september 2010

At dawn this morning, workers loaded couches and tables into a moving truck parked outside the West Wing. Men wearing white coveralls and carrying roller brushes and paint cans walked across the north driveway. Inside the White House, pictures of the 45th president had been removed from the walls. Only the hooks remained, ready for a new set of portraits of the 46th.

A lone Donald Trump press deputy, Judd Deere, sat in his small office, writing a note on a piece of stationery to whomever would be taking over his desk in a few hours. Deere was attempting to describe what it’s like to work in the building. When I looked in at noon, after the Trump presidency had officially ended, he was gone, his desk cleared. Even the magazine racks hanging on the wall had been emptied.

Donald Trump’s chaotic final days in the White House could present President Joe Biden with a historic opportunity to broaden his base of public support and splinter Republican opposition to his agenda.

Recent polls have repeatedly found that about three-fourths or more of GOP voters accept Trump’s disproven charges that Biden stole the 2020 election, a number that has understandably alarmed domestic-terrorism experts. But in the same surveys, between one-fifth and one-fourth of Republican partisans have rejected that perspective. Instead, they’ve expressed unease about their party’s efforts to overturn the results—a campaign that culminated in the January 6 attack on the Capitol by a mob of Trump’s supporters.

President Donald Trump has long exulted in superlatives. The first. The best. The most. The greatest. “No president has ever done what I’ve done,” he boasts. “No president has ever even come close,” he says. But as his four years in office draw to an end, there’s only one title to which he can lay claim: Donald Trump is the worst president America has ever had.

In December 2019, he became the third president to be impeached. Last week, Trump entered a category all his own, becoming the first president to be impeached twice. But impeachment, which depends in part on the makeup of Congress, is not the most objective standard. What does being the worst president actually mean? And is there even any value, at the bitter end of a bad presidency, in spending energy on judging a pageant of failed presidencies?

“How to Build a Life” is a column by Arthur Brooks, tackling questions of meaning and happiness. Starting today, the column will be published weekly on Thursday mornings.

I am an inveterate scorekeeper. I can go back decades and find lists of goals I set for myself to gauge “success” by certain milestone birthdays. For example, in my 20s, I had a to-do list for the decade, the items on which more or less told the story of a penniless musician who had made some dubious choices. It included quitting smoking, going to the dentist, mastering my pentatonic scales, and finishing college. (I hit them all, although the last one mere days before my 30th birthday.)

There is nothing unusual about this tendency to keep score. Google “30 things to do before you turn 30” and you will get more than 15,000 results. Researchers writing in the journal Psychological Science a few years ago observed that people are naturally motivated toward performance goals related to round numbers, and birthdays in particular can often act as landmarks to motivate self-improvement. We naturally seek outside sources of quantitative evidence of our progress and effectiveness—and, thus, our happiness.

I’ve been thinking about Barbara Tuchman’s medieval history, A Distant Mirror, over the past couple of weeks. The book is a masterful work of anti-romance, a cold-eyed look at how generations of aristocrats and royalty waged one of the longest wars in recorded history, all while claiming the mantle of a benevolent God. The disabusing begins early. In the introduction, Tuchman examines the ideal of chivalry and finds, beneath the poetry and codes of honor, little more than myth and delusion.

Knights “were supposed, in theory, to serve as defenders of the Faith, upholders of justice, champions of the oppressed,” Tuchman writes. “In practice, they were themselves the oppressors, and by the 14th century, the violence and lawlessness of men of the sword had become a major agency of disorder.”