Inspired by our March 2016 cover story by James Fallows, “How America Is Putting Itself Back Together,” readers share their best aerial photos from across the U.S. Submit your own via email@example.com. (Please provide the location, the story behind the photo, and the largest file size you have. Horizontal photos with a bit of the plane visible—a wing, the edge of a window—are ideal. Terms and Conditions here.)
I took this photo shortly after departure from New Orleans on January 11. The lower part of the photo shows the Bonnet Carré Spillway, which had just been opened to divert excess water from the Mississippi River to Lake Pontchartrain. I was returning from the American Meteorological Society’s annual meeting, and it seemed fitting to have a chance to observe this rare event. I was struck by how many public agencies’ quiet, routine efforts resulted in an accurate forecast of water levels so that action could be taken to protect the citizens of New Orleans.
When opened, the control structure allows overflow volume to flow into Lake Pontchartrain. The lake’s opening to the gulf is sufficient to absorb and dissipate any conceivable volume of flood flow. Thus, the flood surcharge portion of the water from the Mississippi is divided between the main river and the diversion channel; with the surcharge bypassing the New Orleans metropolitan area, resulting in the Mississippi being lower (through that area) than it could have been; and reducing the stress on the area’s levees that line the river.
The spillway was built in response to the Great Mississippi Flood of 1927 that inundated much of the Mississippi River basin. It was first opened during the flood of 1937, and ten times thereafter through 2016 to lower river stages at New Orleans. The most recent opening began January 10, 2016, when river levels in New Orleans were predicted to approach the flood stage of 17 feet (5.2 m).
But Amy Wold, writing in The Advocate, Louisiana’s largest daily newspaper, calls the effects of the spillway a “mixed bag”:
In addition to sediment, the colder and fresher river water also carries nutrients from upriver agricultural practices, carries the possibility of invasive species and has at least the temporary effect of moving out certain species of fish that want more-brackish water. At the same time, the additional nutrients can provide a base for better growth of other species, the cold water may mean the impact on oysters will be lessened and nutrient blooms apparent in previous spillway operations may be delayed, if they happen at all. Only time will tell, because a January opening of the spillway hasn’t happened since 1937. Although not unprecedented, the early opening could mean different effects will be seen in the coming months.
Our reader captured this view “flying home from Shanghai in 2013, and I was blown away in seeing just how frozen Lake Erie could get in the dead of winter.” Frozen enough to walk clear across it, as Dave Voelker did in 1978:
To a novice, a winter walk across frozen Lake Erie to Canada is almost certain death. To a person trained in wilderness skills, it’s just a calculated risk— an uncommon sort of trip that might seem foolhardy at first impression, but which becomes more and more feasible with every map, depth chart and weather report that you study. At its narrowest, the lake’s width is only 30 miles — a comfortable two-day jaunt if you’re in shape. Most years, its surface freezes solid all the way across, to a thickness that will usually support a party of hikers. The biggest danger is that of exposure, since the barren surface offers no escape from the malevolent elements of winter, especially wind. Solve that problem, and you’ve got the whole thing licked.
When Lake Erie isn’t entirely frozen over, its icy waves often create, well, eerie sculptures against the shore. Recently, a whole car was encased in ice.
Often referred to as Wisconsin’s second oldest city, Prairie du Chien was established as a European settlement by French voyageurs in the late seventeenth century. The city is located near the confluence of the Wisconsin and Mississippi Rivers, a strategic point along the Fox-Wisconsin Waterway that connects the Great Lakes with the Mississippi.
Early French visitors to the site found it occupied by a group of Fox Indians led by a chief whose name Alim meant Chien in French (Dog in English). The French explorers named the location Prairie du Chien, French for “Dog’s Prairie.” The American anglicized pronunciation is “prairie doo sheen.”
My wife Deb took this photo out the right window of our little propeller airplane. It was on Valentine’s Day 2015, one year ago this week, as we traveled from Ajo, Arizona, to San Bernardino, California, on a reporting trip.
The summit of Mount San Gorgonio, with a bare covering of snow during California’s long drought, is just over 11,500 feet high. At the time, our plane was at 8,500 feet (though we could have been climbing to 10,500) and was about ten miles away from the peak. We were in the middle of the Banning Pass, with San Gorgonio and the San Bernardino mountains to the north and Mount San Jacinto to the south.
This pass can be turbulent, unpleasant, and even risky when the winds are strong. On those days, small-plane pilots avoid it and take a roundabout route via Palmdale and the (broader, less bumpy) Cajon Pass. But winds were smooth enough that day. The only real aviation challenge was the big, fat No Fly zone right over Palm Springs airport in the middle of the pass. Air Force One had just landed not long before we passed by; Obama was spending the night there, reportedly for a weekend round of golf.
And by purest serendipity, what you’re seeing in this shot is the very same Mount San Gorgonio you see in the elegant airliner shot by reader Marco Pallotti, in the preceding note that Chris posted yesterday. This gives you an idea of how much higher airliners fly than little propeller planes — and also what the Banning Pass looks like from above. It’s the gap you see between the foreground and background mountains in Pallotti’s shot.
For our new photo series, reader Marco Pallotti happened to send a view captured on my 29th birthday—May 3, 2011—on a flight from Newark to Los Angeles:
In the foreground is snow-capped San Gorgonio Mountain, in the San Bernardino National Forest, with Mt. San Jacinto in the distance. In the valley between the two peaks is the town of Cabazon, and on the far left is the western edge of the Coachella Valley.
Fun facts about that forest: It was the filming location for Daniel Boone (1936) and Paint Your Wagon (1969). That area of Southern California also features prominently in Jim’s new cover story, specifically the nearby cities of San Bernardino and Redlands, his hometown:
When I was growing up [in Redlands], in the Baby Boom era, its economy rested on the orange-growing business, the neighboring Norton Air Force Base, and a medical community serving the nearby desert area. Now the orange groves are nearly gone, the Air Force base is closed, and the desert communities have their own doctors—but the city has been transformed by the presence of a tech firm that by all rights should be in some bigger, fancier place. This company, Esri, is a world leader in geographic information systems, or GIS. These are essentially the industrial-strength counterparts to Google Earth, which governments and companies around the world use for everything from tracking pothole repairs to monitoring climate change.
We’d like to concentrate on collecting aerial shots only — from small planes and airliners, from helicopters and airplanes, from altitudes high enough to reveal large-scale geographic patterns and low enough to display surprising neighborhood or city-planning details. […] Please send any relevant photos, with identifying info—when, where, how, and what’s interesting about what we’re looking at.
A reader and former follower of the Dish, Ann Fisher, jumps at the idea:
This one is above the Great Salt Lake, taken November 2012:
You can tell I’m pretty excited about this. I have more, all from commercial flights.
Two more of Ann’s photos are seen in the diptych above. If you have a good aerial view you’d like share, please email firstname.lastname@example.org. (Photos with a small part of the plane visible—a wing, a propellor, the edge of a window—are preferable, and please send the largest file size you have.)
Caught between a brutal meritocracy and a radical new progressivism, a parent tries to do right by his children while navigating New York City’s schools.
To be a parent is to be compromised.You pledge allegiance to justice for all, you swear that private attachments can rhyme with the public good, but when the choice comes down to your child or an abstraction—even the well-being of children you don’t know—you’ll betray your principles to the fierce unfairness of love. Then life takes revenge on the conceit that your child’s fate lies in your hands at all. The organized pathologies of adults, including yours—sometimes known as politics—find a way to infect the world of children. Only they can save themselves.
Our son underwent his first school interview soon after turning 2. He’d been using words for about a year. An admissions officer at a private school with brand-new, beautifully and sustainably constructed art and dance studios gave him a piece of paper and crayons. While she questioned my wife and me about our work, our son drew a yellow circle over a green squiggle.
Accepting the reality about the president’s disordered personality is important—even essential.
During the 2016 campaign, I received a phone call from an influential political journalist and author, who was soliciting my thoughts on Donald Trump. Trump’s rise in the Republican Party was still something of a shock, and he wanted to know the things I felt he should keep in mind as he went about the task of covering Trump.
At the top of my list: Talk to psychologists and psychiatrists about the state of Trump’s mental health, since I considered that to be the most important thing when it came to understanding him. It was Trump’s Rosetta stone.
I wasn’t shy about making the same case publicly. During a July 14, 2016, appearance on C-SPAN’s Washington Journal, for example, I responded to a pro-Trump caller who was upset that I opposed Trump despite my having been a Republican for my entire adult life and having served in the Reagan and George H. W. Bush administrations and the George W. Bush White House.
Protests there have demonstrated the enduring appeal of American values and power. But can Washington live up to that promise?
Hong Kong’s pro-democracy protest movement, the David to China’s Goliath, is calling out to the land of the free for help—and help may be on the way. The question is whether it will be substantial enough and fast enough, and have the support of the president of the United States.
For months now, a small but zealous contingent of American flag-waving protesters has been a fixture of the huge demonstrations in Hong Kong, including today, when dozens of people again carried the U.S. flag during a rally held in defiance of a police ban. As the struggle to resist China’s tightening grip on the semiautonomous region has intensified, protesters have appealed to the United States in larger numbers and with greater urgency. Last weekend, tens of thousands of protesters marched near the U.S. consulate in the territory, singing “The Star-Spangled Banner” and carrying signs that urged President Donald Trump to “liberate Hong Kong.” Perhaps more realistically, they also issued a practical plea: for Congress to pass the Hong Kong Human Rights and Democracy Act, which would grant the United States further means to defend the territory’s freedoms and autonomy.
It’s preposterous for Lana Del Rey and other musicians to deny that they’re playing characters. But in this pop landscape, that denial might be necessary.
It’s always been intuitive to think of Lana Del Rey as a “character”: some fiction combining Jessica Rabbit and Joan Didion, drawn up around 2010 by the real human Lizzy Grant. And it’s always been wrong, supposedly. “Never had a persona,” Del Rey tweeted earlier this month. “Never needed one. Never will.”
That statement came amid Del Rey’s diss of an essay by the NPR music critic Ann Powers. In more than 3,500 careful words about the new album Norman Fucking Rockwell, Powers had saluted Del Rey’s use of pastiche, cliché, and, yes, persona. She also said that some of the songwriting felt “uncooked.” Del Rey didn’t like that. “I don’t even relate to one observation you made about the music,” she tweeted at Powers. “There’s nothing uncooked about me. To write about me is nothing like it is to be with me.” Another tweet: “So don’t call yourself a fan like you did in the article and don’t count your editor one either – I may never never have made bold political or cultural statements before- because my gift is the warmth I live my life with and the self reflection I share generously.”
Americans could learn from how drastically German society has moved away from the nadir of its history.
Recently, a visitor to a southern plantation wrote a viral tweet complaining about a guide who forced her to spend her vacation hearing about slavery. Some tourists at Thomas Jefferson’s Monticello and Mount Vernon, The Washington Post reported last week, are posting negative reviews on TripAdvisor and elsewhere because of the barest mention of the African Americans who were forced to work at the third president’s home, creating much of the wealth that made the glories of Monticello possible.
As an American Jew from the South who has lived in Berlin for decades, I’ve been asked whether Americans, in contemplating a plantation home, Confederate statue, or some other monument to our nation’s slave past, should emulate the way Germans treat Nazi memorials. To which I respond: There aren’t any. Germany has no monuments that celebrate the Nazi armed forces, however many grandfathers fought or fell for them. Instead, it has a dizzying number and variety of monuments to the victims of its murderous racism.
For many participants, the program that provides health care to millions of low-income Americans isn’t free. It’s a loan. And the government expects to be repaid.
The folded American flag from her father’s military funeral is displayed on the mantel in Tawanda Rhodes’s living room. Joseph Victorian, a descendant of Creole slaves, had enlisted in the Army 10 days after learning that the United States was going to war with Korea.
After he was wounded in combat, Joseph was stationed at a military base in Massachusetts. There he met and fell in love with Edna Smith-Rhodes, a young woman who had recently moved to Boston from North Carolina. The couple started a family and eventually settled in the brick towers of the Columbia Point housing project. Joseph took a welding job at a shipyard and pressed laundry on the side; later, Edna would put her southern cooking skills to use in a school cafeteria. In 1979, Joseph and Edna bought a house in Boston’s Dorchester neighborhood for $24,000.
For decades, a landmark brain study fed speculation about whether we control our own actions. It seems to have made a classic mistake.
The death of free will began with thousands of finger taps. In 1964, two German scientists monitored the electrical activity of a dozen people’s brains. Each day for several months, volunteers came into the scientists’ lab at the University of Freiburg to get wires fixed to their scalp from a showerhead-like contraption overhead. The participants sat in a chair, tucked neatly in a metal tollbooth, with only one task: to flex a finger on their right hand at whatever irregular intervals pleased them, over and over, up to 500 times a visit.
The purpose of this experiment was to search for signals in the participants’ brains that preceded each finger tap. At the time, researchers knew how to measure brain activity that occurred in response to events out in the world—when a person hears a song, for instance, or looks at a photograph—but no one had figured out how to isolate the signs of someone’s brain actually initiating an action.
Twenty-five years ago, Friends anticipated a time that would both romanticize and mistrust the culture of work.
In an episode in the fourthseason of Friends, Monica, Rachel, Chandler, and Joey find themselves engaged in an argument: Chandler and Joey, they claim, know Monica and Rachel much better than the women know them. Before long, the debate devolves into a game-show-style quiz. The host: Ross, who delights in the job. The topic: the minutiae of the friends’ lives. The stakes (which have become, through a series of predictably zany events, incredibly high): If the women lose the game, they have agreed, they will trade apartments with Chandler and Joey.
The correct answers quickly proliferate; as friends who are basically family, these people know each other’s stories really, really well. “Joey had an imaginary childhood friend. His name was …?” / “Maurice!” / “Correct. His profession was …?” / “Space cowboy!”; “According to Chandler, what phenomenon ‘scares the bejeezus’ out of him?” / “Michael Flatley, Lord of the Dance!”; “Rachel claims this is her favorite movie …” / “Dangerous Liaisons!” / “Correct. Her actual favorite movie is …?” / “Weekend at Bernie’s!”
Kelley Williams-Bolar, like Felicity Huffman, was punished for trying to get her children a better education.
A few months ago, Kelley Williams-Bolar started getting phone calls in the middle of the night, telling her she was on the news again. People were tagging her on Facebook and mentioning her on Twitter. “Honestly, I didn’t put the two together! I didn’t think other people would put the two together!” she told me this week.
The “two together” are Williams-Bolar and Felicity Huffman. Both are committed mothers of daughters. Both are working women. Both have become national-media sensations. Both are accused of committing crimes to obtain a better education for their children.
But Williams-Bolar and Huffman are not so much analogues as funhouse-mirror versions of each other, their stories of justice and injustice similar and yet distorted and converse. Huffman, who starred on Desperate Housewives, has admitted to paying $15,000 for a proctor to correct her daughter’s standardized-test scores. She was swept up in the “Varsity Blues” investigation into corruption, bribery, and fraud in elite-college admissions, and today she received a two-week sentence. A decade ago, Williams-Bolar was a single, black mother living in public housing. In 2011, the state of Ohio convicted and imprisoned her for falsifying her address to get her kids into better public schools. At Huffman’s sentencing hearing, a federal prosecutor cited Williams-Bolar’s case, calling prison the “great leveler.”
Thirty-three years ago, a series of explosions destroyed Chernobyl’s reactor No. 4, starting a blaze that burned for 10 days and sent a plume of radiation around the world—and that was just the beginning of the disaster.
As the HBO miniseries Chernobyl comes to a conclusion tonight, viewers will have been taken on a dramatic trip back to 1986, experiencing the horror and dread unleashed by the world’s worst-ever civil nuclear disaster. Thirty-three years ago, on April 26, 1986, a series of explosions destroyed Chernobyl’s reactor No. 4, and several hundred staff and firefighters tackled a blaze that burned for 10 days and sent a plume of radiation around the world. More than 50 reactor and emergency workers were killed in the immediate aftermath. The workers and emergency responders were not the only ones to risk their lives—a handful of photographers went to the scene as well, managing to capture images of some of the chaos and acts of heroism that took place in the weeks and months that followed. (For current images of Chernobyl and the surrounding exclusion zone, be sure to also see Visiting Chernobyl 32 Years After the Disaster, from 2018.)