As the coronavirus pandemic continues to spread, disrupting some of the most basic aspects of daily life, people around the world are facing the anxiety and uncertainty that come with an unseen and fast-moving threat. Readers and writers have often turned to literature to help make sense of such crises, whether in retrospect—as Daniel Defoe did with a novel about London’s 17th-century plague—or in a hypothetical future, as Emily St. John Mandel did in imagining how human life might go on after a disease devastates the globe. Indeed, apocalyptic plots once relegated to the genre shelves are more common than ever in contemporary literature, with authors such as Colson Whitehead and Benjamin Percy using zombies and werewolves as tools to examine dystopian aspects of modern life.
While the Chernobyl catastrophe has prompted many literary representations, the most successful may be those which, like the works of Svetlana Alexievich and Christa Wolf, acknowledge the ways narratives of disaster tend to fall short of providing closure. Meanwhile, in a collection of sci-fi stories set a century after the U.S. invasion of 2003, Iraqi authors including Hassan Blasim and Khalid Kaki assert a claim on their country’s future in the aftermath of war.
Every Friday in the Books Briefing, we thread together Atlantic stories on books that share similar ideas.
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What We’re Reading
The art of second chances
“Mandel’s deeply imagined, philosophically profound reckonings with life in an age of disaster … are … welcome at home during anxious days of following the news cycle or insomniac nights of worrying about the future.”