Inspired by our March 2016 cover story by James Fallows, “How America Is Putting Itself Back Together,” readers share their best aerial photos from across the U.S. Submit your own via email@example.com. (Please provide the location, the story behind the photo, and the largest file size you have. Horizontal photos with a bit of the plane visible—a wing, the edge of a window—are ideal. Terms and Conditions here.)
Often referred to as Wisconsin’s second oldest city, Prairie du Chien was established as a European settlement by French voyageurs in the late seventeenth century. The city is located near the confluence of the Wisconsin and Mississippi Rivers, a strategic point along the Fox-Wisconsin Waterway that connects the Great Lakes with the Mississippi.
Early French visitors to the site found it occupied by a group of Fox Indians led by a chief whose name Alim meant Chien in French (Dog in English). The French explorers named the location Prairie du Chien, French for “Dog’s Prairie.” The American anglicized pronunciation is “prairie doo sheen.”
My wife Deb took this photo out the right window of our little propeller airplane. It was on Valentine’s Day 2015, one year ago this week, as we traveled from Ajo, Arizona, to San Bernardino, California, on a reporting trip.
The summit of Mount San Gorgonio, with a bare covering of snow during California’s long drought, is just over 11,500 feet high. At the time, our plane was at 8,500 feet (though we could have been climbing to 10,500) and was about ten miles away from the peak. We were in the middle of the Banning Pass, with San Gorgonio and the San Bernardino mountains to the north and Mount San Jacinto to the south.
This pass can be turbulent, unpleasant, and even risky when the winds are strong. On those days, small-plane pilots avoid it and take a roundabout route via Palmdale and the (broader, less bumpy) Cajon Pass. But winds were smooth enough that day. The only real aviation challenge was the big, fat No Fly zone right over Palm Springs airport in the middle of the pass. Air Force One had just landed not long before we passed by; Obama was spending the night there, reportedly for a weekend round of golf.
And by purest serendipity, what you’re seeing in this shot is the very same Mount San Gorgonio you see in the elegant airliner shot by reader Marco Pallotti, in the preceding note that Chris posted yesterday. This gives you an idea of how much higher airliners fly than little propeller planes — and also what the Banning Pass looks like from above. It’s the gap you see between the foreground and background mountains in Pallotti’s shot.
For our new photo series, reader Marco Pallotti happened to send a view captured on my 29th birthday—May 3, 2011—on a flight from Newark to Los Angeles:
In the foreground is snow-capped San Gorgonio Mountain, in the San Bernardino National Forest, with Mt. San Jacinto in the distance. In the valley between the two peaks is the town of Cabazon, and on the far left is the western edge of the Coachella Valley.
Fun facts about that forest: It was the filming location for Daniel Boone (1936) and Paint Your Wagon (1969). That area of Southern California also features prominently in Jim’s new cover story, specifically the nearby cities of San Bernardino and Redlands, his hometown:
When I was growing up [in Redlands], in the Baby Boom era, its economy rested on the orange-growing business, the neighboring Norton Air Force Base, and a medical community serving the nearby desert area. Now the orange groves are nearly gone, the Air Force base is closed, and the desert communities have their own doctors—but the city has been transformed by the presence of a tech firm that by all rights should be in some bigger, fancier place. This company, Esri, is a world leader in geographic information systems, or GIS. These are essentially the industrial-strength counterparts to Google Earth, which governments and companies around the world use for everything from tracking pothole repairs to monitoring climate change.
We’d like to concentrate on collecting aerial shots only — from small planes and airliners, from helicopters and airplanes, from altitudes high enough to reveal large-scale geographic patterns and low enough to display surprising neighborhood or city-planning details. […] Please send any relevant photos, with identifying info—when, where, how, and what’s interesting about what we’re looking at.
A reader and former follower of the Dish, Ann Fisher, jumps at the idea:
This one is above the Great Salt Lake, taken November 2012:
You can tell I’m pretty excited about this. I have more, all from commercial flights.
Two more of Ann’s photos are seen in the diptych above. If you have a good aerial view you’d like share, please email firstname.lastname@example.org. (Photos with a small part of the plane visible—a wing, a propellor, the edge of a window—are preferable, and please send the largest file size you have.)
To be black and conscious of anti-black racism is to stare into the mirror of your own extinction.
It happened three months before the lynching of Isadora Moreley in Selma, Alabama, and two months before the lynching of Sidney Randolph near Rockville, Maryland.
On May 19, 1896, TheNew York Times allocated a single sentence on page three to reporting the U.S. Supreme Court’s Plessy v. Ferguson decision. Constitutionalizing Jim Crow hardly made news in 1896. There was no there there. Americans already knew that equal rights had been lynched; Plessy was just the silently staged funeral.
Another racial text—published by the nation’s premier social-science organization, the American Economic Association, and classified by the historian Evelynn Hammonds as “one of the most influential documents in social science at the turn of the 20th century”—elicited more shock in 1896.
Violent demonstrations across the United States bring out a particular weakness in the 45th president.
Presidents live within a protective cocoon built and continually fortified for one purpose: keeping them alive. But inside the White House compound these days, Donald Trump seems rattled by what’s transpiring outside the windows of his historic residence.
When Marine One deposited Trump on the South Lawn last night after his day trip to Florida, the president walked toward the entrance of the White House amid a cacophony of car horns and chanting protesters who flung themselves against barricades in an hours-long clash with police. Trump hasn’t seen demonstrations on this kind since he assumed office in January 2017. Protesters breached an outer checkpoint at 17th Street and Pennsylvania Avenue at one point yesterday afternoon. All day long, cars streamed toward the White House, with passengers leaning out the windows and chanting, “Black lives matter!” As one car passed a White House gate at 15th and E Streets, a group of men shouted at the guards: “Fuck you.” On sidewalks littered with soiled masks and empty water bottles, demonstrators pumped their fists in solidarity and demanded respect for African Americans—a community whom Trump says he “loves.”
As people start reopening their lives, they’re hearing little practical guidance about the dilemmas they encounter.
In the midst of the coronavirus pandemic, the government of the Netherlands made an unusual suggestion to single people: Get a quarantine seksbuddy. Many individuals who aren’t in a relationship still need physical intimacy, and having one consistent sex partner is much less likely to promote the spread of the coronavirus than having multiple partners is. Dutch public-health officials were simply acknowledging these realities.
Yet one can hardly imagine the Centers for Disease Control and Prevention making such a recommendation—and not just because American health agencies are less relaxed about sexual matters than their Dutch counterparts are. It’s also because, even as states begin to ease social-distancing rules, Americans are receiving very little help in resolving any of the countless practical dilemmas they are encountering every day.
Patriotism isn’t just the blind love of our flag. It is the work we do to improve our country for every American.
I immigrated to America in 1968. I had dreamed about coming here from the moment I saw images of the United States in elementary school. To me, the photos and film of towering skyscrapers, huge bridges, wide freeways, and Hollywood represented a land of limitless opportunity. I decided that this was where I belonged.
America was in the middle of a race to the moon, and at the end of 1968, we watched brave astronauts launch into the skies above in the first manned Apollo flight. Their mission seemed to prove that this was truly a country without limits.
But in 1968, as a new immigrant, I was shocked to learn that the country I had dreamed about since childhood wasn’t perfect. It wasn’t even close.
Comparing 2020 to 1968 offers some disquieting lessons for the present.
The most traumatic year in modern American history was 1968. But what is now the second-most traumatic year, 2020, still has seven months to run. The comparison provides little comfort, and several reasons for concern.
How could any year be worse than the current one, in which more Americans are out of work than in the Great Depression, and more people are needlessly dying than in several of America’s wars combined?
How could the domestic order seem more frayed and failing than it has in the past week—when the filmed record of a white Minneapolis police officer calmly killing a black man, George Floyd, as other officers just as calmly looked on, led naturally to protests? Protests in some cities decayed into looting or destruction. Then in many cities, police and troopers kitted out as if for Baghdad circa 2003 widened the violence and hastened the decay with strong-arm tactics sure to generate new protests.
The country should expect a spike in less than two weeks, public-health experts say.
The wave of mass protests across the United States will almost certainly set off new chains of infection for the novel coronavirus, experts say.
The virus seems to spread the most when people yell (such as to chant a slogan), sneeze (to expel pepper spray), or cough (after inhaling tear gas). It is transmitted most efficiently in crowds and large gatherings, and research has found that just a few contagious people can infect hundreds of susceptible people around them. The virus can spread especially easily in small, cramped places, such as police vans and jails.
As such, for the past several days, the virus has found new environments in which to spread across the United States. At least 75 cities have seen widespread demonstrations and social unrest as Americans have gathered to protest systemic racism and the killing of George Floyd, the black man who died last week under the knee of a Minneapolis police officer. Dozens of cities imposed curfews over the weekend amid widespread looting. It has been among the most turbulent moments of societal upheaval in the U.S. since the assassination of Martin Luther King Jr. in 1968.
In that moment, Ohio Representative Joyce Beatty said, she was just another black American attacked while protesting injustice.
Joyce Beatty had never been pepper-sprayed before.
Growing up in Dayton during the 1960s, the 70-year-old Ohio congresswoman remembers having to use a different water fountain from the white people in her community, and having to swim in a different public pool. Throughout her life and political career, which began in the state legislature in the late ’90s, she’d taken part in many civil-rights demonstrations.
But the pepper spray was new to her. It “shuts you down,” she told me in an interview this morning. “It gets into your lungs. You’re coughing profusely. You can’t see.”
It happened yesterday afternoon, when Beatty joined a group of demonstrators in downtown Columbus protesting police violence following the killing of George Floyd, a black man who died Monday after a Minneapolis police officer knelt on his neck for almost nine minutes. In videos of the protest now circulating on Twitter, Beatty, with her gray hair, red mask, and hot-pink sweatshirt tied around her small waist, is easy to spot. Standing in front of a Pizza Rustica, she can be heard urging her fellow protesters not to taunt the police. “Don’t excite them!” she yells, again and again. For a few seconds, the scene seems as if it could de-escalate. Then, suddenly, an officer throws a protester to the ground, and any semblance of order is lost. The crowd surges forward, with Beatty at the front, waving her arms. The officers begin to pepper-spray people indiscriminately; the crowd disperses, screaming; and Beatty is led away by two colleagues.
We will need a comprehensive strategy to reduce the sort of interactions that can lead to more infections.
Updated at 12:08 a.m. ET on May 26, 2020.
COVID-19 has mounted a sustained attack on public life, especially indoor life. Many of the largest super-spreader events took place inside—at a church in South Korea, an auditorium in France, a conference in Massachusetts. The danger of the indoors is more than anecdotal. A Hong Kong paper awaiting peer review found that of 7,324 documented cases in China, only one outbreak occurred outside—during a conversation among several men in a small village. The risk of infection indoors is almost 19 times higher than in open-air environments, according to another study from researchers in Japan.
Appropriately, just about every public indoor space in America has been shut down or, in the case of essential businesses such as grocers, adapted for social-distancing restrictions. These closures have been economically ruinous, transforming large swaths of urban and suburban life into a morbid line of darkened windows.
Two hundred fifty years of slavery. Ninety years of Jim Crow. Sixty years of separate but equal. Thirty-five years of racist housing policy. Until we reckon with our compounding moral debts, America will never be whole.
Clyde Ross was born in 1923, the seventh of 13 children, near Clarksdale, Mississippi, the home of the blues. Ross’s parents owned and farmed a 40-acre tract of land, flush with cows, hogs, and mules. Ross’s mother would drive to Clarksdale to do her shopping in a horse and buggy, in which she invested all the pride one might place in a Cadillac. The family owned another horse, with a red coat, which they gave to Clyde. The Ross family wanted for little, save that which all black families in the Deep South then desperately desired—the protection of the law.
In the 1920s, Jim Crow Mississippi was, in all facets of society, a kleptocracy. The majority of the people in the state were perpetually robbed of the vote—a hijacking engineered through the trickery of the poll tax and the muscle of the lynch mob. Between 1882 and 1968, more black people were lynched in Mississippi than in any other state.
When the movement for black lives began, I did not have children. Now the fight means more to me—coupled with fears that are even deeper.
In a park about half a mile from my home is a wide-open field of grass, whose thin, uneven blades rise up past my ankles. The playground near the park is, like other playgrounds across the country, no longer open, surrounded by the orange-plastic fencing that has become unsettlingly familiar. Swings and seesaws and monkey bars that were once teeming with children sit in silence. Robins have begun making a nest at the top of the slide, building a home in the empty corner of the jungle gym’s small deck.
I have a 3-year-old son who loves to sing songs from The Lion King at the top of his lungs and a 1-year-old daughter who laughs like there are fireworks in her belly. Almost every day over the past three months of quarantine, I have taken my children to this field as the culmination of our daily walks. We are almost always the only people there, and relish the sweeping emptiness that surrounds us. We park the double stroller in the center of the grass and build our own world around it. We grab sticks from fallen branches and pretend to be wizards casting spells that turn one another into farm animals. We play tag and chase one another through the field as the tall grass licks our ankles. We bend down low to the earth, take deep breaths, and blow the dandelion-seed heads, watching their small, white parachute seeds spiral through the wind.