Douglas Brinkley, “Tour of Duty”; George Soros, “The Bubble of American Supremacy”; P. J. O'Rourke, “The Backside of War”; Samantha Power, “How to Kill a Country”; Christopher Buckley, “Scrutiny on the Bounty”; Christopher Hitchens, “Pictures From an Inquisition”; fiction by Lavanya Sankaran; and much more.
Senator John F. Kerry often cites his service in Vietnam as a formative element of his character. A new account of his time there—based on interviews with those who knew him well, and on his never-before-published letters home and his voluminous "war notes"—offers the first intimate look at a traumatic and life-altering experience
Plenty of moms feel something less than unmitigated joy around their grown-up kids. Make sure yours feels that she’s getting as much out of her relationship with you as she gives.
“How to Build a Life” is a weekly column by Arthur Brooks, tackling questions of meaning and happiness.
Arthur C. Brooks will discuss the science of happiness live at 11 a.m. ET on May 20. Register for In Pursuit of Happiness here.
“You are … irritating and unbearable, and I consider it most difficult to live with you.” So wrote Johanna Schopenhauer in a 1807 letter to her 19-year-old son Arthur. “No one can tolerate being reproved by you, who also still show so many weaknesses yourself, least of all in your adverse manner, which in oracular tones, proclaims this is so and so, without ever supposing an objection. If you were less like you, you would only be ridiculous, but thus as you are, you are highly annoying.”
I surprised myself by enjoying this sad movie about old people working seasonal jobs.
Nomadland dares you to watch it. Even pressing the Play button on Hulu is a test of strength; do you have the stones to watch this plotless, dreary semi-documentary about elderly people forced to live in vans—and, yes, perform unspeakable bodily functions within them—and search for seasonal work? Or are you going to be a little baby and watch The Bourne Identity for the kabillionth time?
The much-reviled four-quadrant theory of moviemaking holds that a blockbuster appeals to all four sectors of the audience: young men, young women, somewhat older men, and somewhat older women. Nomadland is a movie that appeals to the four quadrants of the show-business apocalypse: menopausal women, people with life-threatening illnesses, people interested in poverty, and anyone with time on her hands who can’t find the remote.
The representative from Wyoming is taking a stand against an authoritarian streak in the Republican Party that she helped cultivate.
Liz Cheney, the representative of Wyoming, the daughter of a former vice president, and a lifelong conservative Republican, is facing a purge.
Cheney’s transgression? She has continued to insist, truthfully, that former President Donald Trump’s claims about the 2020 election are false, after having voted to impeach him in March for inciting a mob that stormed the Capitol in an attempt to overturn the result.
Yesterday, Steve Scalise, the No. 2 Republican in the House, publicly advocated for removing Cheney from her leadership post as the third-ranking House Republican, and replacing her with Elise Stefanik, who has obsequiously amplified Trump’s lies about voter fraud. “This is about whether the Republican Party is going to perpetuate lies about the 2020 election and attempt to whitewash what happened on January 6,” Cheney’s spokesperson, Jeremy Adler, told TheNew York Times. “Liz will not do that. That is the issue.”
Progressive communities have been home to some of the fiercest battles over COVID-19 policies, and some liberal policy makers have left scientific evidence behind.
Lurking among the jubilant Americans venturing back out to bars and planning their summer-wedding travel is a different group: liberals who aren’t quite ready to let go of pandemic restrictions. For this subset, diligence against COVID-19 remains an expression of political identity—even when that means overestimating the disease’s risks or setting limits far more strict than what public-health guidelines permit. In surveys, Democrats express more worry about the pandemic than Republicans do. People who describe themselves as “very liberal” are distinctly anxious. This spring, after the vaccine rollout had started, a third of very liberal people were “very concerned” about becoming seriously ill from COVID-19, compared with a quarter of both liberals and moderates, according to a study conducted by the University of North Carolina political scientist Marc Hetherington. And 43 percent of very liberal respondents believed that getting the coronavirus would have a “very bad” effect on their life, compared with a third of liberals and moderates.
It is a truth universally acknowledged that elite parents, in possession of excellent jobs, want to get their kids into college.
“It is a truth universallyacknowledged,” Jane Austen begins Pride and Prejudice, “that a single man in possession of a good fortune, must be in want of a wife.” In early-19th-century society—an aristocratic world of inherited wealth—marriage occupied center stage. A good spouse was an all-purpose resource: essential for moving up in the world, as for Austen’s heroine, Elizabeth Bennet, or for sustaining a dynasty, as for the object of her affections, Mr. Darcy.
School and work were not a path to wealth and status—certainly not for women, nor even for men. Elites were indifferent to education and disdained work. The landed gentry in Pride and Prejudice look down on Elizabeth’s working uncle, no matter that he gets his income from “a very respectable line of trade.” The economic facts on the ground supported their antipathy. The highest-paying jobs tended to be in government. But even at the end of the century, an elite English civil servant made just 17.8 times the median wage, and his American counterpart just 7.8 times. Mr. Darcy’s £10,000 a year from inherited capital was more than 300 times the median wage.