Of all the flaws in the perplexing “audit” of the 2020 election in Maricopa County, Arizona, the hypocrisy shines through most clearly.

As Donald Trump and his allies grasped at straws to cast doubt on the results of last year’s presidential race, they settled on a few common complaints. They said that the election process was tainted by procedures that had been hastily changed in the lead-up to voting, that it was run by partisan hacks, that outside observers were provided insufficient access to oversee the process, and that the election was corrupted by private money given by philanthropists to boards of elections to help them adapt to the pandemic.

Now, more than six months after the election, the circus in Arizona, ordered by the state Senate, has become the last stand of the denialists. The review has attracted the close attention of Trump himself, who has fired off repeated, blustery statements about the count from his Mar-a-Lago exile. But Arizona is committing all the same sins that Trump’s supporters have been denouncing, using a brazenly partisan process run by apparently unqualified parties, with procedures kept secret and subject to change. Observers are being asked to sign nondisclosure agreements, reporters have been kicked out of the site, and the exercise is being largely funded by interested outside parties—even though the Arizona legislature recently passed a law that prevents local boards from accepting outside funding.

On January 12, Keith Ammon, a Republican member of the New Hampshire House of Representatives, introduced a bill that would bar schools as well as organizations that have entered into a contract or subcontract with the state from endorsing “divisive concepts.” Specifically, the measure would forbid “race or sex scapegoating,” questioning the value of meritocracy, and suggesting that New Hampshire—or the United States—is “fundamentally racist.”

Ammon’s bill is one of a dozen that Republicans have recently introduced in state legislatures and the United States Congress that contain similar prohibitions. In Arkansas, lawmakers have approved a measure that would ban state contractors from offering training that promotes “division between, resentment of, or social justice for” groups based on race, gender, or political affiliation. The Idaho legislature just passed a bill that would bar institutions of public education from compelling “students to personally affirm, adopt, or adhere” to specific beliefs about race, sex, or religion. The Louisiana legislature is weighing a nearly identical measure.

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“You are … irritating and unbearable, and I consider it most difficult to live with you.” So wrote Johanna Schopenhauer in a 1807 letter to her 19-year-old son Arthur. “No one can tolerate being reproved by you, who also still show so many weaknesses yourself, least of all in your adverse manner, which in oracular tones, proclaims this is so and so, without ever supposing an objection. If you were less like you, you would only be ridiculous, but thus as you are, you are highly annoying.”

Nomadland dares you to watch it. Even pressing the Play button on Hulu is a test of strength; do you have the stones to watch this plotless, dreary semi-documentary about elderly people forced to live in vans—and, yes, perform unspeakable bodily functions within them—and search for seasonal work? Or are you going to be a little baby and watch The Bourne Identity for the kabillionth time?

The much-reviled four-quadrant theory of moviemaking holds that a blockbuster appeals to all four sectors of the audience: young men, young women, somewhat older men, and somewhat older women. Nomadland is a movie that appeals to the four quadrants of the show-business apocalypse: menopausal women, people with life-threatening illnesses, people interested in poverty, and anyone with time on her hands who can’t find the remote.

There are many unknowns in the field of space exploration. What came before the Big Bang? What is dark matter? Will we ever make contact with another civilization, or are we destined to remain alone, floating along on this tiny, insignificant speck in the universe?

The latest unknown to captivate the space community is something a little less grand: Where is that giant rocket going to land when it falls out of the sky?

The rocket in question belongs to China, and it is currently hurtling through the atmosphere, circling the planet about every 90 minutes, toward what is known as an “uncontrolled reentry” sometime this weekend. The expendable hardware was once part of a larger vehicle, the Long March 5B, which launched last month with the first piece of China’s new space station. Once the payload successfully reached space, the rocket, emptied of fuel, slipped away and became space junk.

Lurking among the jubilant Americans venturing back out to bars and planning their summer-wedding travel is a different group: liberals who aren’t quite ready to let go of pandemic restrictions. For this subset, diligence against COVID-19 remains an expression of political identity—even when that means overestimating the disease’s risks or setting limits far more strict than what public-health guidelines permit. In surveys, Democrats express more worry about the pandemic than Republicans do. People who describe themselves as “very liberal” are distinctly anxious. This spring, after the vaccine rollout had started, a third of very liberal people were “very concerned” about becoming seriously ill from COVID-19, compared with a quarter of both liberals and moderates, according to a study conducted by the University of North Carolina political scientist Marc Hetherington. And 43 percent of very liberal respondents believed that getting the coronavirus would have a “very bad” effect on their life, compared with a third of liberals and moderates.

Liz Cheney, the representative of Wyoming, the daughter of a former vice president, and a lifelong conservative Republican, is facing a purge.

Cheney’s transgression? She has continued to insist, truthfully, that former President Donald Trump’s claims about the 2020 election are false, after having voted to impeach him in March for inciting a mob that stormed the Capitol in an attempt to overturn the result.

Yesterday, Steve Scalise, the No. 2 Republican in the House, publicly advocated for removing Cheney from her leadership post as the third-ranking House Republican, and replacing her with Elise Stefanik, who has obsequiously amplified Trump’s lies about voter fraud. “This is about whether the Republican Party is going to perpetuate lies about the 2020 election and attempt to whitewash what happened on January 6,” Cheney’s spokesperson, Jeremy Adler, told The New York Times. “Liz will not do that. That is the issue.”

This article was published online on May 7, 2021.

Strict guidelines had been announced before the show: There could be no kisses on his cheek, no holding of his hand, no accepting of his garish, sweat-drenched scarves. In short: There could be no physical contact with Elvis. But the King was caught up in the moment, playing by his own rules. He had been waiting a year for this. And so had Sue Paszke, although for her it had felt much longer.

The last time Paszke and her fellow “Blue Hawaii Ladies” had caught a live glimpse of Dwight Icenhower—one of the world’s foremost Elvis “tribute artists”—was on March 7, 2020. It had happened here, inside Stuart’s Opera House, an elegant concert hall tucked into the hollows of Appalachia, in Nelsonville, Ohio. For 20 years, the ladies—uniformly clad in sky-blue aloha shirts—had been Icenhower’s groupies, following him to shows all around the country. Paszke, a 78-year-old retired lunch lady from Columbus, had struck up a ritual with Icenhower: Every time she saw him perform, he autographed her favorite scarf. When Icenhower came to Stuart’s Opera House last March, he signed the scarf for the 99th time. Once more, Paszke joked, and she could die a happy woman.

A real scientific advance, like a successful date, needs both preparation and serendipity. As a tired, single medical student, I used to feel lucky when I managed two good dates in a row. But career scientists must continually create this kind of magic. Universities judge their research faculty not so much by the quality of their discoveries as by the number of papers they’ve placed in scholarly journals, and how prestigious those journals happen to be. Scientists joke (and complain) that this relentless pressure to pad their résumés often leads to flawed or unoriginal publications. So when Randall Munroe, the creator of the long-running webcomic XKCD, laid out this problem in a perfect cartoon last week, it captured the attention of scientists—and inspired many to create versions specific to their own disciplines. Together, these became a global, interdisciplinary conversation about the nature of modern research practices.

Editor’s Note: Every Tuesday, Abby Freireich and Brian Platzer take questions from readers about their kids’ education. Have one? Email them at homeroom@theatlantic.com.

Dear Abby and Brian,

I write as a concerned parent of a fifth grader at a private school that appears to prioritize “social justice” over academic excellence. The school has brought in a consultant and now the kids are reading all this new woke literature, and at the expense of the classics we all grew up on, like To Kill a Mockingbird and The Adventures of Huckleberry Finn. Most of the teachers and parents I talk with just want school to be school—not some kind of Maoist social reeducation. Who is this all for?

I’m a left-wing New York City Democrat. I believe strongly in equal rights for all people. And I think we’ve still got a ways to go when it comes to equality. But I don’t want school to make my son feel bad just because he’s white. It’s not like he owned slaves. His great-great-great-grandparents were starving in Ireland during the time of slavery.