So many mysteries surround Donald Trump: the contents of his tax returns, the apparent miracle of his graduation from college. Some of them are merely curiosities; others are of national importance, such as whether he understood the nuclear-weapons briefing given to every president. I prefer not to dwell on this question.

But since his first day as a presidential candidate, I have been baffled by one mystery in particular: Why do working-class white men—the most reliable component of Donald Trump’s base—support someone who is, by their own standards, the least masculine man ever to hold the modern presidency? The question is not whether Trump fails to meet some archaic or idealized version of masculinity. The president’s inability to measure up to Marcus Aurelius or Omar Bradley is not the issue. Rather, the question is why so many of Trump’s working-class white male voters refuse to hold Trump to their own standards of masculinity—why they support a man who behaves more like a little boy.

When I glanced out the window of my restaurant one day not long ago, I saw a woman struggling to climb over the large table that was blocking access to our front doors. The table gave my staff a spot to drop off to-go food outside while keeping a wide berth from our customers. But it also served as a visual and psychological barricade: You, our guest, stay on one side while we, the restaurant workers, stay on the other, safely preparing your order.

So I stepped outside to ask our would-be patron, who was old enough to be my grandmother, if she might refrain from crawling over the table, which is surrounded by ropes and planters and signs and directional arrows and brightly colored buoys to reinforce our message. She looked at me, dumbfounded. “But then how …,” she stammered, “how am I supposed to get in?”

If you were an adherent, no one would be able to tell. You would look like any other American. You could be a mother, picking leftovers off your toddler’s plate. You could be the young man in headphones across the street. You could be a bookkeeper, a dentist, a grandmother icing cupcakes in her kitchen. You may well have an affiliation with an evangelical church. But you are hard to identify just from the way you look—which is good, because someday soon dark forces may try to track you down. You understand this sounds crazy, but you don’t care. You know that a small group of manipulators, operating in the shadows, pull the planet’s strings. You know that they are powerful enough to abuse children without fear of retribution. You know that the mainstream media are their handmaidens, in partnership with Hillary Clinton and the secretive denizens of the deep state. You know that only Donald Trump stands between you and a damned and ravaged world.

There was supposed to be a peak. But the stark turning point, when the number of daily COVID-19 cases in the U.S. finally crested and began descending sharply, never happened. Instead, America spent much of April on a disquieting plateau, with every day bringing about 30,000 new cases and about 2,000 new deaths. The graphs were more mesa than Matterhorn—flat-topped, not sharp-peaked. Only this month has the slope started gently heading downward.

This pattern exists because different states have experienced the coronavirus pandemic in very different ways. In the most severely pummeled places, like New York and New Jersey, COVID-19 is waning. In Texas and North Carolina, it is still taking off. In Oregon and South Carolina, it is holding steady. These trends average into a national plateau, but each state’s pattern is distinct. Currently, Hawaii’s looks like a child’s drawing of a mountain. Minnesota’s looks like the tip of a hockey stick. Maine’s looks like a (two-humped) camel. The U.S. is dealing with a patchwork pandemic.

COVID-19 has mounted a sustained attack on public life, especially indoor life. Many of the largest super-spreader events took place inside—at a church in South Korea, an auditorium in France, a conference in Massachusetts. The danger of the indoors is more than anecdotal. A Hong Kong paper awaiting peer review found that of 7,324 documented cases in China, only one outbreak occurred outside—during a conversation among several men in a small village. The risk of infection indoors is almost 19 times higher than in open-air environments, according to another study from researchers in Japan.

Appropriately, just about every public indoor space in America has been shut down or, in the case of essential businesses such as grocers, adapted for social-distancing restrictions. These closures have been economically ruinous, transforming large swaths of urban and suburban life into a morbid line of darkened windows.

The Centers for Disease Control and Prevention is conflating the results of two different types of coronavirus tests, distorting several important metrics and providing the country with an inaccurate picture of the state of the pandemic. We’ve learned that the CDC is making, at best, a debilitating mistake: combining test results that diagnose current coronavirus infections with test results that measure whether someone has ever had the virus. The upshot is that the government’s disease-fighting agency is overstating the country’s ability to test people who are sick with COVID-19. The agency confirmed to The Atlantic on Wednesday that it is mixing the results of viral and antibody tests, even though the two tests reveal different information and are used for different reasons.

The word unique has to be one of the most overused descriptors in show business; if every movie that got touted as one-of-a-kind by its marketing team actually was, there’d be no further complaints about Hollywood creativity. But every once in a while, I’ll have a cinematic experience that feels genuinely unprecedented, when a work plays with the medium and its modes of storytelling in ways I didn’t think possible. The 30 movies I’ve gathered below—all of which are available to watch online—are singular, whether they’re experimental documentaries, visionary works of animation, or labyrinthine epics. Each is unforgettable, and a reminder of cinema’s potential to flout narrative convention, subvert visual traditions, and find new ways to express timeless themes.

Over the course of April and throughout May, while much of the world’s attention was trained on the coronavirus’s spiraling death toll, hardly a day passed in Hong Kong without news of arrested activists, scuffles among lawmakers, or bombastic proclamations from mainland officials. Long-standing norms were done away with at dizzying speed.

In that time, Beijing was undertaking aggressive actions across Asia. A Chinese ship rammed a Vietnamese vessel in the contested waters of the South China Sea, sinking it. Off the coast of Malaysia, in the country’s exclusive economic zone, a Chinese research vessel, accompanied by coast-guard and fishing ships—likely part of China’s maritime militia, civilian vessels marshaled by Beijing in times of need—began survey work near a Malaysian oil rig. The standoff that followed drew warships from the United States and Australia, as well as China. Beijing then declared that it had created two administrative units on islands in the South China Sea that are also claimed by Vietnam. Chinese officials have reacted, too, with predictable rage to Taiwan, whose handling of the pandemic has won plaudits and begun a push for more international recognition.

Updated at 4:19 p.m. ET on May 25, 2020.

In the future museum of Never Trumpers turned Ever Trumpers, Senator Cory Gardner of Colorado will have pride of place. In 2016, Gardner called Donald Trump a “buffoon,” left the Republican National Convention after one day rather than watching him formally receive the party’s nomination, called for him to drop out of the race after the release of the Access Hollywood tape, and said he would write in Mike Pence’s name on his presidential ballot.

Now Gardner, perhaps the Senate’s most endangered Republican incumbent, is locked in an uphill battle for reelection in a state trending bluer by the day. He trails his probable Democratic opponent, the former governor and erstwhile presidential candidate John Hickenloooper, by double digits in the polls. In a sharp about-face, Gardner has backed Trump at every turn since endorsing the president for reelection last year.

When the virus came here, it found a country with serious underlying conditions, and it exploited them ruthlessly. Chronic ills—a corrupt political class, a sclerotic bureaucracy, a heartless economy, a divided and distracted public—had gone untreated for years. We had learned to live, uncomfortably, with the symptoms. It took the scale and intimacy of a pandemic to expose their severity—to shock Americans with the recognition that we are in the high-risk category.

The crisis demanded a response that was swift, rational, and collective. The United States reacted instead like Pakistan or Belarus—like a country with shoddy infrastructure and a dysfunctional government whose leaders were too corrupt or stupid to head off mass suffering. The administration squandered two irretrievable months to prepare. From the president came willful blindness, scapegoating, boasts, and lies. From his mouthpieces, conspiracy theories and miracle cures. A few senators and corporate executives acted quickly—not to prevent the coming disaster, but to profit from it. When a government doctor tried to warn the public of the danger, the White House took the mic and politicized the message.