These should be boom times for sex.

The share of Americans who say sex between unmarried adults is “not wrong at all” is at an all-time high. New cases of HIV are at an all-time low. Most women can—at last—get birth control for free, and the morning-after pill without a prescription.

If hookups are your thing, Grindr and Tinder offer the prospect of casual sex within the hour. The phrase If something exists, there is porn of it used to be a clever internet meme; now it’s a truism. BDSM plays at the local multiplex—but why bother going? Sex is portrayed, often graphically and sometimes gorgeously, on prime-time cable. Sexting is, statistically speaking, normal.

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DETROIT—Gretchen Whitmer had her red water bottle with the Wonder Woman logo. Debbie Stabenow was touching up her makeup. Dana Nessel was up front, sitting with her wife, right behind the stack of boxed salads that was the food for the day.

The top of the Democratic ticket in Michigan—candidates for governor, Senate, and attorney general—were rolling along to the 77th and final stop of a statewide bus tour, hours before polls closed on Election Day. When the dust settled on 2016, no one would have been counting on any of them to be in contention, let alone win.

But with the way things were going now, two years later, they felt like singing. “We need a Democratic fight song we can all agree on,” Whitmer said.

Earlier this week, Alexandria Ocasio-Cortez posted a tweet: At congressional events, she shared (the representative-elect of New York’s 14th Congressional District is currently in Washington for a series of orientations on the workings of the House), she keeps being mistaken for an intern. Or sometimes for the spouse of the person who must be the true new member of Congress. Ocasio-Cortez, a young woman who is also a woman of color who is also a democratic socialist—a politician who won her election, earlier this month, with 78 percent of her district’s vote—keeps getting told that she doesn’t quite belong in Congress. Her tweet sharing that experience was punctuated by a face-palm emoji. It went viral.

I encountered the cover of Peter S. Beagle’s fantasy novel The Last Unicorn years before I read the book. On the front of the Ballantine paperback edition that once sat on my parents’ shelf, there’s a white unicorn running in a forest as a small red sun sets behind the mountains. Where was this majestic creature going? I wondered.

It’s now been 50 years since the novel’s publication, and the unicorn’s journey still captures the minds and hearts of readers. This week marks the release of The Last Unicorn: The Lost Journey, a commemorative edition of Beagle’s first draft of the novel. The book’s early popularity was no doubt fueled by the Tolkien boom; J. R. R. Tolkien’s The Lord of the Rings found legions of fans in the United States after it appeared in a paperback edition in 1965. But The Last Unicorn has since come into its own. In 1982, the novel was made into an animated film, which has become something of a cult classic. A novelette sequel that Beagle published in 2005 won both the Nebula and the Hugo Awards—the fantasy genre’s two highest honors. After all these years, The Last Unicorn still feels relevant. It’s not an epic fantasy, but a softer tale at the boundaries of magic and reality, that place where one grapples with what it means to be human.

The first day we met, Samin Nosrat improved my cooking for maybe the 100th time. I’d been employing Nosrat’s approach to cooking in my own kitchen for more than a year, each small tweak and lesson learned its own miracle. But last month, Nosrat intervened directly (and perhaps unknowingly).

At the market she chose as our meeting place, downtown Brooklyn’s Atlantic Fruit & Vegetable, the Berkeley-based chef and educator giddily pointed out a number of produce gems. One of them—fresh bay leaves—ended up finding its way into the soup I made that evening. A spicy medley of andouille sausage, Yukon Gold potatoes, black-eyed peas, and Tuscan kale, my soup would’ve been tasty without the addition. But the bay leaves, quietly fragrant and almost minty in their essence, balanced out the richness of the broth. Suddenly, it sang.

The writer Stewart Brand once wrote that “science is the only news.” While news headlines are dominated by politics, the economy, and gossip, it’s science and technology that underpin much of the advance of human welfare and the long-term progress of our civilization. This is reflected in an extraordinary growth in public investment in science. Today, there are more scientists, more funding for science, and more scientific papers published than ever before:

On the surface, this is encouraging. But for all this increase in effort, are we getting a proportional increase in our scientific understanding?  Or are we investing vastly more merely to sustain (or even see a decline in) the rate of scientific progress?

Seventy-six people are dead. At least 1,276 are missing. And more than 7 million have been confined to their homes, as a cloud of toxic, corrosive ash darkens their windows and creeps under their doors.

The Camp Fire—which is still burning across some 232 square miles of Northern California—now ranks among the worst natural disasters to hit the United States this century. Only a handful of hurricanes and a “super outbreak” of tornadoes in 2011 have killed more Americans. This fire has robbed more Californians of their lives than has any earthquake since 1933.

It came like an ocean of flame. At 6:33 a.m. on Thursday, November 8, someone called 911 about a fire in the woods on Camp Creek Road. (The road would lend the fire its bitterly ironic name.) When firefighters arrived 10 minutes later, they noted the parched conditions and the harsh, hot wind. “This has got the potential for a major incident,” one said over the radio.

This is a story about what happens when you limit birthright citizenship and stir up hate against a certain class of immigrants. It takes place in the Dominican Republic. Like most countries in the Americas, for a century and a half the Caribbean nation’s constitution guaranteed birthright citizenship for anyone born on its soil, with a couple of exceptions: the children of diplomats and short-term travelers. And like most other peoples in the Americas, Dominicans have had a more complicated relationship with immigration than the framers of that constitution might have anticipated.

The Dominican Republic has long been dependent on a steady stream of cheap immigrant labor that cuts its sugar cane, builds its buildings, and staffs the beach resorts that draw in billions of foreign dollars a year. Almost all of that labor comes from the only country close enough, and poor enough, to have people who want to immigrate in large numbers to the Dominican Republic: its Hispaniolan twin, Haiti. Some working-class Dominicans without clear Haitian roots resent poorer neighbors willing to accept lower wages and tough conditions. Many wealthy Dominicans who profit wildly off the cheap labor supply are eager to have strict immigration laws in place, too—not because they want less immigration, but because they want a freer hand. Immigrants in the country illegally have no protection from workplace regulations and can be rounded up, deported, and replaced whenever convenient—including right before payday. (Sound familiar?)

Nearly every day, Americans are given fresh reasons to be horrified by Donald Trump. The president’s tweets are written to exacerbate social divisions, and his policy agenda is designed more to score political points than to solve actual problems. But beneath progressive outrage sits a deep unease, fueled by a gnawing question: How could America have elected both Barack Obama and a man so prone to race-baiting, tribalism, and transparent dishonesty?

There’s plenty of evidence to suggest that America is coming apart at the seams, split not only by race but also along socioeconomic, educational, and cultural lines. But in ways that would have seemed improbable if not impossible just a few short years ago, voters in what had been red America chose in this year’s midterms to support candidates across those various divides.

Dear Elena Ferrante,

It’s been a while. We haven’t been in touch since I interviewed you for The New York Times in December 2014—by email via your publisher, of course, because you are an artist of absence as well as a literary presence. I’ve always been impressed that back in 1992, when you published your first novel—Troubling Love, a vexing exploration of the female psyche—you made clear to your editors at Edizioni E/O that you would never appear in public. You didn’t want to do author tours or go on television, you told them; you wanted the work to speak for itself. And when you did choose to respond to questions, you would do so only on your terms—in writing.

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