When Survivor first aired, I watched the initial episode with the naive idea that it was actually a show about survival. As in, dump a group of people on an island, and the one or ones who is the best at building shelter, figuring out sources of food, and keeping their innovative and rational wits about them, win. With rescue teams to keep the others from actually dying. Imagine my disappointment to discover that it was, instead, a show offering a re-run of junior high cliques and pout-fests. "Oh, dear god," I thought. "Junior high was bad enough the first time. Spare me the torture of watching it all over again." But I reassured myself with the thought that surely, this kind of show wouldn't last.
Last, of course, doesn't begin to describe what's happened in the reality TV world. Rabbits should reproduce and spread so prolifically. And even a number of my very intelligent friends have become avid fans of one show or another.
My own view, however, has remained unchanged. If a sinister power wanted to get state secrets out of my hands, a few days of non-stop reality TV show watching would do the trick. Enough back-to-back Bridezillas, The Janice Dickinson Modeling Agency, and Bachelor-babe catfights, with no hope of turning the channel, and I'd be pleading for mercy. But I'd also assume that I was the only torture victim in that equation.
Drawing on interviews with reality TV show contestants whose non-disclosure contracts have now expired, the article, headlined "Tired, Tipsy, and Pushed to the Brink," details a broad range of techniques routinely used on contestants, including sleep deprivation, isolation, taunting, food deprivation, and pushing of alcohol consumption. Take out the alcohol, and the list reads like a page straight out of a manual for enhanced interrogation techniques. Which both explains a lot, in terms of the bad behavior on those shows, and also provides a vivid illustration of why those techniques don't always get reliable intelligence from suspects.
Granted, reality show contestants have the option of leaving at any time--a significant difference. And one could argue that if contestants are stupid enough to sign on for the 15 minutes of humiliation fame reality shows offer, they deserve what they get. But even if contestants have visions of easy money or fame, I'm not sure they really know what they're getting into. Many may assume they can beat the system, knowing that they don't normally behave like the people they see on the shows. But even the stalwart feminist warrior Germaine Greer, who signed on to Britain's "Celebrity Big Brother" show in 2005 in the hopes of raising money for her rainforest charities, was overwhelmed by the abuse and dysfunction and quit after only four days. (Her account of her brief stay makes for interesting reading.)
There are undoubtedly any number of individual vulnerabilities and character flaws that plays into the equation, as well. But isolation, group pressure and sleep deprivation are powerful behavior-altering techniques, regardless of who's involved. That's why interrogators use them. When I was 16, I spent a week at a "Girl's State" convention that was ostensibly aimed at teaching us how to be better citizens. By the standards of reality TV, the experience was mild. But we were kept up late, roused early, and subjected to non-stop mandatory lectures each day. Group pressure to approve and conform was great. And within only a few days, almost all individual thought had evaporated. Each speaker got a standing ovation. Any differing opinion was booed, and the questioner ostracized. It was a frightening glimpse into how easy brain-washing and behavior modification are to accomplish--especially in a group.
Add alcohol, taunting, and the other tactics that seem commonplace in reality TV show environments, and you have a disturbing cross between George Orwell's 1984 and a modern-day Roman Coliseum. And yet, like the Romans of old, we cheer. We laugh. We watch. Seemingly without any twinge of conscience. And the puzzling question is ... why?
Is the entertainment quality of the shows that much better than the scripted programs we used to watch? I can't imagine I'd find many who'd say that. Are we so twisted that we love seeing other humans suffer? Or does watching the immature manipulative behavior, suffering and humiliation of seemingly-willing participants on those shows make us feel better about our own lives, no matter what we're going through?
Perhaps, like the contestants themselves, we don't realize what we're endorsing when we watch the shows, or buy the products they advertise. But that's beginning to change. As more information about the treatment of contestants comes out, will we continue to watch? Even knowing that that the last thing the behavior on reality TV shows represents is reality .... unless it's the reality of what vulnerable people will do under harsh and artificially-induced conditions?
The producers of these shows may be behaving as badly, or worse, than their inebriated, sleep-deprived contestants. But they could rightly argue that just as the slave trade depended on having people willing to buy the slaves, the reality TV shows depend on having audiences willing to watch. We are complicit. And as long as we are willing consumers of the product, the torture will continue--both for viewers who have increasingly fewer options in terms of what to watch, and for those hapless souls who sign up for a dream, and end up in a nightmare.
When President Obama left, I stayed on at the National Security Council in order to serve my country. I lasted eight days.
In 2011, I was hired, straight out of college, to work at the White House and eventually the National Security Council. My job there was to promote and protect the best of what my country stands for. I am a hijab-wearing Muslim woman––I was the only hijabi in the West Wing––and the Obama administration always made me feel welcome and included.
Like most of my fellow American Muslims, I spent much of 2016 watching with consternation as Donald Trump vilified our community. Despite this––or because of it––I thought I should try to stay on the NSC staff during the Trump Administration, in order to give the new president and his aides a more nuanced view of Islam, and of America's Muslim citizens.
Long after research contradicts common medical practices, patients continue to demand them and physicians continue to deliver. The result is an epidemic of unnecessary and unhelpful treatments.
First, listen to the story with the happy ending: At 61, the executive was in excellent health. His blood pressure was a bit high, but everything else looked good, and he exercised regularly. Then he had a scare. He went for a brisk post-lunch walk on a cool winter day, and his chest began to hurt. Back inside his office, he sat down, and the pain disappeared as quickly as it had come.
That night, he thought more about it: middle-aged man, high blood pressure, stressful job, chest discomfort. The next day, he went to a local emergency department. Doctors determined that the man had not suffered a heart attack and that the electrical activity of his heart was completely normal. All signs suggested that the executive had stable angina—chest pain that occurs when the heart muscle is getting less blood-borne oxygen than it needs, often because an artery is partially blocked.
Tucker Carlson’s latest reinvention is guided by a simple principle—a staunch aversion to whatever his right-minded neighbors believe.
Tucker Carlson is selling me hard on the swamp. It is an unseasonably warm afternoon in late January, and we are seated at a corner table in Monocle, an upscale Capitol Hill eatery frequented by the Fox News star. (Carlson, who typically skips breakfast and spends dinnertime on the air, is a fan of the long, luxurious, multi-course lunch, and when I requested an interview he proposed we do it here.) As we scan the menus, I mention that I’ll be moving soon to the Washington area, and he promptly launches into an enthusiastic recitation of the district’s many virtues and amenities.
“I’m so pathetically eager for people to love D.C.,” he admits. “It’s so sad. It’s like I work for the chamber of commerce or something.”
Polymath computer scientist David Gelernter’s wide-ranging ideas about American life.
Last month, David Gelernter, the pioneering Yale University computer scientist, met with Donald Trump to discuss the possibility of joining the White House staff. An article about the meeting in the Washington Post was headlined, “David Gelernter, fiercely anti-intellectual computer scientist, is being eyed for Trump’s science adviser.”
It is hard to imagine a more misleading treatment.
By one common definition, anti-intellectualism is “hostility towards and mistrust of intellect, intellectuals, and intellectual pursuits, usually expressed as the derision of education, philosophy, literature, art, and science, as impractical and contemptible.”
Here is the exchange that I had with Gelernter when I reached out to ask if he would be interested in discussing the substance of his views on science, politics and culture.
“No… it’s a magic potty,” my daughter used to lament, age three or so, before refusing to use a public restroom stall with an automatic-flush toilet. As a small person, she was accustomed to the infrared sensor detecting erratic motion at the top of her head and violently flushing beneath her. Better, in her mind, just to delay relief than to subject herself to the magic potty’s dark dealings.
It’s hardly just a problem for small people. What adult hasn’t suffered the pneumatic public toilet’s whirlwind underneath them? Or again when attempting to exit the stall? So many ordinary objects and experiences have become technologized—made dependent on computers, sensors, and other apparatuses meant to improve them—that they have also ceased to work in their usual manner. It’s common to think of such defects as matters of bad design. That’s true, in part. But technology is also more precarious than it once was. Unstable, and unpredictable. At least from the perspective of human users. From the vantage point of technology, if it can be said to have a vantage point, it's evolving separately from human use.
Neil Gaiman’s remarkable new book has triggered a debate about who, exactly, owns pagan tales.
Myths are funny. Unlike histories, they are symbolic narratives; they deal with spiritual rather than fact-based truths. They serve as foundations for beliefs, illustrating how things came to be and who was involved, but they’re often sketchy about when or why. There’s a brief scene from Neil Gaiman’s new book Norse Mythology that does a remarkable job of capturing just this: the wonderfully nebulous sense of being in illo tempore—the hazy “at that time” of the mythic past. It begins, as many creation myths do, with “an empty place waiting to be filled with life,” but in this instance some life already exists. There’s Ymir, whose enormous body produces all giants and, eventually, the earth, skies, and seas. There’s Audhumla, the celestial cow, who licks the first gods out of blocks of ice. And there are three brothers—the gods Ve, Vili, and Odin—who must devise a way out of this timeless nowhere:
Even when a relatively small number of people participate
The #DeleteUber campaign got another boost this weekend after a former Uber engineer wrote in an essay that she had reported incidents of sexual harassment at the company, and that the company had protected the alleged harasser. Uber CEO Travis Kalanick pledged to immediately look into the incident, hiring former Attorney General Eric Holder to investigate the allegations.
This was not the first round of bad press for Uber in recent weeks. In late January, Uber turned off surge pricing after taxi drivers halted work at JFK airport to protest a President Trump’s executive order on immigration, a move that opponents said helped the company profit from a drivers’ strike. And earlier this month, Kalanick stepped down from a position on President Trump’s economic advisory council after employees and consumers protested his involvement with the administration.
A new report explores why those who benefitted from Obamacare’s Medicaid expansion supported the man who promised to reverse it.
Here’s a question that’s baffled health reporters in the months since the election: Why would people who benefit from Obamacare in general—and its Medicaid expansion specifically—vote for a man who vowed to destroy it?
Some anecdotal reports have suggested that people simply didn’t understand that the benefits they received were a result of the Affordable Care Act. That was the case for one Indiana family TheNew York Times described in December:
Medicaid has paid for virtually all of his cancer care, including a one-week hospitalization after the diagnosis, months of chemotherapy, and frequent scans and blood tests.
But Mr. Kloski and his mother, Renee Epperson, are still not fans of the health law over all. They believed that it required that Mr. Kloski be dropped, when he turned 26, from the health plan his mother has through her job at Target — not understanding that it was the law that kept him on the plan until he was 26.
All in all, the United States has already set more than 2,800 new record high temperatures this month. It has only set 27 record lows.
Most people handle this weather as the gift it is: an opportunity to get outside, run or bike or play catch, and get an early jump on the spring. But for the two-thirds of Americans who are at least fairly worried about global warming, the weather can also prompt anxiety and unease. As one woman told the Chicago Tribune: “It’s scary, that’s my first thing. Because in all my life I’ve never seen a February this warm.” Or as one viral tweet put it:
The Key & Peele comedian Jordan Peele makes a confident, richly textured debut as a writer and director.
The opening scene of Get Out is a familiar horror-movie image—a stranger walking an unfamiliar street, in the dead of night, nervously looking over their shoulder at every rustle of sound. The setting is the suburbs, a frequent favorite of the slasher genre, only the victim is not a scantily clad teen girl, but an African American man, uneasily navigating what seems like hostile territory. A car pulls up alongside him, blasting the dirge-like old-fashioned ditty “Run Rabbit Run.” “Not today,” he mutters, turning around and walking in the opposite direction. But of course, his fate is already sealed.
Get Out was written and directed by Jordan Peele, one half of the legendary sketch-comedy duo behind Key & Peele. That show had a remarkable grasp on the visual hallmarks of the film genres it often mimicked, and its humor often lay in the preciseness of its parody. But Get Out is no mere pastiche. It’s an atmospheric, restrained, extremely effective work of horror with a clear point of view, a darkly hilarious movie that never trips over itself in search of a cheap laugh or scare. What might sound like a one-joke premise turns into something richly textured; what might seem like an easy metaphor is, in fact, anything but.