I have often felt a little envious of my professional musician friends. Not for the obvious reasons (getting to play in a band and get paid for it, or the accompanying status/sex-appeal), but because they had such a direct line to an audience's emotions. Writers can certainly influence a reader's emotions, but only by engaging the person's mind, first. The words have to be processed intellectually before they can be understood and felt emotionally. It's a quiet, thoughtful impact, even when it happens. A far cry from having an entire audience jump to its feet, almost involuntarily, and start moving in response to the rhythm, harmony, and energy issuing forth from the stage.
A brilliant orator might bring an audience to its feet, but the response would be to an idea, even if the idea was emotionally expressed. And the crowd would know what it was cheering about. Ask someone why a piece of music moves them, and they will probably find it harder to explain. For music speaks to a place deep inside of us that feels more than thinks; that knows resonance without questioning the details; that can hear and be comforted by the outpouring of heartbreak and survival in a blues ballad without even knowing the words.
But some researchers suspect that music and words may be more closely linked than I ever would have thought. So closely linked, in fact, that the study of music may actually be able to help ameliorate the language deficits of children with dyslexia.
How is that possible? The exact mechanism of the process isn't clear yet, but researchers at Harvard University have apparently seen a correlation between early-childhood music training and "enhanced motor and auditory skills, as well as improvements in verbal ability and non-verbal reasoning," And that correlation, they say, is even more pronounced in children with dyslexia. Gottfried Schlaug, one of the researchers, told the Acoustical Society of America that the results "suggest that a music intervention that strengthens the basic auditory music perception skills of children with dyslexia may also remediate some of their language deficits."
Those results are also supported by another paper being presented at the Acoustical Society of America meeting next week. Dr. Laurel Trainor and colleagues at McMaster University in West Hamilton, Ontario, have conducted several studies of children to gauge the impact of musical training. In one study, they compared two groups of children: one who were starting music lessons, and one who were doing other activities, like sports. They tested the electrical activity in the children's brains for a year and found that while both groups changed as the children developed, the children taking music lessons changed more ... especially in the areas "related to attentional processing."
"This is significant," Trainor wrote, "because it suggests a mechanism whereby music lessons could affect other cognitive processes, such as language and mathematical skills."
Now granted, music lessons involve a more focused learning process than simply sitting back and enjoying a collection of sounds. But there may also be a link between language and the evolution of music itself--which might help explain the ability of music to impact language processing.
A while back, I read a piece by Natalie Angier in the Science Times about the evolution of both language and the human ear. It appears that eight genes involved in shaping our ears underwent significant change over the past 40,000 years, and that our ability to distinguish and use a complex language evolved along with our more refined auditory infrastructure. "Moreover," she says,
"the avidity with which our auditory sense seeks to organize ambient noise into a meaningful acoustical pattern--a likely consequence of our dependence on language--could help explain our distinctly human musicality."
And a love of music is, apparently, a uniquely human trait. Other mammals, Angier notes, do not really appreciate music, despite the prevalent myth about music's power to soothe the wild beast. "If you give monkeys a choice between music and silence, they choose silence pretty strongly," reported Dr. Josh McDermott of the Center for Neural Science at NYU.
A similar thought was put forward in an article last December in The Economist on the evolution of music. It explored various theories about why we like and react to music, from sexual selection to group and community bonding. The sexual selection theorists believe that expertise in music evolved because it provided a courting advantage, similar to a peacock's colorful tail--which would certainly seem to be true in terms of musicians' ability to get dates after performances, at least in the rock and roll world. Music may also have evolved as a way to bring groups together as a community.
But according to Dr. Steven Pinker, a language theorist at Harvard, our appreciation for music may have evolved as a side-effect of our focus on sounds--a focus necessary to develop a complex language. As the article put it, just as a body that's designed to seek sugar and fat for survival finds itself enthusiastic about cheesecake, even though cheesecake itself isn't required for survival, "a brain devoted to turning sound into meaning is tickled by an oversupply of tone, melody and rhythm." So in the course of learning to distinguish nuances of difference in tone, sound and shape of vowels, consonants, and complex verb forms, we may have developed a delighted appreciation for all sounds and tones.
But even if all those correlations and theories are true, they still don't fully explain why music resonates so directly and brings forth such a range of emotions in people. Why do particular musical sounds move us so? The sounds in a word--even a really good word like "inexplicable"-- don't have the same effect. Researchers are looking into that one, too. But perhaps it's because we have been surrounded by sound far longer than we have known words: Our mothers' heartbeats and swishing blood and fluid even before we were born. The singing of birds, rain on a tin roof, the creaking of a porch swing, or the rustling of leaves by a gurgling brook. The cry of another child, the terrifying crack of lightning, or the scary howl of an animal nearby.
In the end, maybe the reason we respond to music more viscerally than language is simply because music was actually the first language we ever learned ... before thought, before words, when emotion was all we knew.
Note: I will be offline for the next week finishing a book project, returning November 3rd.
Angela Merkel has served formal notice that she will lead the German wandering away from the American alliance.
Seven years after the end of the Second World War, on the 10th of March 1952, the governments of the United States, the United Kingdom, France, and the newly established Federal Republic of Germany received an astounding note from the Soviet Union.
The Soviet Union offered to withdraw the troops that then occupied eastern Germany and to end its rule over the occupied zone. Germany would be reunited under a constitution that allowed the country freedom to choose its own social system. Germany would even be allowed to rebuild its military, and all Germans except those convicted of war crimes would regain their political rights. In return, the Allied troops in western Germany would also be withdrawn—and reunited Germany would be forbidden to join the new NATO alliance.
She lived with us for 56 years. She raised me and my siblings without pay. I was 11, a typical American kid, before I realized who she was.
The ashes filled a black plastic box about the size of a toaster. It weighed three and a half pounds. I put it in a canvas tote bag and packed it in my suitcase this past July for the transpacific flight to Manila. From there I would travel by car to a rural village. When I arrived, I would hand over all that was left of the woman who had spent 56 years as a slave in my family’s household.
The condition has long been considered untreatable. Experts can spot it in a child as young as 3 or 4. But a new clinical approach offers hope.
This is a good day, Samantha tells me: 10 on a scale of 10. We’re sitting in a conference room at the San Marcos Treatment Center, just south of Austin, Texas, a space that has witnessed countless difficult conversations between troubled children, their worried parents, and clinical therapists. But today promises unalloyed joy. Samantha’s mother is visiting from Idaho, as she does every six weeks, which means lunch off campus and an excursion to Target. The girl needs supplies: new jeans, yoga pants, nail polish.
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At 11, Samantha is just over 5 feet tall and has wavy black hair and a steady gaze. She flashes a smile when I ask about her favorite subject (history), and grimaces when I ask about her least favorite (math). She seems poised and cheerful, a normal preteen. But when we steer into uncomfortable territory—the events that led her to this juvenile-treatment facility nearly 2,000 miles from her family—Samantha hesitates and looks down at her hands. “I wanted the whole world to myself,” she says. “So I made a whole entire book about how to hurt people.”
In his new book, Ben Sasse has identified the right project for America: rehabilitating a shared moral language.
In just two short years, Senator Ben Sasse has gone from Capitol Hill newbie to digital president puncher, tweeting about Donald Trump’s affairs and the Midwestern dumpster fires he found more appealing than 2016’s Oval Office contenders.
Yet, on his breaks from Twitter, Sasse managed to craft a serious new book, The Vanishing American Adult. It advances a thesis that’s at once out of place at this political moment and almost too on-the-nose for the Trump years: He believes Americans have lost their sense of personal integrity and discipline. For the country to deal with the troubles ahead—including automation, political disengagement, and the rise of nativist, huckster politicians, he says—people must recover their sense of virtue. The republic depends on it.
As Republicans in Congress try to fend off the flurry of scandals, they are haunted by a question: Is this as good as it’s going to get?
The speaker of the House strode to his lectern on a recent Thursday to confront another totally normal day on Capitol Hill: health care, tax reform, a president under investigation, rumblings of impeachment.
“Morning, everybody!” Paul Ryan chirped. “Busy week!”
It was indeed: Less than a day had passed since the appointment of a special prosecutor to investigate Russia’s involvement in the presidential campaign; just a few hours since President Trump angrily tweeted that the investigation was “the single greatest witch hunt of a politician in American history!”; and only minutes since the Russia-linked former national-security adviser, Michael Flynn, had begun defying congressional subpoenas. A few days prior, the president had been accused of revealing sensitive intelligence information to the Russian foreign minister.
Should you drink more coffee? Should you take melatonin? Can you train yourself to need less sleep? A physician’s guide to sleep in a stressful age.
During residency, Iworked hospital shifts that could last 36 hours, without sleep, often without breaks of more than a few minutes. Even writing this now, it sounds to me like I’m bragging or laying claim to some fortitude of character. I can’t think of another type of self-injury that might be similarly lauded, except maybe binge drinking. Technically the shifts were 30 hours, the mandatory limit imposed by the Accreditation Council for Graduate Medical Education, but we stayed longer because people kept getting sick. Being a doctor is supposed to be about putting other people’s needs before your own. Our job was to power through.
The shifts usually felt shorter than they were, because they were so hectic. There was always a new patient in the emergency room who needed to be admitted, or a staff member on the eighth floor (which was full of late-stage terminally ill people) who needed me to fill out a death certificate. Sleep deprivation manifested as bouts of anger and despair mixed in with some euphoria, along with other sensations I’ve not had before or since. I remember once sitting with the family of a patient in critical condition, discussing an advance directive—the terms defining what the patient would want done were his heart to stop, which seemed likely to happen at any minute. Would he want to have chest compressions, electrical shocks, a breathing tube? In the middle of this, I had to look straight down at the chart in my lap, because I was laughing. This was the least funny scenario possible. I was experiencing a physical reaction unrelated to anything I knew to be happening in my mind. There is a type of seizure, called a gelastic seizure, during which the seizing person appears to be laughing—but I don’t think that was it. I think it was plain old delirium. It was mortifying, though no one seemed to notice.
It’s known as a modern-day hub of progressivism, but its past is one of exclusion.
PORTLAND, Ore.— Victor Pierce has worked on the assembly line of a Daimler Trucks North America plant here since 1994. But he says that in recent years he’s experienced things that seem straight out of another time. White co-workers have challenged him to fights, mounted “hangman’s nooses” around the factory, referred to him as “boy” on a daily basis, sabotaged his work station by hiding his tools, carved swastikas in the bathroom, and written the word “nigger” on walls in the factory, according to allegations filed in a complaint to the Multnomah County Circuit Court in February of 2015.
Pierce is one of six African Americans working in the Portland plant whom the lawyer Mark Morrell is representing in a series of lawsuits against Daimler Trucks North America. The cases have been combined and a trial is scheduled for January of 2017.
In the next two months, Congress will have to raise the debt ceiling and pass a budget. GOP leaders don’t know how they’re going to do either of them.
There’s nothing that united Republicans more tightly during the Obama years than their shared criticism of all the debt that racked up under the president’s watch. They raised political hell every time Democrats needed to raise the debt ceiling, and in 2011 they brought the country to the brink of default by insisting on spending and reforms in exchange for their votes.
This year, however, it’s all on them.
Trump administration officials told lawmakers this week that the Treasury Department would need authority to issue more debt earlier than expected this year, urging Congress to act before its traditional summer recess begins in August. Republican leaders initially believed they would have until the fall before the Treasury Department exhausted the “extraordinary measures” it undertakes to buy more time, but Trump’s budget director, Mick Mulvaney, testified that tax receipts have come in slower that expected.
Facing reported financial problems and allegations of abuse, the once-bankable star now seems stuck in franchise hell with no obvious exit.
When Johnny Depp sailed onscreen in 2003’s Pirates of the Caribbean: The Curse of the Black Pearl as Captain Jack Sparrow (to this day, a memorable superhero entrance), it was his first-ever appearance in a summer blockbuster. He’d been in surprise wintertime hits (Edward Scissorhands, Sleepy Hollow), well-regarded Oscar players (Donnie Brasco, Chocolat), and, of course, many a cult classic (Fear and Loathing in Las Vegas, Ed Wood). But the idea of Depp headlining a big-budget, mainstream franchise film was alarming enough to Disney’s then-studio head Michael Eisner that he protested, on seeing early footage, that Depp was “ruining the movie!”
Fourteen years later, Disney is serving up a fifth Pirates of the Caribbean, this time subtitled Dead Men Tell No Tales, budgeted at a cool $230 million. Since bursting into international superstardom with the first Pirates, Depp has become increasingly reliant on mega-budgeted action films and broad comedies. At the same time, his public profile has collapsed after his now ex-wife Amber Heard accused him of domestic violence during their divorce, and stories emerged of the mega-budgeted lifestyle that had somehow mired Depp in deep financial trouble despite his movie earnings.
Corporate executives haven't always believed that transactions must have winners and losers. But that’s not Donald J. Trump’s view.
The stories we tell ourselves, far more than the evidence of scientific analysis, determine how we interpret the world around us. Accordingly, the fate of capitalism rests in no small measure on the real and imagined characters whose ethics and efforts, at any given time, seem to embody the system. Whether the system is identified with Bill Gates or Bernie Madoff, Horatio Alger or Gordon Gekko, opinions about how exactly capitalism works, no less than its moral fitness, reflect the heroes and villains who drive these tales.
Whichever of these two designations best describes Donald J. Trump, he is clearly a chief protagonist, the world over, in the contemporary tale of capitalism. This has been clear enough since at least the spring of this year, when the man known to millions around the world for the lurid catchphrase “You’re fired!” became the first political novice from the business world to become a major party nominee for president since Wendell Willkie in 1940.