But the weirdest song—I can’t even remember where I first heard it—is Plaisir de France’s “Le Responsable Revisite.” I can’t even buy this anywhere! So I have to have it queued up on YouTube to work it in, but that’s how good it is.
(Track of the Day archive here. Access it through Spotify here. Submit via hello@)
A reader submitted this Trina song for our groupthink playlist of greatest, weirdest running songs—which may come as a surprise to any fans of mainstream rap circa the late ‘90s and early aughts. To be fair, our reader did designate it for our “best running tracks” list—surely a more fitting home for Da Baddest Bitch. I suppose we broadened the scope of our main playlist with our latest update, and honestly, who am I to turn away Trina on the grounds of mere semantics?
I’m not one for making hard-and-fast New Year’s resolutions. But I do tend to start the year with an idea of how I’d like it to go, who I’d like to be—sort of a rosy view of the months ahead.
I fell out of running last year thanks to a gnarly overuse injury (finishing a half-marathon and an overnight relay in the same month might’ve been a tad ambitious). But after some physical therapy and developing an intimate relationship with my foam roller, I’m ready to pick up where I left off as the new year gets under way. In 2016, I’d like to be a runner again.
So far, that’s meant rediscovering just how many excuses I can make to avoid doing something that doesn’t feel quite so breezy anymore. Thank God for playlists.
Last month, Adrienne put out a call for the underappreciated gems on your running playlists—the weirdest, greatest songs that maybe no one else would understand but get you amped to pound through the next mile.
Unless you’re in the later stages of marathon training (or a maniacal ultramarathoner), you probably don’t need a five-hour-long running playlist. This is meant for you to skip through and find songs that unexpectedly get you vibin’. I tried to include close to all the suggestions we got (Chris’s picks are published here as daily tracks), though some weren’t on Spotify or were too vague to decipher.
After putting Adrienne’s “Boléro” up top for this weirdo playlist, I grouped your submitted jams according to a general run’s flow: easing in at the beginning, building up with some heart-pounders, peaks and valleys throughout to keep your pace interesting (my greatest DJ triumph will surely be Sigur Rós leading into “Baby Got Back”), and some definitively laid-back tracks toward the end for your cool-down.
Have fun with this; try working out to something you never would’ve considered before. How, for example, had it not occurred to me to try sprinting to “In the Hall of the Mountain King”?
I’m a creature of habit in workout jams. And because I’m a weirdly emotional runner, I’ve managed to create some deeply entrenched, nostalgic connections with my playlist mainstays over the years. Kanye West’s “Monster”—specifically Nicki Minaj’s verse—still sounds like the two-mile climb up to Hurricane Point on the Big Sur marathon course, and the elated, rubber-limbed gallop down the other side. Queens of the Stone Age’s “Song for the Dead”—from about 4:40 till the end of the track—sounds like winter sprints, during a post-grad limbo in my hometown of Indianapolis, on what I had euphemistically deemed “the shredmill.” Spank Rock’s “Bump” sounds like jogging down the block near my Spanish Harlem sublet the summer in college I lived in New York, when I hated the city because I didn’t know how to function—but knew I was pretty decent at putting one foot in front of the other.
Most of the songs that readers sent had never appeared on one of my workout playlists, and a few of the artists here I hadn’t even heard before. But for each of the songs I picked in this shorter list, I imagined it playing at just the right moment of a future, deceptively profound run.
For our running playlist series, a reader submits a song from the inimitable Trey Parker and DVDA, his band that contributed all kinds of music to South Park, Team America, and the movie this song was featured in, Orgazmo.
Erm, the two songs on my running list that stand out the most as simultaneously weird and motivating are Rage Against the Machine’s “Killing in the Name” and Mika’s “Big Girl (You Are Beautiful).” That last one always makes me smile and do odd “jazz hands” type movements if it comes on at the right point in my run. I know ...
A long-time reader in San Francisco contributes to our ongoing series of “weirdest, greatest” running songs:
I submit Florida by Starfucker. It’s fun electro-pop with a solid beat. The weird part is that it features a recording of the late philosopher Alan Watts discussing the wigglyness of the natural world. Somehow it works really well.
Cannot believe I’m admitting this, much less inflicting it on anyone else, but my race-day running playlist has one epic, utterly ridiculous track: MmmmBOP. I put it late in the mix, because after all the great, rhythmic stuff that gets me through 12 or 13 miles, there is nothing better than the track that just cracks you up. Pure joy.
The most under-appreciated running song is Saul Williams’s version of “Sunday Bloody Sunday.” It’s the same great, recognizable drum as the U2 version, but with a much harder, more aggressive edge. (Also, “List of Demands” by Saul Williams might be the best running/workout song of all time.)
I’m a spinning instructor and an electronic music aficionado, so I’ve given a fair bit of thought to which throbbing songs will best fit with my classes while still being somewhat interesting. Dubstep works well for spin, i.e. trying to time hard efforts to “the drop.” A couple really fun and motivational songs I always turn to on my playlists:
“Exterminate, Annihilate, Destroy” by Rotersand is probably the weirdest song on my running playlist. It’s damn effective, because it has the pace of a march sped up for the purposes of being an EBM [electronic body music] track. It also samples Dr. Who for the duration. So it’s an EBM Dalek march, but it’s wonderful.
M83’s “Oblivion” is my weirdest, greatest pick for your running playlist. It’s from a science fiction movie of the same name that didn’t do very well critically or at the box office, but the track makes up for all of that. There’s M83 creating these immense walls of sound while Susanne Sundfør’s vocals crash against massive drums and a swelling orchestral accompaniment. As it ends, it suddenly vanishes into a tranquil piano outro.
If mothers and fathers speak openly about child-care obligations, their colleagues will adapt.
I’m an economist. I love data and evidence. I love them so much that I write books about data-based parenting. When questions arise about how to support parents at work (for example, from Alexandria Ocasio-Cortez on Twitter), my first impulse is to endorse paid parental leave. Mountains of data and evidence show that paid leave is good for children’s health, and for mothers in particular. I am more than comfortable making a data-based case for this policy.
But experience, rather than pure data, leads me to believe that what happens after paid leave is nearly as crucial—that is to say, what happens when Mom and Dad return to the office. We need to normalize the experience of parenting while working.
I own three pairs of noise-canceling headphones. Two go over my ears, enveloping them in cozy tombs of silence. One pair consists of earbuds, one of which I jam into my ear to block out the world while I use my other ear for phone interviews. Besides the noise-canceling kind, I have headphones for basically every activity I do. In fact, I recently came to the disturbing realization that there’s rarely a moment of my day when my ears are not filled with or covered by something.
Like many other Americans, I now wear AirPods all day at my desk to combat the awful tyranny of the open office. Since they don’t cancel noise, they provide me with writing music while allowing me to listen up for my bosses. I don’t like exercise classes and their preselected, generic playlists, so instead I work out with headphones and listen to my own special running mix, the contents of which can be disclosed only upon my death. (Let’s just say the dream of the ’90s is alive on my Spotify.) I like to listen to podcasts while I cook, so the earbuds come in handy while I chop and sauté. And I can hook up headphones to a Roku when I want to watch a depressing foreign TV show and my boyfriend wants to do literally anything else.
Some American women see giving up their babies as more emotionally painful than terminating their pregnancies.
Along the highways of states where support for abortion is at its lowest, it’s not uncommon to see road signs that say choose adoption and similar messages. The signs capture a preferred anti-abortion retort to outcries over abortion restrictions, like the kind Georgia and Alabama just passed: Women with unwanted pregnancies should find adoptive families.
Adoption is a choice that certain women who don’t wish to keep their babies enter into happily. Some women find abortion to be anathema and rule it out among their options for an unwanted pregnancy. And for women considering abortion who ultimately settle on adoption, the process often benefits everyone involved.
Of course, adoption is not a reasonable option for all pregnant women. Some girls and women would imperil their health if they carried a baby to term. Many pro-abortion-rights people believe it is immoral to compel a woman to carry a pregnancy she does not want, especially if that pregnancy is a result of rape or incest. And some studies show that abortion is medically safer than childbirth.
If Democrats want to address simmering middle-class anger, they need to deliver justice.
Normally, a scandal centered on how rich parents used bribes to win their children’s admittance into elite colleges wouldn’t play so heavily in the national news. No one much cared when Donald Trump promised large donations as his children enrolled at Penn. But the outrage over the Varsity Blues investigation perfectly illustrates what may be the most important, least understood, and underappreciated political dynamic of our era: a full-on middle-class revolt against the elites and the privileges they hoard. For all the focus on inequality and social justice, this middle-class revolt is the most important barrier standing between Democrats and the White House. They can’t afford to ignore it.
Smith College's unusual ceremony is more than just a silly tradition.
Smith College’s annual commencement ceremony begins like any other: Graduating seniors at the women’s liberal-arts college are called up one by one to collect their diploma from the president. Perhaps some students exchange a wink with the regalia-clad honorary-degree recipients nearby as they stride across a platform overlooking the dorms they’d for years called home; others may pause to flip their cap’s tassel while blowing a kiss to the sea of parents who have long awaited this milestone commemorating their daughter’s metamorphosis from undergraduate to alumna.
Except the moment, technically, hasn’t happened quite yet: The name, degree, and accolades printed inside each padded holder seldom belong to the woman who receives it. They very likely belong, rather, to one of her nearly 700 classmates.
To save the Church, Catholics must detach themselves from the clerical hierarchy—and take the faith back into their own hands.
To feel relief at my mother’s being dead was once unthinkable, but then the news came from Ireland. It would have crushed her. An immigrant’s daughter, my mother lived with an eye cast back to the old country, the land against which she measured every virtue. Ireland was heaven to her, and the Catholic Church was heaven’s choir. Then came the Ryan Report.
Not long before The Boston Globe began publishing its series on predator priests, in 2002—the “Spotlight” series that became a movie of the same name—the government of Ireland established a commission, ultimately chaired by Judge Sean Ryan, to investigate accounts and rumors of child abuse in Ireland’s residential institutions for children, nearly all of which were run by the Catholic Church.
George R. R. Martin insists that the final entries in his fantasy series are still coming—even though HBO has finished telling his story first.
This story contains spoilers for the final season of Game of Thrones.
For many years, George R. R. Martin has been repeatedly asked the morbid question of what would happen if he were to die before finishing his A Song of Ice and Fire series. Since 1996, when the first entry, A Game of Thrones, was published, Martin has written five novels as well as several spin-off stories. But his progress has slowed to the point where HBO’s TV adaptation aired eight seasons and wrapped up its narrative before Martin has finished his penultimate work, the long-awaited The Winds of Winter. The huge success of HBO’s Game of Thrones brought more fans to Martin’s writing, which in turn has only added to the chorus of frustration about his creative pace.
As White House stonewalling continues, Democrats are starting to speak more openly about the constitutional option, but their leader isn’t budging.
Back in 2007, Donald Trump sent the newly sworn-in speaker of the House, Nancy Pelosi, a letter celebrating her ascension.
“Nancy—you’re the best. Congrats. Donald,” the entertainer wrote, Politico reported in 2011. The correspondence between the two has taken a more combative tone recently, which makes the current moment all the stranger: Pelosi might be the biggest barrier between President Trump and an impeachment inquiry right now.
Pelosi has made her personal opposition to impeaching Trump clear. In March, for example, she told The Washington Post, “I’m not for impeachment … Impeachment is so divisive to the country that unless there’s something so compelling and overwhelming and bipartisan, I don’t think we should go down that path, because it divides the country. And he’s just not worth it.”
More than 700 years ago, demand for sturgeon, salmon, and other fish was so high that kings had to start regulating fishing.
In the year 1289, King Philip IV of France was worried about fish. “Each and every watershed of our realm,” he proclaimed, “large and small, yields nothing due to the evil of fishers.” Environmental change, expanding cities, and overfishing had sent aquatic populations into a tailspin. Because they were scarce, the fish, King Philip noted, “are much more costly than they used to be, which results in no moderate loss to the rich and poor of our realm.” This state of affairs could not stand. The king promulgated the country’s first fisheries ordinance.
In medieval Europe, an era stretching from about A.D. 500 to 1500, fish was a prestigious food. Chefs experimented with ways to disguise beef as fish: At least half a dozen cookbooks of the era include recipes for turning veal into imitation sturgeon for wealthy lords and ladies. Sturgeon was so rare in England and France that it was reserved for the monarchs, and the Cistercians, a Catholic religious order that used sign language to communicate, referred to it using the sign for fish and then the sign for pride.
The brutality of fame can change the basic way people evaluate others.
Human history is riddled with people whose limited credentials have not stopped them from successfully hawking miracle cures and religious salvation, but Grigori Rasputin stands out as a talented wellness grifter even now. After arriving in St. Petersburg in the early 1900s, Rasputin ego-massaged his way into the upper echelons of Russian society, charming the rich and influential to access ever-greater levels of power until he reached the ruling Romanovs, the family that had been in control of Russia for more than three centuries.
Most of what historians know about what Rasputin actually did to ingratiate himself—or what skills he actually had—has been passed down through mere rumor and legend. What’s clearer is that the Romanovs apparently considered Rasputin’s abilities so indispensable to the health of their son and the legitimacy of their government that he was allowed to run roughshod over their court and alienate the trust of the public, hastening the Bolshevik Revolution and the Romanovs’ deaths.