Inspired by our March 2016 cover story by James Fallows, “How America Is Putting Itself Back Together,” readers share their best aerial photos from across the U.S. Submit your own via firstname.lastname@example.org. (Please provide the location, the story behind the photo, and the largest file size you have. Horizontal photos with a bit of the plane visible—a wing, the edge of a window—are ideal. Terms and Conditions here.)
I took this photo shortly after departure from New Orleans on January 11. The lower part of the photo shows the Bonnet Carré Spillway, which had just been opened to divert excess water from the Mississippi River to Lake Pontchartrain. I was returning from the American Meteorological Society’s annual meeting, and it seemed fitting to have a chance to observe this rare event. I was struck by how many public agencies’ quiet, routine efforts resulted in an accurate forecast of water levels so that action could be taken to protect the citizens of New Orleans.
When opened, the control structure allows overflow volume to flow into Lake Pontchartrain. The lake’s opening to the gulf is sufficient to absorb and dissipate any conceivable volume of flood flow. Thus, the flood surcharge portion of the water from the Mississippi is divided between the main river and the diversion channel; with the surcharge bypassing the New Orleans metropolitan area, resulting in the Mississippi being lower (through that area) than it could have been; and reducing the stress on the area’s levees that line the river.
The spillway was built in response to the Great Mississippi Flood of 1927 that inundated much of the Mississippi River basin. It was first opened during the flood of 1937, and ten times thereafter through 2016 to lower river stages at New Orleans. The most recent opening began January 10, 2016, when river levels in New Orleans were predicted to approach the flood stage of 17 feet (5.2 m).
But Amy Wold, writing in The Advocate, Louisiana’s largest daily newspaper, calls the effects of the spillway a “mixed bag”:
In addition to sediment, the colder and fresher river water also carries nutrients from upriver agricultural practices, carries the possibility of invasive species and has at least the temporary effect of moving out certain species of fish that want more-brackish water. At the same time, the additional nutrients can provide a base for better growth of other species, the cold water may mean the impact on oysters will be lessened and nutrient blooms apparent in previous spillway operations may be delayed, if they happen at all. Only time will tell, because a January opening of the spillway hasn’t happened since 1937. Although not unprecedented, the early opening could mean different effects will be seen in the coming months.
Our reader captured this view “flying home from Shanghai in 2013, and I was blown away in seeing just how frozen Lake Erie could get in the dead of winter.” Frozen enough to walk clear across it, as Dave Voelker did in 1978:
To a novice, a winter walk across frozen Lake Erie to Canada is almost certain death. To a person trained in wilderness skills, it’s just a calculated risk— an uncommon sort of trip that might seem foolhardy at first impression, but which becomes more and more feasible with every map, depth chart and weather report that you study. At its narrowest, the lake’s width is only 30 miles — a comfortable two-day jaunt if you’re in shape. Most years, its surface freezes solid all the way across, to a thickness that will usually support a party of hikers. The biggest danger is that of exposure, since the barren surface offers no escape from the malevolent elements of winter, especially wind. Solve that problem, and you’ve got the whole thing licked.
When Lake Erie isn’t entirely frozen over, its icy waves often create, well, eerie sculptures against the shore. Recently, a whole car was encased in ice.
Often referred to as Wisconsin’s second oldest city, Prairie du Chien was established as a European settlement by French voyageurs in the late seventeenth century. The city is located near the confluence of the Wisconsin and Mississippi Rivers, a strategic point along the Fox-Wisconsin Waterway that connects the Great Lakes with the Mississippi.
Early French visitors to the site found it occupied by a group of Fox Indians led by a chief whose name Alim meant Chien in French (Dog in English). The French explorers named the location Prairie du Chien, French for “Dog’s Prairie.” The American anglicized pronunciation is “prairie doo sheen.”
My wife Deb took this photo out the right window of our little propeller airplane. It was on Valentine’s Day 2015, one year ago this week, as we traveled from Ajo, Arizona, to San Bernardino, California, on a reporting trip.
The summit of Mount San Gorgonio, with a bare covering of snow during California’s long drought, is just over 11,500 feet high. At the time, our plane was at 8,500 feet (though we could have been climbing to 10,500) and was about ten miles away from the peak. We were in the middle of the Banning Pass, with San Gorgonio and the San Bernardino mountains to the north and Mount San Jacinto to the south.
This pass can be turbulent, unpleasant, and even risky when the winds are strong. On those days, small-plane pilots avoid it and take a roundabout route via Palmdale and the (broader, less bumpy) Cajon Pass. But winds were smooth enough that day. The only real aviation challenge was the big, fat No Fly zone right over Palm Springs airport in the middle of the pass. Air Force One had just landed not long before we passed by; Obama was spending the night there, reportedly for a weekend round of golf.
And by purest serendipity, what you’re seeing in this shot is the very same Mount San Gorgonio you see in the elegant airliner shot by reader Marco Pallotti, in the preceding note that Chris posted yesterday. This gives you an idea of how much higher airliners fly than little propeller planes — and also what the Banning Pass looks like from above. It’s the gap you see between the foreground and background mountains in Pallotti’s shot.
For our new photo series, reader Marco Pallotti happened to send a view captured on my 29th birthday—May 3, 2011—on a flight from Newark to Los Angeles:
In the foreground is snow-capped San Gorgonio Mountain, in the San Bernardino National Forest, with Mt. San Jacinto in the distance. In the valley between the two peaks is the town of Cabazon, and on the far left is the western edge of the Coachella Valley.
Fun facts about that forest: It was the filming location for Daniel Boone (1936) and Paint Your Wagon (1969). That area of Southern California also features prominently in Jim’s new cover story, specifically the nearby cities of San Bernardino and Redlands, his hometown:
When I was growing up [in Redlands], in the Baby Boom era, its economy rested on the orange-growing business, the neighboring Norton Air Force Base, and a medical community serving the nearby desert area. Now the orange groves are nearly gone, the Air Force base is closed, and the desert communities have their own doctors—but the city has been transformed by the presence of a tech firm that by all rights should be in some bigger, fancier place. This company, Esri, is a world leader in geographic information systems, or GIS. These are essentially the industrial-strength counterparts to Google Earth, which governments and companies around the world use for everything from tracking pothole repairs to monitoring climate change.
We’d like to concentrate on collecting aerial shots only — from small planes and airliners, from helicopters and airplanes, from altitudes high enough to reveal large-scale geographic patterns and low enough to display surprising neighborhood or city-planning details. […] Please send any relevant photos, with identifying info—when, where, how, and what’s interesting about what we’re looking at.
A reader and former follower of the Dish, Ann Fisher, jumps at the idea:
This one is above the Great Salt Lake, taken November 2012:
You can tell I’m pretty excited about this. I have more, all from commercial flights.
Two more of Ann’s photos are seen in the diptych above. If you have a good aerial view you’d like share, please email email@example.com. (Photos with a small part of the plane visible—a wing, a propellor, the edge of a window—are preferable, and please send the largest file size you have.)
The unusual situation facing Robert Mueller does not justify repeal of well-established traditions of confidentiality.
As the nation awaits the Mueller report, a return to first principles is in order. One relevant first principle was dramatically illustrated in the breach during the waning weeks of the 2016 presidential campaign. Then–FBI Director James Comey announced at a press conference that no criminal charges would be brought against Hillary Clinton. Comey didn’t stop there, however. In that press conference, which will continue to live in infamy, Comey sharply criticized the former secretary of state for her ill-considered conduct in housing a server in her private residence, only to receive official and—not infrequently—classified information.
The nation should have risen, as one, in righteous indignation in the aftermath of the Comey press conference. In a single misadventure, Comey both seized power that was not his—the power to seek an indictment, a prerogative that was entrusted to the attorney general—and then violated one of the fundamental principles of public prosecution: Thou shalt not drag a subject or target of the investigation through the mud via public criticism. Prosecutors either seek an indictment, or remain quiet.
After waking up with a searing pain that radiates down to my shoulders, I hunt for the culprit.
My body’s preferred way to remind me that I’m aging is through pain. In recent years, my level of consequence-free drinking has plummeted from “omg liMitLe$s!!” to one and a half standard glasses of Chardonnay. In yoga, I am often forced not to enter the “fullest expression of the pose” and instead to just kind of lie there.
And then there is The Tweak. About once a month—not at any certain time of the month, but roughly 12 times a year—I will wake up feeling like someone French-braided my neck muscles overnight. The pain burns from the base of my skull, down one side of my neck or the other, and onto the adjacent shoulder blade. The Tweak makes it impossible to rotate my head fully to one side or the other for the day. It’s not an athletic injury—I know no sport. It’s also not related to any underlying medical conditions that I know of, though when I talked with experts for this article, they asked me “if I am stressed,” which I took to be a rhetorical question.
A former Jehovah's Witness is using stolen documents to expose allegations that the religion has kept hidden for decades.
In March 1997, the Watchtower Bible and Tract Society, the nonprofit organization that oversees the Jehovah’s Witnesses, sent a letter to each of its 10,883 U.S. congregations, and to many more congregations worldwide. The organization was concerned about the legal risk posed by possible child molesters within its ranks. The letter laid out instructions on how to deal with a known predator: Write a detailed report answering 12 questions—Was this a onetime occurrence, or did the accused have a history of child molestation? How is the accused viewed within the community? Does anyone else know about the abuse?—and mail it to Watchtower’s headquarters in a special blue envelope. Keep a copy of the report in your congregation’s confidential file, the instructions continued, and do not share it with anyone.
With the Russia investigation complete, the special counsel’s fans and foes will have to grapple with a new world.
For nearly two years, the American public, and quite a few observers overseas, have hung on Special Counsel Robert Mueller’s every word and action: each hire, each redaction, each revealing and yet opaque footnote in hundreds of filings. His fans have indulged in devotional candles and meme T-shirts. The document that Mueller delivered to Attorney General William Barr has been so eagerly awaited that its official name might as well be “The Highly Anticipated Mueller Report.”
This must be uncomfortable for Mueller, who shuns publicity, doesn’t seem to have much taste for politics, and has maintained a silence that is either admirable or infuriating, depending on your point of view. But his report could make things even more uncomfortable for many other people. For substantial parts of the political world, Mueller has been most useful as a cipher: a vessel for hopes and dreams, a shield to hide behind, or a nemesis to be attacked. With his work complete, each faction will have to grapple with a new world.
The attorney general says he may be able to advise Congress of the special counsel’s principal conclusions as early as this weekend.
After one year, 10 months, and six days, Special Counsel Robert Mueller has submitted his final report to the attorney general, signaling the end of his investigation into a potential conspiracy between President Donald Trump’s campaign and Russia.
Mueller’s pace has been breakneck, legal experts tell me—especially for a complicated criminal investigation that involves foreign nationals and the Kremlin, an adversarial government. The next-shortest special-counsel inquiry was the three-and-a-half-year investigation of the Plame affair, under President George W. Bush; the longest looked into the Iran-Contra scandal, under President Ronald Reagan, which lasted nearly seven years. Still, former FBI agents have expressed surprise that Mueller ended his probe without ever personally interviewing its central target: Donald Trump.
“Floods and hurricanes happen. The hazard itself is not the disaster—it’s our habits, our building codes.”
Historic flooding in the Missouri River and Mississippi River basins has ravaged much of the Midwest in recent days. Nebraska and Iowa bore the brunt of the devastation, but rivers in six states at more than 40 locations have reached record levels. The swollen rivers have made short work of the levees that surround them, blasting through or over the tops of 200 miles of earthen barriers in four states. At least three people have died, and hundreds of homes and structures have been destroyed. The Nebraska Farm Bureau estimates farm and ranch losses up to $1 billion in that state alone.
Should we call this a natural disaster?
Labels matter, even—perhaps especially—in times of emergency. Calling the midwestern carnage a natural disaster neatly absolves us of responsibility, and casts us as hapless victims of an unpredictable and vengeful Mother Nature. Far better to draw a distinction between natural hazards and human-induced disasters. According to Craig Fugate, a former administrator of the Federal Emergency Management Agency, “Floods and hurricanes happen. The hazard itself is not the disaster—it’s our habits, our building codes. It’s how we build and live in those areas—that’s the disaster.” This is not a call for blame, but a call to arms to learn from the past to keep ourselves out of harm’s way.
As other social networks wage a very public war against misinformation, it’s thriving on Instagram.
When Alex, now a high-school senior, saw an Instagram account he followed post about something called QAnon back in 2017, he’d never heard of the viral conspiracy theory before. But the post piqued his interest, and he wanted to know more. So he did what your average teenager would do: He followed several accounts related to it on Instagram, searched for information on YouTube, and read up on it on forums.
A year and a half later, Alex, who asked to use a pseudonym, runs his own Gen Z–focused QAnon Instagram account, through which he educates his generation about the secret plot by the “deep state” to take down Donald Trump. “I was just noticing a lack in younger people being interested in QAnon, so I figured I would put it out there that there was at least one young person in the movement,” he told me via Instagram direct message. He hopes to “expose the truth about everything corrupt governments and organizations have lied about.” Among those truths: that certain cosmetics and foods contain aborted fetal cells, that the recent Ethiopian Airlines crash was a hoax, and that the Christchurch, New Zealand mosque shootings were staged.
Donald Cline must have thought no one would ever know. Then DNA testing came along.
Updated at 5:23 p.m. ET on March 18, 2019.
The first Facebookmessage arrived when Heather Woock was packing for vacation, in August 2017. It was from a stranger claiming to be her half sibling. She assumed the message was some kind of scam; her parents had never told her she might have siblings. But the message contained one detail that spooked her. The sender mentioned a doctor, Donald Cline. Woock knew that name; her mother had gone to Cline for fertility treatments before she was born. Had this person somehow gotten her mother’s medical history?
Her mom said not to worry. So Woock, who is 33 and lives just outside Indianapolis, flew to the West Coast for her vacation. She got a couple more messages from other supposed half siblings while she was away. Their persistence was strange. But then her phone broke, and she spent the next week and a half outdoors in Seattle and Vancouver, blissfully disconnected.
The Get Out director’s new film is more complicated, more outrageous, and, in a lot of ways, more daringly funny and topical than its predecessor.
In the opening sequence of Us, Jordan Peele gives the audience what it might be expecting after months of hype for his follow-up to Get Out: a perfectly taut piece of virtuoso horror filmmaking. A little girl (played by Madison Curry) frolics with her family at a seaside funfair, then wanders off as her dad plays a carnival game, eventually winding up alone in a haunted house. It’s a place for cheap scares, one that tries to jolt you by having things burst out of the wall. But Peele (who wrote, produced, and directed) has more unsettling sights in store, including something so disturbing that the camera takes in only the girl’s reaction, her eyes widening with shock.
It’s a thrilling sequence that feels as if Peele is laying down a marker after the success of his Oscar-winning debut film. Get Out was also a horror movie, but a wry, satirical one, the kind that could be nominated for comedy awards and still scar entire generations of viewers with its notion of “the sunken place.” In its dread-suffused opening moments, Us is utterly serious. But as the plot moves forward, the film becomes more complicated, more outrageous, and in a lot of ways, more daringly funny and topical than its predecessor. Us is a glorious symphony of fear, to be sure, but it’s also an ambitious sci-fi allegory and a pitch-black comedy of the haves and have-nots.
Why the HBO host is wrong that public shaming encourages public accountability
On the most recent episode of Last Week Tonight, an HBO show that often sounds as if The Daily Show and The Rachel Maddow Show had combined their writers’ rooms, John Oliver dedicated his monologue to public shaming.
After a brief survey of excesses culled from local television-news reports, the host said, “You may be expecting me to say that all public shaming is bad, but I don’t actually think that.” In his estimation, “misdirected internet pile-ons can completely destroy people’s lives.” But if public shaming is “well directed,” then “a lot of good can come out of it. If someone is caught doing something racist or a powerful person is behaving badly, it can increase accountability.”
The balance of the segment did not substantiate his thesis.