Updated at 12:08 a.m. ET on May 26, 2020.

COVID-19 has mounted a sustained attack on public life, especially indoor life. Many of the largest super-spreader events took place inside—at a church in South Korea, an auditorium in France, a conference in Massachusetts. The danger of the indoors is more than anecdotal. A Hong Kong paper awaiting peer review found that of 7,324 documented cases in China, only one outbreak occurred outside—during a conversation among several men in a small village. The risk of infection indoors is almost 19 times higher than in open-air environments, according to another study from researchers in Japan.

Appropriately, just about every public indoor space in America has been shut down or, in the case of essential businesses such as grocers, adapted for social-distancing restrictions. These closures have been economically ruinous, transforming large swaths of urban and suburban life into a morbid line of darkened windows.

If there were a way to watch Netflix’s new series Space Force without any of the dialogue, you might mistake it for a drama from happier times. The show’s score, which pops up intermittently in wafts of softly rousing strings and trumpets, seems to consciously evoke The West Wing; in one episode, it crescendos emphatically while a troupe of astronauts marches out from an aircraft hangar toward a shining gold horizon. The directors include significant names from the film world: Dee Rees (Mudbound) and Paul King (Paddington). Space Force’s set alone, which replicates a boondoggle of a U.S. military base in Colorado, is so sprawling and detailed and shiny that it feels like it should belong to a James Cameron movie, not a Greg Daniels workplace comedy. At a time when entertainment has adjusted to lo-fi spectacle—the Zoom sketch-comedy show, the TikTok satire, the art of performative bookshelving—the obvious expense of Space Force almost feels unseemly, even without the reported $10 million Steve Carell was paid to star in it.

For nearly a decade, if Americans wanted to leave the planet, they had to do so from a launchpad in Kazakhstan. Now they need only go as far as Florida.

Two astronauts launched into space this afternoon, departing from the sandy shores of Cape Canaveral, from the same launchpad where the space shuttles and Apollo missions once took off. The astronauts work for NASA, but for the first time in spaceflight history, they’re flying on a truly private spacecraft, designed from top to bottom by SpaceX, Elon Musk’s aerospace company.

Doug Hurley and Bob Behnken made the journey wearing SpaceX suits, inside a SpaceX capsule, atop a SpaceX rocket, from a SpaceX-operated launchpad.

The astronauts are bound for the International Space Station, humankind’s only off-world residence, where one American astronaut and two Russian cosmonauts are waiting for them. The successful launch makes SpaceX the first private company to put astronauts in orbit, a feat achieved by only three spacefaring nations: Russia, the United States, and China.

You’d think Donald Trump would have more sympathy for looters, being a looter himself. The president has helped himself to money from the U.S. Treasury, using political power to direct public money to his personal businesses. It’s not as visual as a riot, but until 2017 it would have been regarded as equally criminal.

But no, he seems to think they deserve the death penalty: “These THUGS are dishonoring the memory of George Floyd, and I won’t let that happen,” he said on Twitter about the protesters in Minneapolis. “Just spoke to Governor Tim Walz and told him that the Military is with him all the way. Any difficulty and we will assume control but, when the looting starts, the shooting starts.”

Editor’s Note: This article is part of “Uncharted,” a series about the world we’re leaving behind, and the one being remade by the pandemic.

It’s Day One of the reopened future, and as people have always done when it’s time for a new start, you head to the gym. Well, hold on. We should begin before Day One, because you’ll actually have booked this time slot the week before. It’s good for 90 minutes. Don’t be late.

You grab a door handle wrapped in germ-repelling vinyl and walk inside. A Bluetooth-enabled beacon at the front desk recognizes your phone and checks you in. The receptionist takes your temperature and hands you a towel, plus a colored wristband that’ll help the staff remind you when it’s time to go. Hopefully you brought some water with you, because touchless bottle fillers have replaced the drinking fountains.

Overnight, protests of the egregious police killing of George Floyd roiled several American cities, including Minneapolis, where riots and looting frightened locals and destroyed livelihoods.

A prudent president would have urged calm.

On Twitter, President Donald Trump instead aggressively insulted elected officials in Minneapolis. “A total lack of leadership,” he wrote. “Either the very weak Radical Left Mayor, Jacob Frey, get his act together and bring the City under control, or I will send in the National Guard & get the job done right.”

Adam Serwer: Trump’s warped definition of free speech

Then Trump threatened to unleash American carnage on looters. “These THUGS are dishonoring the memory of George Floyd, and I won’t let that happen,” he declared in a second tweet. “Just spoke to Governor Tim Walz and told him that the Military is with him all the way. Any difficulty and we will assume control but, when the looting starts, the shooting starts.”

For one corner of the world, life during the coronavirus pandemic has stayed shockingly the same. Like much of the globe, people there are dealing with cabin fever, a lack of physical contact, and collective grief, for both the loved ones they’ve lost and a way of life they may never see again. But they’re exempt from the crashing halt of state services, the bumbling distribution of relief funds, the pillars of government groaning under the weight of performing their basic business amid the pandemic.

This is not a faraway digital superstate or an isolated cooperative. Geographically, it is not even located in the proverbial West. This is reality in Estonia, a nation of 1.3 million on the coast of the Baltic Sea that traded its post-Soviet identity for one of technological innovation and digital democracy.

Six weeks ago, Ahmaud Arbery went out and never came home. Gregory and Travis McMichael, who saw Arbery running through their neighborhood just outside of Brunswick, Georgia, and who told authorities they thought he was a burglary suspect, armed themselves, pursued Arbery, and then shot him dead.

So many mysteries surround Donald Trump: the contents of his tax returns, the apparent miracle of his graduation from college. Some of them are merely curiosities; others are of national importance, such as whether he understood the nuclear-weapons briefing given to every president. I prefer not to dwell on this question.

But since his first day as a presidential candidate, I have been baffled by one mystery in particular: Why do working-class white men—the most reliable component of Donald Trump’s base—support someone who is, by their own standards, the least masculine man ever to hold the modern presidency? The question is not whether Trump fails to meet some archaic or idealized version of masculinity. The president’s inability to measure up to Marcus Aurelius or Omar Bradley is not the issue. Rather, the question is why so many of Trump’s working-class white male voters refuse to hold Trump to their own standards of masculinity—why they support a man who behaves more like a little boy.

As the United States enters a pandemic summer, with more than 100,000 Americans already dead, and as tear gas engulfed Minneapolis last night, following protests after yet another killing of a black man by a police officer, the president tweeted that the “shooting starts” when the “looting starts.” The tweet echoed a historic line uttered by a police chief in Miami in 1967 during the civil-rights unrest that was also widely condemned at the time. Twitter hid that tweet behind a message saying that it was “glorifying violence”—a violation of the site’s terms of service—though users could still choose to view it by clicking through. All of this was an escalation of the seeming conflict between the president and Twitter: Just two days ago, the social-media company added a fact-check link to one of Donald Trump’s tweets for the first time. The president responded by issuing an executive order that is getting a lot of attention, but not the right kind.