The real importance of Ta-Nehisi Coates’s Reparations article, which is still attracting deserved attention, is that it is not mainly about repayment in a literal, financial sense. Instead, as I understand it, it’s about a larger historical reckoning or awareness. “Truth and reconciliation,” you might call it.
By analogy: Whether or not Germany had ever made monetary restitution to Israel or to other victims of the Nazi era, to know anything about modern Germany is to recognize that it has attempted to face its past. In contrast, to know anything about modern Japan or China is to recognize their difficulties in facing episodes from their 20th century past, mainly of the '30s and '40s in Japan's case, and the '50s through mid-'70s in China's.
The importance of recognition is why I was so struck by the monument (shown above) in downtown Duluth, Minnesota, to the three victims of a famous lynching there 94 years ago this month, in June 1920. A traveling circus had visited town; a local white young woman was allegedly raped; six young black men were rounded up and taken to jail. Then a mob of many thousands of white people stormed the jail, seized the black men, "tried" them on the spot, and convicted three. Those three men—Elias Clayton, Elmer Jackson, and Isaac McGhie—were hanged that evening from a lamppost in the center of town, while the police did virtually nothing to interfere.
A history of the episode, The Lynchings in Duluth by local author Michael Fedo, includes a photo of the murdered black men, two still strung up and one's body lying on the street, as a rapt white crowd looks on. That photo was made into a popular postcard, and a cropped version of it, minus the bodies, is the cover of Fedo's book, as shown below with a related work. The full-frame photo of the lynching is too gruesome to include here—but again, in keeping with Ta-Nehisi's theme, it's important to note that there was a time when people bought it and sent it through the mail. This happened more often in the South than elsewhere, but it was an American rather than a Southern evil.
In another book of essays about his growing-up in Duluth, Zenith City, Michael Fedo (whom we happened to hear speak in Duluth earlier this month) describes the region's long, willed suppression of all mention or memory of the lynching, which naturally made me think of the forced-forgetting of Tiananmen Square in China. He had barely heard of it as a child but stumbled upon a reference to it in the 1970s, and wrote his history, which was originally called They Was Just Niggers, after a remark by someone in the lynch mob.