Notes

First Drafts, Conversations, Stories in Progress

The Most Transformative Cover Songs
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Readers recommend their favorites. Submit your own—especially if the cover goes across genres—via hello@theatlantic.com, and please include a short description of why you love it so much.

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Track of the Day: 'Cry Me a River' by Joe Cocker

The latest reader submission via hello@:

One of my favorite cover songs is also an old standard, “Cry Me a River.” Julie London made it famous, I believe, and Ella did a terrific job, in her prime. Somehow, though, only a few years later, the late, great Joe Cocker saw a spark of soul in this song and made a gospel-tinged, blues-shouter version for the ages. Mad Dogs and Englishmen, indeed.

(Track of the Day archive here. Access it through Spotify here.)

A reader gets the new series going with a classic:

In terms of covers that are completely different from the original yet stand on their own as classics, I submit for your approval: “Try A Little Tenderness”—Otis Redding’s version. A lot of folks don’t know that the song was originally an old show tune. Bing Crosby did a version.

Which sounds like it’s from a different planet compared to Redding’s soulful 1966 version, as does a subsequent one from Engelbert Humperdinck. An orchestral version was used for the opening credits of Dr. Strangelove to serenade the mating ritual of mid-flight refueling.

On the flip side, one of the most famous songs of the 1960s, Aretha Franklin’s “Respect,” was originally Redding’s. She also covered “Try a Little Tenderness.”

(Track of the Day archive here. Access it through Spotify here. Submit via hello@)

A reader writes:

I love all kinds of music, but I particularly love covers. There’s the “what the heck?” cover—e.g., who would have guessed that U2 are huge ABBA fans? There are all those millions of tribute albums (a particularly good one is “I’m Your Fan: The Songs of Leonard Cohen”). But my favorite type of cover is when something completely new is done with the song. Probably the most famous example is Jimi Hendrix’s version of “All Along the Watchtower,” which so improved on Bob Dylan’s original that even he does it “Jimi’s way” now.

But my favorite example of a song being reinterpreted is “Superstar.” The song was written by Bonnie Bramlett (of Delaney & Bonnie fame) and Leon Russel and was initially done by Rita Coolidge way back in 1970. It’s an emotional telling of a women in love with a man who’s seemingly forgotten her on his climb to rock stardom. It’s been covered many times since then (I personally own five versions), most famously by The Carpenters. But my favorite cover is by Sonic Youth, who turn the song into the creepy tale of a stalker.

Embedded above. My favorite mini-cover of “Superstar” is from Girl Talk, a mashup DJ and one of my all-time favorite artists, who sampled the song on “Like This,” the seventh track off Feed the Animals (starting at the 2:07 mark).

So what’s your favorite, most inspired cover story that veers significantly from the original? Let me know at hello@theatlantic.com. Update from our reader above:

Chris, you name checked Girl Talk!!!