The latest release and the third in their Civil War series is The Battle of the Crater, which tells the story of one of the bloodiest encounters of the Petersburg Campaign of 1864-65. The battle, which was fought on July 30, 1864 and popularized in the recent movie Cold Mountain, is best remembered for the early morning detonation of 8,000 pounds of explosives under a Confederate salient by the Army of the Potomac's Ninth Corps in an attempt to break the siege and perhaps end the war. The subsequent attack quickly bogged down, as many of the men were caught in the entangled web of earthworks as well as the large crater caused by the explosion. A quick Confederate response by units in the immediate vicinity of the explosion, as well as a mid-morning counterattack, saved Lee's army and resulted in what would be the Army of Northern Virginia's last decisive victory.
Gingrich and Fortschen tell their story by focusing on the 28th United States Colored Troops and the rest of the black soldiers of the Fourth Division. The unit suffered horrendous casualties and evidence indicates that large numbers were executed both during and after the battle. Those who survived ended up in southern prison camps or, worse, were enslaved.
The authors rightly emphasize that this is an aspect of the story that for far too long has been ignored. They self-consciously set out to resurrect "the role of the USCTs in winning the Civil War and preserving the Union." Their interest in black Union soldiers falls neatly into a broader shift in our popular memory of the war that now finds the subject of slavery and race easier to address. This can be attributed, in part, to the success of the movie Glory, Ken Burns's popular documentary The Civil War, and a growing list of scholarly and popular accounts of the Civil War that have introduced a new generation of Americans to this important history.
A host of historical characters keeps this story moving at a brisk pace, including Colonel Henry Pleasants of the 48th Pennsylvania Volunteer Infantry, who oversaw the digging of the mine, and Generals Ambrose Burnside and George Gordon Meade, as well as a fictitious sketch artist by the name of James Reilly. The main character and hero of this story is Sergeant Garland White, who was born a slave, served as the personal servant of Senator Robert Toombs of Georgia, and, after escaping, helped to organize the earliest "colored" regiments in 1863.
Very little of this story is told from the perspective of Lee and his men. In fact, readers familiar with Glory will find much in common between these two stories. The men of the 28th USCT follow the same path as the more popular 54th Massachusetts Volunteer Infantry, even down to their training at the hands of an overly aggressive and racist Irish drill sergeant. Soldiers of both units battle against discrimination from within the ranks, even as they struggle to maintain focus on proving their manliness and worth as citizens on the battlefield. In the end, they earn their glory through assaults that end in defeat and a horrendous body count.
While in one respect the desire to introduce a long-neglected story to the general public is laudable, the particular shape of this narrative raises questions related to Newt Gingrich's current run for the presidency, as well as the increased influence that black Americans now wield on all levels of political life. It is impossible to imagine a presidential candidate writing such a book 50 years ago, during the Civil War Centennial, not simply because the stories were unknown, but because African Americans did not form a crucial political constituency. However, increased access to voting booths following the civil rights movement not only led to broader representation in state and national government, but made it possible for African Americans to advocate more directly for a more inclusive history. This is not to suggest that the authors' stated goal for this book is disingenuous, but that the choice of subject and perspective, as well as the timing of its publication, ought not to be viewed as an accident.