june 2008

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ndrew Weissmann was one of Robert Mueller’s top deputies in the special counsel’s investigation of the 2016 election, and he’s about to publish the first insider account, called Where Law Ends: Inside the Mueller Investigation. The title comes from an adapted quote by the philosopher John Locke that’s inscribed on the façade of the Justice Department building in Washington, D.C.: “Wherever law ends, tyranny begins.”

Weissmann offers a damning indictment of a “lawless” president and his knowing accomplices—Attorney General William Barr (portrayed as a cynical liar), congressional Republicans, criminal flunkies, Fox News. Donald Trump, he writes, is “like an animal, clawing at the world with no concept of right and wrong.” But in telling the story of the investigation and its fallout, Weissmann reserves his most painful words for the Special Counsel’s Office itself. Where Law Ends portrays a group of talented, dedicated professionals beset with internal divisions and led by a man whose code of integrity allowed their target to defy them and escape accountability.

This story contains spoilers for the film Antebellum.

Antebellum is the kind of film that requires true storytelling daring to pull off. A horror movie that blurs history, fantasy, and darkest nightmare, it would only work with the cleverest calibration, striking a balance between thrills and social commentary that recalls the films of Jordan Peele or the best episodes of Black Mirror. But Antebellum, the feature-length directorial debut of Gerard Bush and Christopher Renz, is a cinematic perversion of the genre.

The film’s arresting premise was laid out in its stark, effective advertising: What if a modern-day Black American woke up one morning to find herself on a Civil War–era slave plantation? That’s what happens to Eden (played by Janelle Monáe), though the movie opens on her life in captivity and takes a while to reveal its contemporary twist. Antebellum evokes Octavia Butler’s chilling 1979 masterpiece, Kindred, in which an African American woman is mysteriously transported back in time and experiences the deep suffering of her enslaved ancestors. But that novel didn't relish the brutality that its protagonist experienced, and it offered profound insights into power, memory, and the psychology of enslavement. Antebellum isn’t worthy of the comparison. It loads up on visceral scares and disturbing imagery in service of a shallow film that feels like a gory theme-park ride showcasing the horrors of slavery.

The writer Anne Helen Petersen’s new book is primarily about “burnout,” a condition endemic to the Millennial generation that she describes as a persistent “sensation of dull exhaustion” and “the feeling that you’ve optimized yourself into a work robot.” Expanding on a widely read BuzzFeed News article from two years ago, Petersen follows lines of cultural and economic inquiry in an effort to identify the root causes of this generational malaise.

But her book, titled Can't Even: How Millennials Became the Burnout Generation, is also about parenting. It is about how many Baby Boomers’ hands-on, sometimes overbearing approach to parenting was the product of the anxious economic milieu that they came of age in and how many Millennials’ overbooked upbringings set them up for burnout later in life. This hardly describes the experience of every child of the 1980s and ’90s, but this “intensive” parenting style was practiced widely, and not just by the middle-class parents who pioneered it. (It has since become a nationwide ideal across race and class.)

To use power, you must have it.

On the night of Justice Ruth Bader Ginsburg's death, Senate Majority Leader Mitch McConnell announced that a Trump nominee to replace Ginsburg would receive a vote on the floor of the Senate.

That announcement promised a use of power without hesitation or compunction, an abrupt reversal of the supposed rule that blocked an Obama nomination nine months before the 2016 election. This supposed rule would seem much better justified in 2020 than 2016. This time, the vacancy has occurred only 46 days before an election. This time, the party of the president making the nomination seems likely to lose, not win. This time, the Senate majority to approve the nomination may lose too.

On April 13, Robert Redfield, the director of the U.S. Centers for Disease Control and Prevention, appeared on the Today show and assured viewers that the worst was nearly behind us. It had been a month since the last gathering of fans in an NBA arena; a month since the fateful week when Americans began panic-buying bottled water and canned beans. The segment’s host, Savannah Guthrie, was broadcasting from home in upstate New York. With the light of a makeshift camera reflecting in her glasses, she asked Redfield to address reports that we could be facing another three weeks of social distancing. “We are nearing the peak right now,” Redfield told her. “Clearly we are stabilizing in terms of the state of this outbreak.”