{"article":{"__typename":"BlogArticle","id":"BlogArticle:237749","title":"The Political Theory of Robin Harris","seoTitle":"The Political Theory of Robin Harris","slug":"the-political-theory-of-robin-harris","preview":null,"datePublished":"2011-04-22T20:30:00Z","primaryCategory":{"slug":"national","__typename":"Channel","displayName":"U.S.","url":"https://www.theatlantic.com/national/"},"editorialProject":null,"reviews":[],"authors":[{"id":"Author:1298","displayName":"Ta-Nehisi Coates","url":"https://www.theatlantic.com/author/ta-nehisi-coates/","biography":{"default":"Ta-Nehisi Coates is a former national correspondent for The Atlantic. He is the author of The Beautiful Struggle, We Were Eight Years in Power, The Water Dancer, and Between the World and Me, which won the National Book Award for nonfiction.","__typename":"Biography"},"socialMedia":[],"__typename":"Author","slug":"ta-nehisi-coates"}],"categories":[],"content":[{"__typename":"ArticleParagraphContent","subtype":null,"idAttr":"","innerHtml":"Riffing on this minority and crime piece got me thinking about this great Robin Harris riff on the death penalty. As I've said before, because blacks so often vote Democratic, its easy to think that Harlem is a bastion of leftism. But Robin Harris captures that organic conservative sentiment that runs hard through most communities that, as I said before, live without a cushion.
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