july 1999

Of all the flaws in the perplexing “audit” of the 2020 election in Maricopa County, Arizona, the hypocrisy shines through most clearly.

As Donald Trump and his allies grasped at straws to cast doubt on the results of last year’s presidential race, they settled on a few common complaints. They said that the election process was tainted by procedures that had been hastily changed in the lead-up to voting, that it was run by partisan hacks, that outside observers were provided insufficient access to oversee the process, and that the election was corrupted by private money given by philanthropists to boards of elections to help them adapt to the pandemic.

Now, more than six months after the election, the circus in Arizona, ordered by the state Senate, has become the last stand of the denialists. The review has attracted the close attention of Trump himself, who has fired off repeated, blustery statements about the count from his Mar-a-Lago exile. But Arizona is committing all the same sins that Trump’s supporters have been denouncing, using a brazenly partisan process run by apparently unqualified parties, with procedures kept secret and subject to change. Observers are being asked to sign nondisclosure agreements, reporters have been kicked out of the site, and the exercise is being largely funded by interested outside parties—even though the Arizona legislature recently passed a law that prevents local boards from accepting outside funding.

Editor’s Note: Every Tuesday, Abby Freireich and Brian Platzer take questions from readers about their kids’ education. Have one? Email them at homeroom@theatlantic.com.

Dear Abby and Brian,

Everything feels untenable. I am so frustrated for my son, whom I’ll refer to as “Caleb,” who is in first grade. I’m frustrated for his teachers too, and for me and my wife. Caleb is on the verge of tears by the time online school ends at 2:30, and, to be honest, so am I. His schedule is different every day, and he can’t read well enough to follow all the directions, so even though I am working and ignoring him most of the time, he interrupts me just often enough to make me seem unprofessional. After his day is done, we let him watch TV until my wife or I can stop working, which is around 5 o’clock most days. This means that one of us has about an hour with Caleb before bath, dinner, and bedtime.

“How to Build a Life” is a weekly column by Arthur Brooks, tackling questions of meaning and happiness.

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“You are … irritating and unbearable, and I consider it most difficult to live with you.” So wrote Johanna Schopenhauer in a 1807 letter to her 19-year-old son Arthur. “No one can tolerate being reproved by you, who also still show so many weaknesses yourself, least of all in your adverse manner, which in oracular tones, proclaims this is so and so, without ever supposing an objection. If you were less like you, you would only be ridiculous, but thus as you are, you are highly annoying.”

Nomadland dares you to watch it. Even pressing the Play button on Hulu is a test of strength; do you have the stones to watch this plotless, dreary semi-documentary about elderly people forced to live in vans—and, yes, perform unspeakable bodily functions within them—and search for seasonal work? Or are you going to be a little baby and watch The Bourne Identity for the kabillionth time?

The much-reviled four-quadrant theory of moviemaking holds that a blockbuster appeals to all four sectors of the audience: young men, young women, somewhat older men, and somewhat older women. Nomadland is a movie that appeals to the four quadrants of the show-business apocalypse: menopausal women, people with life-threatening illnesses, people interested in poverty, and anyone with time on her hands who can’t find the remote.

Stay sober for a while, and you stop being shocked by what people did in the grip of addiction. I’ve heard people confess to incest, to snorting carpets like a vacuum cleaner just in case something fell into the pile, to defrauding clients of millions of dollars, and—I admit this one made me gasp—to performing an amputation on himself amid a drug-induced mania.

Once I found the courage to put the ugliest parts of myself out there, my reward was to find that no one really cared. I was relieved but also, to be honest, initially kind of offended—Hey, this is a big deal for me; couldn’t you be just a little impressed? I still had a perverse pride in my addiction—a very sick humblebrag. But when someone checks their watch while you’re baring your soul, believing you’re worse—or better or that different—than the people around you is a little difficult.