september 2008

Both the Trump and Obama administrations relied heavily on highly trained Special Forces units to keep Afghanistan from collapse. The strategy has kept recent episodes of the 21-year Afghan War out of the public eye, but it is failing to stabilize the country and is straining the United States military’s elite troops, who serve back-to-back combat tours without an end in sight and disproportionately give their lives in service of a war the public knows almost nothing about.

When Kunduz, a major city in northern Afghanistan, fell to the Taliban in 2015, U.S. Special Forces were dispatched on a secret mission to help Afghan commandos recapture it. Under-resourced and unprepared, the soldiers found themselves in the midst of a pitched battle with conflicting orders. The story of how it led to one of the U.S. military’s worst disasters in Afghanistan shows the perils of relying on Special Operations alone to fight the nation’s wars.

When I was a child, my dad invented a game that I loved. Wherever we went, he’d predict what strangers were about to say or do. We’d walk into a store and he’d point at the salesman and say something like, “Watch this. When I tell him how much I’m willing to spend, he’ll immediately show me something more expensive.” The salesman did exactly as Dad had prophesized. When Dad took me to my first concert, he told me the musician would ask the audience how they were feeling tonight and, when everyone cheered wildly, would respond, “I can’t hear you!” It wasn’t long before the musician spoke those exact words.

It felt like magic, like Dad was telling the future or reading minds, so I asked how he did it. Most people follow a script, he said. I asked him why and I remember him replying, “Because they’re afraid that if they say what they really feel, people won’t like them. And they’d rather be liked than be honest.” I knew then that I wanted to be honest, regardless of the consequences. I stuck to that for the next 25 years. And there were consequences.

The doll is two-headed and two-bodied—one black body and one white, conjoined at the lower waist where the hips and legs would ordinarily be. The lining of one's dress is the outside of the other’s, so that the skirt flips over to conceal one body when the other is upright. Two dolls in one, yet only one can be played with at a time.

The topsy-turvy doll, as it’s known, most likely originated in American plantation nurseries of the early 19th century. By the mid-20th century, they’d grown so popular that they were mass-manufactured and widely available in department stores across the country, but today, they’re found mostly in museums, private collections, and contemporary art. In recent years, the dolls have seen a renewed interest from collectors and scholars alike, largely motivated by the ongoing question that surrounds their use: What were they supposed to symbolize?

This is a time of much division. Families and communities are splintered by polarizing narratives. Outrage surrounds geopolitical discourse—so much so that anxiety often becomes a sort of white noise, making it increasingly difficult to trigger intense, acute anger. The effect can be desensitizing, like driving 60 miles per hour and losing hold of the reality that a minor error could result in instant death.

One thing that apparently still has the power to infuriate people, though, is how many spaces should be used after a period at the end of an English sentence.

The war is alive again of late because a study that came out this month from Skidmore College. The study is, somehow, the first to look specifically at this question. It is titled: “Are Two Spaces Better Than One? The Effect of Spacing Following Periods and Commas During Reading.”

The first time my hips locked up, the reason was at least a little bit glamorous. It was 2018, and I was returning from vacation in Sicily, which was the fanciest thing I’d ever done by several orders of magnitude. As I went through the motions—and, perhaps more important, the lack of motion—of international flight, my gait began to stiffen, and my stride contracted to a fraction of its former self. My body, settling into its mid-30s, rebelled against the hours spent in airplane seats, the nights in unfamiliar beds, the constant, awkward physicality of travel.

The same thing happened a few more times over the next year and a half, always after long-haul flights. I began to think of it as “airplane hip,” and the condition was annoying but temporary; I don’t spend much time on planes, and a yoga move called “pigeon pose” would stretch my stiff waddle back into a walk in a day or two. Usually, the discomfort was worth it—a small musculoskeletal price to pay for the occasional privilege of seeing parts of the world still new to me.