressive player, so it was so cool to see him pop up in the Notes inbox this morning, out of the blue.
Located at the southern end of California’s Central Valley, Bakersfield—the county seat of Kern County, which is one of the largest counties in the U.S.—is a microcosm of the economic and political issues confronting California’s Central Valley. The problems start with drought and water resource mismanagement but also continue to other issues ranging from urbanization of prime farmland, salinization of prime farmland, air pollution (this area is consistently in the top ten areas with the worst air quality in the U.S. as rated by the American Lung Association), and poverty.
I’ve been working on a photo study of the area, and because of the size of the county (8200 square miles), I took to the air, specifically in a Cessna 172 with the passenger-side window removed for photography. This photo is a view of the massive Chevron oilfield north of Bakersfield called Oildale. At the time of the shot, October 2015, the field was nearly in full production, driven by the price of crude oil that was hovering around $50 per barrel.
Retired senior military officers are growing more concerned that the Trump administration doesn’t want their advice—and they’re struggling with how much they can say publicly.
Here is the unenviable calculation retired senior military officials must make in this politically unprecedented moment: Say nothing as norms shatter around you, and you’re implicitly enabling a president whom some of your former colleagues believe is threatening national security. Speak up, and you risk destroying the balance of power that protects American democracy.
“For the U.S. military, being apolitical is a critical element of civilian control of the military—an absolute in a democracy,” the retired four-star general Joseph Dunford told us in his first extensive comments since leaving active duty. “The alternative is a military dictatorship.”
Unmet hype created a viral clash between Drake and the audience at Camp Flog Gnaw Carnival, but it might just work in his favor.
Editorial writers, assemble—there’s been another demonstration that civility in America is dead! Drake, the Canadian rapper, actor, singer, and, as of last week, marijuana entrepreneur, took to the stage last night at the Camp Flog Gnaw Carnival, a music festival in Los Angeles. He played a few songs. The crowd grumbled so much that he left. To summarize, the biggest rapper in the world was booed off stage at a big rap concert—a telling story about toxic buzz storms, the vagaries of coolness, and Drake’s special relationship with the phenomenon of public shaming.
The footage of Drake’s exit feels like a scene in a biopic—a scene you’d watch through your fingers so as to avoid the protagonist’s nightmare from replaying in your own dreams. He’s performing the final lines of his song “Wu-Tang Forever,” but they sound lonely and weak, rapped by inertia. Faint woos and scattered claps reply. Drake walks in a tight circle. He addresses the crowd with the pre-confrontation politenessthat a boss might use to broach the subject of Juuling in the office: “You know, I’mma tell you, like I said …”
At least one human life has already been lost as a direct result of the widespread obsession with turning the sex of one’s unborn child into an explosive (often literally) spectacle. In October, an Iowa woman was killed when her family inadvertently built a pipe bomb as part of their gender-reveal party—a gathering at which expectant parents dramatically and colorfully announce the sex of their baby.
The methods for doing so seem to have started out as benign, if stereotypical—cutting into a cake to reveal either blue or pink frosting, say. But in the past couple of years, some kind of communal madness has taken hold, and many of these feats of gender performance have gotten more elaborate, more public, and more dangerous—putting lives and entire ecosystems at risk. Last year, a father-to-be started a 47,000-acre wildfire in Arizona when he shot a rifle at an explosive target full of blue powder (It’s a boy!), causing $8.2 million of damage, according to the Arizona Daily Star. The latest instance of a gender reveal gone wildly wrong, as The New York Times reported on Friday, involved a plane that stalled and crashed while crop-dusting a Texas field with 350 gallons of pink water in honor of an unborn female child. No one was killed in either incident, but someone easily could have been. Othergender-reveal-relatedexplosions, and one reveal involving an alligator, have also placed people in harm’s way.
The socialist president claimed authoritarian powers in the name of the popular will. But average citizens were fed up with arbitrary rule.
Evo Morales has been attacking Bolivia’s democracy for many years. Since coming to office in 2006, the socialist president has concentrated ever more authority in his own hands, denounced the opposition in aggressive terms, and placed loyalists in key institutions, from the country’s public broadcaster to its highest court.
Like many populists on both the left and the right, Morales claimed to wield power in the name of the people. But after weeks of mass protests in La Paz and other Bolivian cities, and the rapid crumbling of his support both within law enforcement and his own political party, it was his loss of legitimacy among the majority of his own countrymen that forced Morales to resign yesterday.
Borrowing techniques from couples therapy to bring liberals and conservatives back together
Back in the 1970s, Kingsley Amis—the grumpy British novelist now remembered mostly as the father of the slightly less grumpy novelist Martin—made a remark that even today holds a high place in the anthologies of human grumpiness: “If there’s one word that sums up everything that’s gone wrong since the war, it’s Workshop.” Amis died in 1995, so he had the misfortune of living to see the workshop triumph as the primary means of socialization and instruction in American commercial and cultural life. He might have even lived long enough to hear the noun turned into a verb: “We really need to workshop this …” It might have been what finally killed him.
Grumpy myself, I share Amis’s dim view of the workshop as a sly instrument of regimentation, a technique of smiley-faced uniformity, a venue for mandatory “sharing” and ostentatious empathy.
A conversation with Tara Westover on the urban/rural divide
Tara Westover was raised by survivalist parents in the mountains of rural Idaho, and didn’t go to school. “Dad said public school was a ploy by the Government to lead children away from God,” she writes in her best-selling 2018 memoir, Educated. Still, she taught herself enough to attend college at Brigham Young University, and later earned a doctorate from Cambridge University. Today, she lives in New York City.
Westover recently spoke with Jeffrey Goldberg about cultural separation and mutual misunderstanding in America.
This interview has been shortened and edited for clarity.
I first met him 21 years ago, and now our relationship is the subject of a new movie. He’s never been more revered—or more misunderstood.
A long time ago, a man of resourceful and relentless kindness saw something in me that I didn’t see in myself. He trusted me when I thought I was untrustworthy, and took an interest in me that went beyond my initial interest in him. He was the first person I ever wrote about who became my friend, and our friendship endured until he died. Now a movie has been made from the story I wrote about him, which is to say “inspired by” the story I wrote about him, which is to say that in the movie my name is Lloyd Vogel and I get into a fistfight with my father at my sister’s wedding.
I did not get into a fistfight with my father at my sister’s wedding. My sister didn’t have a wedding. And yet the movie, called A Beautiful Day in the Neighborhood, seems like a culmination of the gifts that Fred Rogers gave me and all of us, gifts that fit the definition of grace because they feel, at least in my case, undeserved.
Anna, Illinois, has a long history of excluding black people. Where does that leave it today?
I got into town just after sunset. The lights were on at a place called the Brick House Grill, and if you were out on South Main Street on a Friday night in February, chances are, that’s where you were going. So I went in, too.
I took a seat at the bar. A man two stools over from me struck up a conversation. I told him I was a journalist from Chicago and asked him to tell me about this town. “You know how this town is called Anna?” he started. “That’s for ‘Ain’t No Niggers Allowed.’” He laughed, shook his head, and took a sip of his beer.
The man was white. I am white. Everyone else in that restaurant in Anna was white.
Later that night, I realized what shook me most about our conversation: He didn’t pause before he said what he said. He didn’t look around the room to see whether anyone could hear us. He didn’t lower his voice. He just said it.
She’s been bringing a steady stream of men back to my house, and her behavior is testing my patience.
I am the mother of three adult children who moved out of the family home to start their own lives. I lived alone for more than five years and I never had a problem with empty-nest syndrome. I cannot stress enough how much I loved the solitude.
Four months ago, my 33-year-old daughter moved back in with me (with her dog!!!) after breaking up with her long-term boyfriend, whom she lived with in another state. Of course, if my children need shelter, my home is always open, so it was only natural that I would welcome her and her dog.
The problem is that she has an, ahem, active social life. Since she moved into my home, there has been a steady stream of men coming over and spending time in her bedroom. They usually only stay an hour or two, but this weekend I woke up to find a man leaving my house. While I am angry and upset, I tried to be rational and explain that my home is my sanctuary, and that I don’t appreciate all the men she has coming and going like it’s Grand Central Station, and that I really don’t appreciate her having men stay overnight, especially without my knowledge or permission.
The director caught backlash for criticizing the reign of Marvel films—but he’s not wrong about the threat they pose to the future of movies.
This has not been a good month for Hollywood blockbusters. For the first time since 2000, when the average price of a theater ticket was almost half of what it is now, the top 10 films for November’s first two weekends have failed to add up to $100 million in total grosses. That box-office number is a standard metric for gauging broader cinema-going enthusiasm, and it’s a metric the industry is falling short of. Audiences are rejecting studio offerings such as Terminator: Dark Fate, Doctor Sleep, and Maleficent: Mistress of Evil, all of which have underperformed relative to expectations.
What else do those movies have in common? They’re all sequels trying to leverage the appeal of their better-regarded forebears. They’re all from venerable major studios (Paramount, Warner Bros., and Disney) looking to attract a global audience. And they’re all part of a new normal in movie commercialism that emphasizes safe and recognizable branding wherever possible. The director Martin Scorsese sounded a warning over this exact trend during an October interview with Empire Magazine, in which he said of Marvel movies, “That’s not cinema.” Unsurprisingly, given the popularity of the Marvel behemoth, Scorsese has been criticized on multiple fronts for that opinion. But as he clarified in a wide-ranging New York Times opinionpiece, his comments were rooted in real concerns about Hollywood’s future.