january/february 2009

There’s no place like home—unless you’re Elon Musk. A prototype of SpaceX’s Starship, which may someday send humans to Mars, is, according to Musk, likely to launch soon, possibly within the coming days. But what motivates Musk? Why bother with Mars? A video clip from an interview Musk gave in 2019 seems to sum up Musk’s vision—and everything that’s wrong with it.

In the video, Musk is seen reading a passage from Carl Sagan’s book Pale Blue Dot. The book, published in 1994, was Sagan’s response to the famous image of Earth as a tiny speck of light floating in a sunbeam—a shot he’d begged NASA to have the Voyager 1 spacecraft take in 1990 as it sailed into space, 3.7 billion miles from Earth. Sagan believed that if we had a photo of ourselves from this distance, it would forever alter our perspective of our place in the cosmos.

adam Kinzinger is a liberated individual—liberated from his party leadership, liberated from the fear of being beaten in a primary, liberated to speak his mind. The 43-year-old representative was one of 10 House Republicans who voted to impeach Donald Trump for inciting the attack on the U.S. Capitol.

“I don’t have a constitutional duty to defend against a guy that is a jerk and maybe says some things I don’t like,” Kinzinger told me, explaining what had pushed him to finally break with the president. “I do when he’s getting ready to destroy democracy—and we saw that culminate on January 6th.”

This was the sort of language a number of Republicans used in the immediate aftermath of the riot. “The president bears responsibility for Wednesday’s attack on Congress by mob rioters,” House Minority Leader Kevin McCarthy said on January 13. But by the end of the month, McCarthy was traveling hat in hand to Mar-a-Lago to meet with Trump.

Every day, more than 1 million American deltoids are being loaded with a vaccine. The ensuing immune response has proved to be extremely effective—essentially perfect—at preventing severe cases of COVID-19. And now, with yet another highly effective vaccine on the verge of approval, that pace should further accelerate in the weeks to come.

This is creating a legion of people who no longer need to fear getting sick, and are desperate to return to “normal” life. Yet the messaging on whether they might still carry and spread the disease—and thus whether it’s really safe for them to resume their unmasked, un-distanced lives—has been oblique. Anthony Fauci said last week on CNN that “it is conceivable, maybe likely,” that vaccinated people can get infected with the coronavirus and then spread it to someone else, and that more will be known about this likelihood “in some time, as we do some follow-up studies.” CDC Director Rochelle Walensky had been no more definitive on Meet the Press a few days before, where she told the host, “We don’t have a lot of data yet to inform exactly the question that you’re asking.”

When the polio vaccine was declared safe and effective, the news was met with jubilant celebration. Church bells rang across the nation, and factories blew their whistles. “Polio routed!” newspaper headlines exclaimed. “An historic victory,” “monumental,” “sensational,” newscasters declared. People erupted with joy across the United States. Some danced in the streets; others wept. Kids were sent home from school to celebrate.

One might have expected the initial approval of the coronavirus vaccines to spark similar jubilation—especially after a brutal pandemic year. But that didn’t happen. Instead, the steady drumbeat of good news about the vaccines has been met with a chorus of relentless pessimism.

The world of Danish children’s television is not for the prudish. Kids who turn on the tube in Denmark might be greeted by gratuitous flatulence, cursing, casual nudity, or cross-dressing puppets. One show centers on a pipe-smoking pirate who wallops ninjas and flirts with Satanism. In another, an audience of 11-to-13-year-olds asks probing questions about the bodies of adults who disrobe before them. As Christian Groes, an anthropologist at Denmark’s Roskilde University, told me, Danish children’s television is not unlike an LSD trip: “Everything is possible in that universe,” he said, loosely quoting a friend, “and people won’t complain about it.”

But people did complain when the Danes debuted a kids’ animated series in January featuring a protagonist with an absurdly long, prehensile penis.