Philip Jenkins, “The Next Christianity”; Joseph Stiglitz, “The Roaring Nineties”; William Langewiesche, “American Ground: Unbuilding the World Trade Center” (part three, excerpts); P. J. O'Rourke, “Anything Goes”; Caitlin Flanagan on working mothers; Christopher Hitchens on Lord Byron; fiction by Liza Ward; and much more.
We stand at a historical turning point, the author argues—one that is as epochal for the Christian world as the original Reformation. Around the globe Christianity is growing and mutating in ways that observers in the West tend not to see. Tumultuous conflicts within Christianity will leave a mark deeper than Islam's on the century ahead
As the chairman of Bill Clinton's Council of Economic Advisers, and subsequently as the chief economist of the World Bank during the East Asian financial crisis, Joseph Sitglitz was deeply involved in many of the economic-policy debates of the past ten years. What did this experience tell him? That much of what we think we know about the prosperity of the 1990s is wrong. Here is a revised history of the decade, by the winner of the 2001 Nobel Prize in Economics
Colonizing the red planet is a ridiculous way to help humanity.
There’s no place like home—unless you’re Elon Musk. A prototype of SpaceX’s Starship, which may someday send humans to Mars, is, according to Musk, likely to launch soon, possibly within the coming days. But what motivates Musk? Why bother with Mars? A video clip from an interview Musk gave in 2019 seems to sum up Musk’s vision—and everything that’s wrong with it.
In the video, Musk is seen reading a passage from Carl Sagan’s book Pale Blue Dot. The book, published in 1994, was Sagan’s response to the famous image of Earth as a tiny speck of light floating in a sunbeam—a shot he’d begged NASA to have the Voyager 1 spacecraft take in 1990 as it sailed into space, 3.7 billion miles from Earth. Sagan believed that if we had a photo of ourselves from this distance, it would forever alter our perspective of our place in the cosmos.
After saying a racial slur and being exiled from radio, Morgan Wallen has become only more popular. What’s going on?
It’s no exaggeration to say that one of the biggest artists in American music right now is a disgrace. Three weeks after the 27-year-old country singer Morgan Wallen said a racial slur on camera, his second studio album, Dangerous: The Double Album, is at No. 1 on the Billboard 200 chart. His singles have been bobbing in the country-music top 10 and the cross-genre Hot 100. Billboard’s ranking of the most popular artists in the United States had him in the top spot for five straight weeks. Thousands of people are, at this moment, streaming Wallen’s songs, buying his records, and watching his music videos—putting money in the pockets of someone who has admitted to saying one of the most noxious things imaginable.
We’ll never know for sure how contagious people are after they’re vaccinated, but we do know how they should act.
Every day, more than 1 million American deltoids are being loaded with a vaccine. The ensuing immune response has proved to be extremely effective—essentially perfect—at preventing severe cases of COVID-19. And now, with yet another highly effective vaccine on the verge of approval, that pace should further accelerate in the weeks to come.
This is creating a legion of people who no longer need to fear getting sick, and are desperate to return to “normal” life. Yet the messaging on whether they might still carry and spread the disease—and thus whether it’s really safe for them to resume their unmasked, un-distanced lives—has been oblique. Anthony Fauci said last week on CNN that “it is conceivable, maybe likely,” that vaccinated people can get infected with the coronavirus and then spread it to someone else, and that more will be known about this likelihood “in some time, as we do some follow-up studies.” CDC Director Rochelle Walensky had been no more definitive on Meet the Press a few days before, where she told the host, “We don’t have a lot of data yet to inform exactly the question that you’re asking.”
The Danish series John Dillermand makes a very big deal about a very big body part.
The world of Danish children’s television is not for the prudish. Kids who turn on the tube in Denmark might be greeted by gratuitous flatulence, cursing, casual nudity, or cross-dressing puppets. One show centers on a pipe-smoking pirate who wallops ninjas and flirts with Satanism. In another, an audience of 11-to-13-year-olds asks probing questions about the bodies of adults who disrobe before them. As Christian Groes, an anthropologist at Denmark’s Roskilde University, told me, Danish children’s television is not unlike an LSD trip: “Everything is possible in that universe,” he said, loosely quoting a friend, “and people won’t complain about it.”
But people did complain when the Danes debuted a kids’ animated series in January featuring a protagonist with an absurdly long, prehensile penis.
When the polio vaccine was declared safe and effective, the news was met with jubilant celebration. Church bells rang across the nation, and factories blew their whistles. “Polio routed!” newspaper headlines exclaimed. “An historic victory,” “monumental,” “sensational,” newscasters declared. People erupted with joy across the United States. Some danced in the streets; others wept. Kids were sent home from school to celebrate.
One might have expected the initial approval of the coronavirus vaccines to spark similar jubilation—especially after a brutal pandemic year. But that didn’t happen. Instead, the steady drumbeat of good news about the vaccines has been met with a chorus of relentless pessimism.