november 2000

I first noticed that something weird was happening this past spring.

In April, the number of workers who quit their job in a single month broke an all-time U.S. record. Economists called it the “Great Resignation.” But America’s quittin’ spirit was just getting started. In July, even more people left their job. In August, quitters set yet another record. That Great Resignation? It just keeps getting greater.

“Quits,” as the Bureau of Labor Statistics calls them, are rising in almost every industry. For those in leisure and hospitality, especially, the workplace must feel like one giant revolving door. Nearly 7 percent of employees in the “accommodations and food services” sector left their job in August. That means one in 14 hotel clerks, restaurant servers, and barbacks said sayonara in a single month. Thanks to several pandemic-relief checks, a rent moratorium, and student-loan forgiveness, everybody, particularly if they are young and have a low income, has more freedom to quit jobs they hate and hop to something else.

At the end of Dave Chappelle’s latest Netflix stand-up special—after 72 brutal, bruised, combative minutes that conclude with the story of a suicide—my other half turned to me and said: “That wasn’t very funny, was it?”

Was it even meant to be? The emotion that defines The Closer is not laughter, but anger. Chappelle once delivered his most offensive jokes with a goofy, quizzical, little-lost-boy smile, removing some of their sting, but here the humor feels sour and curdled. The stoner who never gave a shit seems genuinely frustrated and goaded on by social-media pile-ons. An alternative title for the special might be A Response to My Critics.

Artists tend to be annoyed when critics grade their work on its political content rather than its technical and creative choices, and yet responding to The Closer any other way is hard. The special draws its energy from one of the hottest debates in popular culture, about competing claims to victimhood. Its jokes about LGBTQ people have led to boycott threats, calls to remove the special from Netflix, and even the brief suspension of a transgender Netflix employee who protested the special. In GQ, the writer Saeed Jones declared, “I feel like a fool to have rooted for Dave Chappelle for so long.”

The Tribune Tower rises above the streets of downtown Chicago in a majestic snarl of Gothic spires and flying buttresses that were designed to exude power and prestige. When plans for the building were announced in 1922, Colonel Robert R. McCormick, the longtime owner of the Chicago Tribune, said he wanted to erect “the world’s most beautiful office building” for his beloved newspaper. The best architects of the era were invited to submit designs; lofty quotes about the Fourth Estate were selected to adorn the lobby. Prior to the building’s completion, McCormick directed his foreign correspondents to collect “fragments” of various historical sites—a brick from the Great Wall of China, an emblem from St. Peter’s Basilica—and send them back to be embedded in the tower’s facade. The final product, completed in 1925, was an architectural spectacle unlike anything the city had seen before—“romance in stone and steel,” as one writer described it. A century later, the Tribune Tower has retained its grandeur. It has not, however, retained the Chicago Tribune.

Dear Therapist,

My daughter gave a child up for adoption about 25 years ago. She already had one child, and although I offered to help her raise both children, she felt it wouldn’t be fair to us or to the baby, so she gave her up to a very nice couple, whom we both interviewed and liked. The couple has kept in touch with us both over the years, sending pictures and updates on their daughter.

My daughter always felt that in time the child would want to get in touch with her, and in fact, her adoptive parents have encouraged this, but the girl has always said she didn't want to. This is very painful for my daughter. Can you give us an idea as to why the young woman might not want to meet her birth mother, or offer any explanation that would make my daughter feel less rejected? She has even tried contacting her on Facebook, and the response was that Facebook was not an appropriate place to discuss this relationship. But no reciprocal contact has ever been made.

The Babylon Bee, an online satire publication that launched in 2016, has become a popular destination for Christians disaffected with megachurch culture and right-wingers who crave clever commentary about the hypocritical left. Kyle Mann, the website’s editor in chief, sometimes gives talks on college campuses. For conservative students, he told me, “It’s like they found their underground cabal of secret comedians who agree with them.”

Mann came to the comedy world almost by accident. He had a high-pressure job in construction sales before working at The Bee; he first got involved with the site by cold-pitching a joke. Although political humor drives much of The Bee’s web traffic, the publication’s signature hits focus on what the writers see as shallowness in the evangelical world. Christian humor is a big part of what drew Mann to the site: As a young man, he left the megachurch in which he was raised and moved toward more theologically conservative circles—”my rebellious teen stage,” as he put it.