My Dad always worked. He worked at his job at Howard. Worked when he got home. Worked on weekends and birthdays. Reveled blasphemous in the Lord's Season. When I think of him, work is the first image in my mind. I see him unloading boxes of books. Mashing saddle-stiched staplers. Frying fish. Mixing cornbread from scratch. Whacking kids; Quashing our young brief rebellions.
We were enrolled into his life. And though he would surely deny it, we worked. Hauling books. Counting inventory. Packing and shipping. Hustling our wares at Art-Scape. Pitching the press at African Liberation Day. Remanded to Ayi Kwei Armah. Dommed to Ishmael Reed. Dad would sit in an easy-chair, with reading glasses low, and lecture from Up From Slavery. He had been a late 60s radical. But at his heart he was a puritan conservative dispensing a strange gospel rooted in the acquiring of knowledge, the inevitibaility of violence, and everywhere, the work.
He had labored from the start. Sweeping floors. Delivering groceries. Grasping at whatever his chid-hands could handle. His money went to his mother saddled with three kids, alcoholism. Down on relief. He devoured books even then. He would cut class for libraries and museums. He would walk downtown, running his hand along large buildings, feeling the unrelenting textures, dreaming of something, somewhere, larger than the poverty and despair of Old Philly.
How he came to love French, I do not know. I have asked him, but he can't remember. He's always loved movies, so perhaps a few spare words from the moving pictures. At all events, the salient fact is this--one season he saved his change and sent off for series of records that promised, by sheer listening and repetition, to imbue him with this beautiful language of waves and undulation. He remembers laying on his bed playing the record over and over, repeating the words, summoning France through incantations of greeting and conjugation.
He was, like me, like nearly every Coates boy, a poor student. It is a curse with us. A thing embedded deep in the strands and nucluei. Someday a great scientist shall stick us in a big machine. Electrodes will crown our heads. On a large screen, a teacher puts chalk to blackboard. The scientist grows wide-eyed. Data spits across the scene showing our neurons not so much firing, as stretching back to yawn.
Left alone, my Dad played that record like it was music. Because it was music. This word Bonsoir is its own magic. It is beautiful coming off your tongue. Your mouth make it's own happy ending. Your lips draw in for a kiss. And this magic is regardless of literal meaning. It is held in the very form.
Dad never made it to fluency. But I've thought about him throughout my own experience. And I've thought about ancestry, itself. To be black is to be able to reach back and touch people whose lives were, by law, foreclosed of certain possibility. No one cared about your intelligence, or curiosity. You were assigned to a certain lane, and there you stayed less you tempt all the violence the state brought to bear.
I understood education as a means of warding off death. You went to school to not go to prison. To not get shot. To not be, as my mother called them, an "If I had my gun" nigger standing on the corner. This is a product of the actual environment. In so many neighborhoods education must be about saving lives. But if you are ranger, this is slavery. Wonder took my father to French. And wonder to my father Nam. And wonder took my father to the Panthers. And wonder took him to my mother. And wonder carries me now to you. To see wonder daily reduced to plastic is another kind of death.
I write to you early this Tuesday morning, Brel in the background, from a street that is far from the streets, as a boy, I once knew. Those of us who are rangers have seen so much more than our fathers. But they walk with us. I imagine my father in the evening, sprawled across his bed, a child again. Record on. Lights off. Music forking down through darkness. Striking green imagination. Catching fire.
*The artist is Jean Baptiste-Siméon Chardin. The piece is Boy With A Top. More info here.
The president’s latest comments shouldn’t be surprising—but his deliberate inflammation of tense situations is no less stunning.
During last year’s presidential campaign, I conducted a running feature called the “Trump Time Capsule.” Its purpose was to chronicle the things Donald Trump said or did that were entirely outside the range of previous presidents or major-party nominees. This, in turn, was meant to lay down a record of what was known about this man, as the electorate decided whether to elevate him to presidential power.
By the time the campaign ended, the series had reached installment #152. Who Donald Trump was, and is, was absolutely clear by election day: ignorant, biased, narcissistic, dishonest. As Ta-Nehisi Coates argues in our current issue, everyone who voted for him did so with ample evidence about the kind of person they considered the “better” choice, or even as a minimally acceptable choice for president. Almost nothing Trump has done since taking office should come as a surprise.
At a game played in London on Sunday afternoon, many of their fellow Ravens and Jaguars took a knee.
Before the Lions met the Falcons in Detroit on Sunday, Rico LaVelle sang “The Star-Spangled Banner.” And then he took a knee.
They were replicating the gesture of Colin Kaepernick, the former 49ers quarterback who, starting in 2016, had been kneeling during the pre-game singing of the national anthem. “I am not going to stand up to show pride in a flag for a country that oppresses black people and people of color,” Kaepernick explained. “To me, this is bigger than football and it would be selfish on my part to look the other way. There are bodies in the street and people getting paid leave and getting away with murder.” Kaepernick’s 49ers teammates, Eric Reid and Eli Harold, took a knee. The Beaumont Bulls, a high school team, took a knee. Their collective protests, however, had been limited—deviations from the norm.
What J.R.R. Tolkien’s classic The Hobbit still has to offer, 80 years after its publication
“In a hole in the ground there lived a hobbit.” So began the legendarium that dominated a genre, changed Western literature and the field of linguistics, created a tapestry of characters and mythology that endured four generations, built an anti-war ethos that endured a World War and a Cold War, and spawned a multibillion-dollar media franchise. J.R.R. Tolkien’s work is probably best remembered today by the sword-and-sandal epic scale of The Lord of The Rings films, but it started in the quiet, fictionalized English countryside of the Shire. It started, 80 years ago in a hobbit-hole, with Bilbo Baggins.
Although Tolkien created the complicated cosmological sprawl of The Silmarillion and stories like the incestuous saga of Túrin Turambar told in The Children of Húrin, Middle-earth itself is mostly remembered today as something akin to little Bilbo in his Hobbit-hole: quaint, virtuous, and tidy. Nowadays, George R.R. Martin’s got the market cornered on heavily initialed fantasy writers, and his hand guides the field. High and epic fantasy are often expected to dip heavily into the medieval muck of realism, to contain heavy doses of sex and curses, gore and grime, sickness and believable motives and set pieces. Characters like Martin’s mercenary Bronn of the Blackwater are expected to say “fuck.” Modern stories, even when set in lands like A Song of Ice and Fire’s Essos that are filled with competing faiths, tend toward the nihilist, and mostly atheist. Heavenly beings are denuded of potency and purity; while the gods may not be dead, divinity certainly is.
More comfortable online than out partying, post-Millennials are safer, physically, than adolescents have ever been. But they’re on the brink of a mental-health crisis.
One day last summer, around noon, I called Athena, a 13-year-old who lives in Houston, Texas. She answered her phone—she’s had an iPhone since she was 11—sounding as if she’d just woken up. We chatted about her favorite songs and TV shows, and I asked her what she likes to do with her friends. “We go to the mall,” she said. “Do your parents drop you off?,” I asked, recalling my own middle-school days, in the 1980s, when I’d enjoy a few parent-free hours shopping with my friends. “No—I go with my family,” she replied. “We’ll go with my mom and brothers and walk a little behind them. I just have to tell my mom where we’re going. I have to check in every hour or every 30 minutes.”
Those mall trips are infrequent—about once a month. More often, Athena and her friends spend time together on their phones, unchaperoned. Unlike the teens of my generation, who might have spent an evening tying up the family landline with gossip, they talk on Snapchat, the smartphone app that allows users to send pictures and videos that quickly disappear. They make sure to keep up their Snapstreaks, which show how many days in a row they have Snapchatted with each other. Sometimes they save screenshots of particularly ridiculous pictures of friends. “It’s good blackmail,” Athena said. (Because she’s a minor, I’m not using her real name.) She told me she’d spent most of the summer hanging out alone in her room with her phone. That’s just the way her generation is, she said. “We didn’t have a choice to know any life without iPads or iPhones. I think we like our phones more than we like actual people.”
The foundation of Donald Trump’s presidency is the negation of Barack Obama’s legacy.
It is insufficient to statethe obvious of Donald Trump: that he is a white man who would not be president were it not for this fact. With one immediate exception, Trump’s predecessors made their way to high office through the passive power of whiteness—that bloody heirloom which cannot ensure mastery of all events but can conjure a tailwind for most of them. Land theft and human plunder cleared the grounds for Trump’s forefathers and barred others from it. Once upon the field, these men became soldiers, statesmen, and scholars; held court in Paris; presided at Princeton; advanced into the Wilderness and then into the White House. Their individual triumphs made this exclusive party seem above America’s founding sins, and it was forgotten that the former was in fact bound to the latter, that all their victories had transpired on cleared grounds. No such elegant detachment can be attributed to Donald Trump—a president who, more than any other, has made the awful inheritance explicit.
A new film details the reason the star postponed her recent tour—and will test cultural attitudes about gender, pain, and pop.
“Pain without a cause is pain we can’t trust,” the author Leslie Jamison wrote in 2014. “We assume it’s been chosen or fabricated.”
Jamison’s essay “Grand Unified Theory of Female Pain” unpacked the suffering-woman archetype, which encompasses literature’s broken hearts (Anna Karenina, Miss Havisham) and society’s sad girls—the depressed, the anorexic, and in the 19th century, the tubercular. Wariness about being defined by suffering, she argued, had led many modern women to adopt a new pose. She wrote, “The post-wounded woman conducts herself as if preempting certain accusations: Don’t cry too loud; don’t play victim.” Jamison questioned whether this was an overcorrection. “The possibility of fetishizing pain is no reason to stop representing it,” she wrote. “Pain that gets performed is still pain.”
Two new books explore America’s changing romantic landscape.
C.S. Lewis’s wife, Joy Davidman, died of bone cancer on July 13, 1960. The next day, the famous author wrote a letter to Peter Bide, the priest who had married them, to tell him the news.
“I’d like to meet,” Lewis writes, suggesting the two grab lunch sometime soon. “For I am—oh God that I were not—very free now. One doesn’t realize in early life that the price of freedom is loneliness. To be happy is to be tied.”
When it comes to romance, Americans are freer than they’ve ever been. Freer to marry, freer to divorce, freer to have sex when and with whom they like with fewer consequences, freer to cohabitate without getting married, freer to remain single, freer to pursue open relationships or polyamory.
Colin Kaepernick and other athletes have a better claim on the United States’s symbols and their meaning.
President Trump apparently slept on it overnight and woke up early on Sunday morning thinking: “Yes, I will fight a cultural war against black athletes.”
In two Sunday morning tweets, Trump urged a boycott of the National Football League until owners punished players who refused to stand for the national anthem, in protest of police brutality and racial injustice—capping a weekend of taunting and trash-talking that began at his Alabama rally Friday night. He’s now created a situation in which it will seem almost unmanly for black athletes, and not only football players, not to take a knee during the anthem. If they stand for the anthem, they will seem to do so at Trump’s command. How can they not resist?
Thirty minutes. That’s about how long it would take a nuclear-tipped intercontinental ballistic missile (ICBM) launched from North Korea to reach Los Angeles. With the powers in Pyongyang working doggedly toward making this possible—building an ICBM and shrinking a nuke to fit on it—analysts now predict that Kim Jong Un will have the capability before Donald Trump completes one four-year term.
About which the president has tweeted, simply, “It won’t happen!”
Though given to reckless oaths, Trump is not in this case saying anything that departs significantly from the past half century of futile American policy toward North Korea. Preventing the Kim dynasty from having a nuclear device was an American priority long before Pyongyang exploded its first nuke, in 2006, during the administration of George W. Bush. The Kim regime detonated four more while Barack Obama was in the White House. In the more than four decades since Richard Nixon held office, the U.S. has tried to control North Korea by issuing threats, conducting military exercises, ratcheting up diplomatic sanctions, leaning on China, and most recently, it seems likely, committing cybersabotage.
A good marriage is no guarantee against infidelity.
“Most descriptions of troubled marriages don’t seem to fit my situation,” Priya insists. “Colin and I have a wonderful relationship. Great kids, no financial stresses, careers we love, great friends. He is a phenom at work, fucking handsome, attentive lover, fit, and generous to everyone, including my parents. My life is good.” Yet Priya is having an affair. “Not someone I would ever date—ever, ever, ever. He drives a truck and has tattoos. It’s so clichéd, it pains me to say it out loud. It could ruin everything I’ve built.”
Priya is right. Few events in the life of a couple, except illness and death, carry such devastating force. For years, I have worked as a therapist with hundreds of couples who have been shattered by infidelity. And my conversations about affairs have not been confined within the cloistered walls of my therapy practice; they’ve happened on airplanes, at dinner parties, at conferences, at the nail salon, with colleagues, with the cable guy, and of course, on social media. From Pittsburgh to Buenos Aires, Delhi to Paris, I have been conducting an open-ended survey about infidelity.