But the weirdest song—I can’t even remember where I first heard it—is Plaisir de France’s “Le Responsable Revisite.” I can’t even buy this anywhere! So I have to have it queued up on YouTube to work it in, but that’s how good it is.
(Track of the Day archive here. Access it through Spotify here. Submit via hello@)
A reader submitted this Trina song for our groupthink playlist of greatest, weirdest running songs—which may come as a surprise to any fans of mainstream rap circa the late ‘90s and early aughts. To be fair, our reader did designate it for our “best running tracks” list—surely a more fitting home for Da Baddest Bitch. I suppose we broadened the scope of our main playlist with our latest update, and honestly, who am I to turn away Trina on the grounds of mere semantics?
I’m not one for making hard-and-fast New Year’s resolutions. But I do tend to start the year with an idea of how I’d like it to go, who I’d like to be—sort of a rosy view of the months ahead.
I fell out of running last year thanks to a gnarly overuse injury (finishing a half-marathon and an overnight relay in the same month might’ve been a tad ambitious). But after some physical therapy and developing an intimate relationship with my foam roller, I’m ready to pick up where I left off as the new year gets under way. In 2016, I’d like to be a runner again.
So far, that’s meant rediscovering just how many excuses I can make to avoid doing something that doesn’t feel quite so breezy anymore. Thank God for playlists.
Last month, Adrienne put out a call for the underappreciated gems on your running playlists—the weirdest, greatest songs that maybe no one else would understand but get you amped to pound through the next mile.
Unless you’re in the later stages of marathon training (or a maniacal ultramarathoner), you probably don’t need a five-hour-long running playlist. This is meant for you to skip through and find songs that unexpectedly get you vibin’. I tried to include close to all the suggestions we got (Chris’s picks are published here as daily tracks), though some weren’t on Spotify or were too vague to decipher.
After putting Adrienne’s “Boléro” up top for this weirdo playlist, I grouped your submitted jams according to a general run’s flow: easing in at the beginning, building up with some heart-pounders, peaks and valleys throughout to keep your pace interesting (my greatest DJ triumph will surely be Sigur Rós leading into “Baby Got Back”), and some definitively laid-back tracks toward the end for your cool-down.
Have fun with this; try working out to something you never would’ve considered before. How, for example, had it not occurred to me to try sprinting to “In the Hall of the Mountain King”?
I’m a creature of habit in workout jams. And because I’m a weirdly emotional runner, I’ve managed to create some deeply entrenched, nostalgic connections with my playlist mainstays over the years. Kanye West’s “Monster”—specifically Nicki Minaj’s verse—still sounds like the two-mile climb up to Hurricane Point on the Big Sur marathon course, and the elated, rubber-limbed gallop down the other side. Queens of the Stone Age’s “Song for the Dead”—from about 4:40 till the end of the track—sounds like winter sprints, during a post-grad limbo in my hometown of Indianapolis, on what I had euphemistically deemed “the shredmill.” Spank Rock’s “Bump” sounds like jogging down the block near my Spanish Harlem sublet the summer in college I lived in New York, when I hated the city because I didn’t know how to function—but knew I was pretty decent at putting one foot in front of the other.
Most of the songs that readers sent had never appeared on one of my workout playlists, and a few of the artists here I hadn’t even heard before. But for each of the songs I picked in this shorter list, I imagined it playing at just the right moment of a future, deceptively profound run.
For our running playlist series, a reader submits a song from the inimitable Trey Parker and DVDA, his band that contributed all kinds of music to South Park, Team America, and the movie this song was featured in, Orgazmo.
Erm, the two songs on my running list that stand out the most as simultaneously weird and motivating are Rage Against the Machine’s “Killing in the Name” and Mika’s “Big Girl (You Are Beautiful).” That last one always makes me smile and do odd “jazz hands” type movements if it comes on at the right point in my run. I know ...
A long-time reader in San Francisco contributes to our ongoing series of “weirdest, greatest” running songs:
I submit Florida by Starfucker. It’s fun electro-pop with a solid beat. The weird part is that it features a recording of the late philosopher Alan Watts discussing the wigglyness of the natural world. Somehow it works really well.
Cannot believe I’m admitting this, much less inflicting it on anyone else, but my race-day running playlist has one epic, utterly ridiculous track: MmmmBOP. I put it late in the mix, because after all the great, rhythmic stuff that gets me through 12 or 13 miles, there is nothing better than the track that just cracks you up. Pure joy.
The most under-appreciated running song is Saul Williams’s version of “Sunday Bloody Sunday.” It’s the same great, recognizable drum as the U2 version, but with a much harder, more aggressive edge. (Also, “List of Demands” by Saul Williams might be the best running/workout song of all time.)
I’m a spinning instructor and an electronic music aficionado, so I’ve given a fair bit of thought to which throbbing songs will best fit with my classes while still being somewhat interesting. Dubstep works well for spin, i.e. trying to time hard efforts to “the drop.” A couple really fun and motivational songs I always turn to on my playlists:
“Exterminate, Annihilate, Destroy” by Rotersand is probably the weirdest song on my running playlist. It’s damn effective, because it has the pace of a march sped up for the purposes of being an EBM [electronic body music] track. It also samples Dr. Who for the duration. So it’s an EBM Dalek march, but it’s wonderful.
M83’s “Oblivion” is my weirdest, greatest pick for your running playlist. It’s from a science fiction movie of the same name that didn’t do very well critically or at the box office, but the track makes up for all of that. There’s M83 creating these immense walls of sound while Susanne Sundfør’s vocals crash against massive drums and a swelling orchestral accompaniment. As it ends, it suddenly vanishes into a tranquil piano outro.
Understanding the events of 1979 is crucial for those trying to figure out a better future for today’s Middle East.
What happened to us? The question haunts us in the Arab and Muslim world. We repeat it like a mantra. You will hear it from Iran to Syria, from Saudi Arabia to Pakistan, and in my own country, Lebanon. For us, the past is a different country, one not mired in the horrors of sectarian killings. It is a more vibrant place, without the crushing intolerance of religious zealots and seemingly endless, amorphous wars.
Though the past had coups and wars too, they were contained in time and space, and the future still held much promise. What happened to us? The question may not occur to those too young to remember a different world, whose parents did not tell them of a youth spent reciting poetry in Peshawar, debating Marxism in the bars of Beirut, or riding bicycles on the banks of the Tigris in Baghdad. The question may surprise those in the West who assume that the extremism and bloodletting of today have always been the norm.
The newly revealed comment is one of the former president’s strongest known critiques of his successor.
Barack Obama’s private assessment of Donald Trump: He’s a fascist.
That is, at least, according to Tim Kaine, the Democratic senator from Virginia and a friend of the former president. In a video clip from October 2016, Kaine is seen relaying Obama’s comment to Hillary Clinton. The footage is part of the new Hulu documentary Hillary, which was obtained by The Atlantic ahead of its premiere at the Sundance Film Festival today.
“President Obama called me last night and said, ‘Tim, this is no time to be a purist,’” Kaine tells his then–running mate. “‘You’ve got to keep a fascist out of the White House.’”
Clinton replies: “I echo that sentiment.”
A representative for Obama declined to comment on the conversation. A representative for Kaine did not respond to requests for comment.
Mike Pompeo’s dig about not finding Ukraine on a map undermines his credibility.
Yesterday, Secretary of State Mike Pompeo bungled an interview with NPR’s Mary Louise Kelly and stormed out instead of answering her last questions. (You can listen to their exchange here.) Then Pompeo’s aide made one of the most desirable entreaties a journalist can hear after an interview: Would Kelly speak with the secretary again, and leave her recording device behind? This invitation is always attractive, because it often means that the interview subject is emotional, bereft of judgment, and ready to say something even he knows he shouldn’t say. According to Kelly, who is a contributor to The Atlantic, Pompeo berated her, used profanity, and at one point directed his aide to get a map. He challenged Kelly to identify Ukraine, the largest country wholly within Europe. Pompeo issued a statement today all but confirming Kelly’s account.
A writer who’s afraid to tell people what they don’t want to hear has chosen the wrong trade.
Christopher Hitchens and I weren’t close friends—I was a lesser planet in his orbit. Every so often I felt the rhetorical lash of his published words on my back, and then I tried to make him feel mine, and you can guess who got the better of those exchanges. They usually had to do with Iraq. We both supported the war, but I supported it in an ambivalent, liberal way, while Christopher supported it in a heroic, revolutionary way. The more I saw of the war, the deeper my despair became. Christopher made it a point of honor never to call retreat.
I know of many friendships that ended in those years, including a few of mine. But something strange happened between Christopher and me. For every time he called me a split-the-difference bien-pensant, and for every time I called him a pseudo–Lord Byron, we seemed to become better friends. We would say rude things about each other in print, and then we’d exchange tentatively regretful emails without yielding an inch, and then we’d meet for a drink and the whole thing would go unmentioned, and somehow there was more warmth between us than before. Exchanging barbs was a way of bonding with Christopher.
He understands men in America better than most people do. The rest of the country should start paying attention.
Every morning of my Joe Rogan experience began the same way Joe Rogan begins his: with the mushroom coffee.
It’s a pour-and-stir powder made from lion’s mane and chaga—“two rock-star mushrooms,” according to Joe—and it’s made by a company called Four Sigmatic, a regular advertiser on Joe Rogan’s wildly popular podcast. As a coffee lover, the mere existence of mushroom coffee offends me. (“I’ll have your most delicious thing, made from your least delicious things, please,” a friend said, scornfully.) But it tastes fine, and even better after another cup of actual coffee.
Next, I took several vitamin supplements from a company called Onnit, whose core philosophy is “total human optimization” and whose website sells all kinds of wicked-cool fitness gear—a Darth Vader kettlebell ($199.95); a 50-foot roll of two-and-a-half-inch-thick battle rope ($249.95); a 25-pound quad mace ($147.95), which according to one fitness-equipment site is a weapon dating back to 11th-century Persia. I stuck to the health products, though, because you know how it goes—you buy one quad mace and soon your apartment is filled with them. I stirred a packet of Onnit Gut Health powder into my mushroom coffee, then downed an enormous pair of Alpha Brain pills, filled with nootropics to help with “memory and focus.”
In the past half century, the number of bathrooms per American has doubled.
American exceptionalism takes on many forms, both flattering (our immigrant-founded start-ups) and unfortunate (our health-care prices). But perhaps no part of life in the United States is more unambiguously exceptional than this: We have so many damn bathrooms.
Ten years after a seminal paper laid bare psychology’s white, affluent, Western skew, not much has changed.
When Cristine Legare gives talks to groups of psychology researchers, she likes to take a quick poll of the room. How many of them, she asks, consider themselves to be “Western ethnopsychologists?” The question does not go over well. “They’re like, ‘What?’” says Legare, a developmental psychologist at the University of Texas at Austin. “It doesn’t resonate at all.”
That confusion is precisely Legare’s point. For decades, the overwhelming majority of psychology research has examined people who live in the United States and other affluent Western countries. By focusing on such a narrow population, Legare and other critics argue, psychology researchers have—mostly unwittingly—presented a skewed view of the human mind.
While public attention is focused on the Senate, the president is making controversial policy moves.
“You never want a serious crisis to go to waste,” Rahm Emanuel, the incoming White House chief of staff, said days after Barack Obama was elected in 2008. Emanuel’s point was that a moment of cataclysm meant a chance for big structural reforms that wouldn’t be possible in moments of calm.
But there are other ways to take advantage of a crisis, as the Trump administration is demonstrating right now. Even as the president’s impeachment trial moves forward, the White House is acting aggressively on a range of policy proposals that are politically, legally, or morally suspect, wagering—probably correctly—that the press and the people will mostly overlook them amid the drama in the Senate.
It isn’t, as has sometimes been claimed, that Trump wanted to be impeached, or that the impeachment is somehow a brilliant Machiavellian distraction he has orchestrated. The president has made clear that he wants the trial over as quickly as possible. But as long as it’s going on, the White House is using the crisis as best as it can.
Facebook has traded moral accountability for commercial gain, the former secretary of state tells The Atlantic. Its founder’s reasoning is “Trumpian.”
In the first great meme war, when the foot soldiers of 4chan took to anonymous message boards in a burn-it-down effort to send Donald Trump to the White House, Hillary Clinton had no idea what was crawling out of the depths of the web and replicating across the internet.
The ordinary nastiness she’d come to expect from a lifetime in politics had warped into something much darker and more nihilistic, all fueled by misogyny, conspiracy theories, and other lies distributed to appear true. “I didn’t really know this was happening to me,” she told Jeffrey Goldberg, The Atlantic’s editor in chief, at an event hosted by Emerson Collective at the Sundance Film Festival today. (Emerson owns a majority stake in The Atlantic.) “We did not understand what was going on below the radar screen.”
The “crazy worms” remaking forests aren’t your friendly neighborhood garden worms. Then again, those aren’t so great either.
On a sweltering July day, I follow Annise Dobson down an overgrown path into the heart of Seton Falls Park. It’s a splotch of unruly forest, surrounded by the clamoring streets and cramped rowhouses of the Bronx. Broken glass, food wrappers, and condoms litter the ground. But Dobson, bounding ahead in khaki hiking pants with her blond ponytail swinging, appears unfazed. As I quickly learn, neither trash nor oppressive humidity nor ecological catastrophe can dampen her ample enthusiasm.
At the bottom of the hill, Dobson veers off the trail and stops in a shady clearing. This seems like a promising spot. She kicks away the dead oak leaves and tosses a square frame made of PVC pipe onto the damp earth. Then she unscrews a milk jug. It holds a pale yellow slurry of mustard powder and water that’s completely benign—unless you’re a worm.